Jazz on Arts Axis Florida Jazz Scene

MR. DINOSAUR - Studio Sessions video series

Fri, 24 Apr 2026 19:17:11 GMT

MR. DINOSAUR - Studio Sessions video series

Photo of Pablo Duque and Tyler Heintzen in the WUSF Studio. Photo by Jazz on Arts Axis Florida

MR. DINOSAUR is an independent, originals-focused Jazz Fusion project, taking pride in providing a wide variety of styles within the vernacular. From Rock, Funk, R&B, Electronic, and more, you can expect a diverse and dynamic repertoire that explores a multitude of musical palettes.

Based in Jacksonville, FL, they have collaborated with Zap Cat Espresso Bar in early 2025 to host two indie Fusion nights, the Zap Sessions, they are regulars at the Tigre Island Room in Amelia Island, FL, recorded at WUSF in Tampa as part of their Studio Sessions, and are involved with the Jacksonville Jazz Festival’s “Jazz After Dark” Series. They plan to record an album come late Fall, with an expected release mid-Spring. Find them on Instagram .

Set List:

We Are

Gray Line

Two Sides of the Heart

Personnel:

saxophone - Pablo Duque

trumpet - Tyler Heintzen

keys - Ryan Little

guitar - Nate Harrison

bass - Patrick Johnson

drums - Spencer Boyum

camera/editor - Warren Buchholz

audio engineer - Jackson Harpe

Swamp Sounds Florida - Studio Sessions Conversations

Fri, 27 Mar 2026 13:53:28 GMT

Swamp Sounds Florida - Studio Sessions Conversations

In this episode, we’re joined by Eric Mullins, a professional musician and Executive Director of Mullins Music, and Jimmy Michaud, vinyl archivist and community curator, to explore the story behind Swamp Sounds Florida, a Florida‑rooted vinyl collective built on education, trust, and cultural preservation.

Eric and Jimmy share how their mutual love of vinyl and community listening led to an organic partnership, beginning with Jimmy’s long‑running Vinyl Night and evolving into Swamp Sounds Florida. Together, they discuss their approach to curating, grading, and re‑homing vintage records with integrity, as well as their commitment to keeping music social, accessible, and grounded in human connection.

As Swamp Sounds Florida continues to grow through markets, workshops, and events, the duo shares their long‑term vision of creating a physical home for vinyl culture—one that honors “Old Florida” while supporting musicians, collectors, and future generations of listeners.

Jimmy Michaud is a 28‑year‑old Florida native from Pasco County, driven by deep emotional connections to music, nature, and all things deserving care and respect. A former musician with roots in biker culture and off‑the‑boat Sicilian heritage, his perspective blends grit, tradition, and creativity. He currently works full‑time in the marine world—on boats by day and immersed in the jackets, stories, and details of vinyl records whenever possible.

Eric Mullins is a musician, educator, and arts organizer whose career spans performance, composition, and community music education. Born in St. Paul, Minnesota, he began piano at seven and saxophone at twelve, later touring with legendary blues singer Bobby “Blue” Bland. He is the co‑founder of Mullins Music, a nonprofit music school and recording studio in New Port Richey, Florida, and has released original children’s and jazz recordings. In 2026, Eric co‑founded Swamp Sounds Florida with Jimmy Michaud.

Follow Swamp Sounds Florida on Instagram and Facebook for updates on events, educational sessions, and the Vinyl Record Crawl.

Wine & Jazz - Studio Sessions

Wed, 18 Mar 2026 12:26:12 GMT

Wine & Jazz at Piccolo Buco - Studio Sessions

Host: Warren Buchholz, Jazz Brand Manager, WUSF

Guests:

Rita Batiste – Sommelier / Wine Attendant, Piccolo Buco

Alex – Brand Manager, The Zest

Location: Piccolo Buco, Tampa, FL

In this special on-location episode of Studio Sessions , WUSF Jazz Brand Manager Warren Buchholz sits down with Sommelier Rita Batiste at Piccolo Buco in Tampa to explore the sensory connection between classic jazz albums and carefully selected wines. Each pairing is designed to mirror the mood, texture, and emotional depth of iconic jazz recordings, blending music appreciation with wine education in a relaxed, conversational setting.

Jazz and wine share the same language—emotion, structure, improvisation, and personal taste. There is no “right” pairing, only what resonates with the listener and drinker.

Album & Wine Pairings

�� Thelonious Monk – Monk's Dream → Camille Brilliant Champagne (France)

Why it works:

Champagne’s elegance, bright acidity, bubbles, and citrus/white floral notes reflect Monk’s refined phrasing and playful improvisation.

Mood:

Celebratory, sophisticated, joyful, and dreamlike.

Vibe:

Dinner party energy with sparkle and imagination.

�� Miles Davis – Kind of Blue → Petite Sirah

Why it works:

Dark fruit, plush tannins, muted notes, and slow-burn intensity echo the album’s cool jazz structure and Miles’ muted trumpet style.

Mood:

Brooding, smoky, sultry, introspective.

Vibe:

Late-night listening, low lighting, quiet reflection.

�� Oscar Peterson – Night Train → Strawberry Rhubarb Spritzy Sangria

Why it works:

Bright, fizzy, sweet-tart flavors reflect Peterson’s joyful, locomotive rhythm and playful musical energy.

Mood:

Nostalgic, fun, youthful, and lively.

Vibe:

Brunch, sunny afternoons, patio listening.

�� Nina Simone – Gifted and Black → Vin Velouté Wine

Why it works:

Bold, assertive, dark fruit with spice and a surprising sweet finish mirrors Simone’s power, emotional depth, and artistry.

Mood:

Reflective, serious, intimate, emotionally rich.

Vibe:

Late-night conversations, deep questions, shared vulnerability.

Food Pairings Discussed:

Steak, meatballs with polenta, charcuterie boards.

�� Frank Sinatra – My Way → Super Tuscan Blend

Why it works:

A rebellious yet classic blend (Sangiovese, Merlot, Syrah, Cabernet Sauvignon) reflects Sinatra’s timeless swagger and independence.

Mood:

Confident, nostalgic, celebratory.

Vibe:

Milestone moments, anniversaries, elegant evenings.

Dessert Pairings:

Tiramisu, hazelnut chocolate cake with candied hazelnuts.

�� Ella Fitzgerald – Like Someone in Love → Riesling

Why it works:

Delicate sweetness, clarity, and freshness match Ella’s clear voice and romantic tenderness.

Mood:

Airy, youthful, affectionate, gentle.

Vibe:

Sunday afternoons, falling-in-love moments.

Food Pairings:

Salads, squash blossoms with lemon, light pasta dishes.

�� Dave Brubeck – Time Out → Cabernet Sauvignon & Zinfandel Blend

Why it works:

The unconventional blend mirrors Brubeck’s experimental time signatures and rhythmic complexity.

Mood:

Structured yet adventurous, balanced and bold.

Vibe:

Thoughtful listening, musical curiosity.

Recorded by: Natalie Jarrin

St. Petersburg Jazz Festival - St. Pete, Florida

Fri, 13 Mar 2026 16:07:19 GMT

St. Petersburg Jazz Festival

Location: St. Petersburg, Fl
Date: April 8 - 11, 2026

With 17 years of history, the St. Petersburg Jazz Festival is presented by David Manson and the nonprofit EMIT and features unique jazz artists in many jazz genres. Workshops and educational activities are also incorporated into the jazz festival. Concerts take place in the Palladium Theater and Museum of American Arts and Crafts Movement (MAACM) where pleasant acoustic environments and listening are the primary focus.

The St. Petersburg Jazz Festival is sponsored in part by EMIT, the State of Florida, Department of State, Division of Arts and Culture, Florida Council on Arts and Culture, City of St. Petersburg, Pinellas Community Foundation and Creative Pinellas.

The Warehouse Arts District Association (WADA) & EMIT are teaming up to present the 2026 St. Petersburg Jazz Festival! The festival is April 8 - 11 at the Warehouse Arts District Rosie Cohen ArtsXchange Stage.

Alexis Cole & Helios Jazz Orchestra
Wednesday April 8
7:30 PM at the ArtsXchange in the Warehouse Arts District

“We’ve been waiting for the next great singer to come along, and finally…Alexis”– Swing Journal Japan

Award-winning vocalist Alexis Cole joins forces with the Helios Jazz Orchestra for a powerhouse performance of big band standards and modern arrangements. Known for her "honey-toned" voice and effortless swing, Cole has performed with the finest ensembles globally. The Helios Jazz Orchestra, directed by David Manson, brings a lush, 18-piece wall of sound that perfectly complements Cole’s sophisticated phrasing. Expect a night of timeless elegance, soulful storytelling, and the high-octane energy that only a premier jazz orchestra can provide.

Johnbern Thomas Quintet & Randy Bordon Trio

Thursday, April 9 at 7:30 PM

7:30 PM at the ArtsXchange in the Warehouse Arts District

opening act - Randy Bordon Trio

Cuban-born bassist and producer Randy Bordon leads an eclectic trio that serves as a vibrant bridge between Havana and Florida’s jazz scene.

Johnbern Thomas Quintet

Hailing from Port-au-Prince, Haiti, drummer Johnbern Thomas is a vital force in the contemporary jazz scene. His quintet blends the complex rhythms of his Caribbean heritage with modern hard-bop sensibilities. Their performance is a testament to the global language of jazz, bridging cultures through percussive innovation and spirited improvisation.

Markus Gottschlich Trio & Hot Club SRQ

Friday, April 10 at 7:30 PM

7:30 PM at the ArtsXchange in the Warehouse Arts District

opening act - Hot Club SRQ

Steeped in the "Jazz Manouche" tradition of Django Reinhardt and Stephane Grappelli, Hot Club SRQ transports audiences to the bustling cafes of 1930s Paris. Led by the virtuosic violin of Keven Aland, this acoustic string ensemble delivers a high-energy mix of Gypsy Jazz, rumba flamenco, and Bossa Nova.

Markus Gottschlich Trio

Austrian-born pianist and composer Markus Gottschlich brings a unique European perspective to the American jazz tradition. His trio is acclaimed for its intricate interplay and cinematic soundscapes, often drawing inspiration from Gottschlich’s global travels and background in classical music. This performance showcases a sophisticated fusion of traditional jazz structures and contemporary experimentation, highlighting Gottschlich’s reputation as one of the most compelling pianists of his generation.

Martin Bejerano's #CubanAmerican Trio with Dafnis Prieto & Downtown Trio Plus One

Saturday, April 11 at 7:30 PM

7:30 PM at the ArtsXchange in the Warehouse Arts District

opening act - The Downtown Trio Plus One

The Downtown Trio Plus One delivers an intricate blend of classic jazz and modern exploration. The group has Joe Porter on double bass and John Jenkins on drums, the soaring saxophone work of David Pate, elevated by the "Plus One" of the evening: the fluid guitar styling of LaRue Nickelson.

#CubanAmerican Trio

In his #CubanAmerican Trio, pianist Martin Bejerano explores the duality of his identity, blending his deep American jazz upbringing with the fiery Afro-Cuban rhythms of his heritage. The result is a sophisticated, high-energy fusion that challenges the conventional boundaries of the piano trio.

For this special performance, the trio is joined by the legendary Dafnis Prieto, a MacArthur "Genius" Fellow and GRAMMY Award winner. GRAMMY winning bassist and composer Edward Perez joins the trio. Together, Bejerano, Prieto and Perez engage in a vibrant exploration of cultural synthesis, reflecting the diverse and evolving landscape of Miami’s music scene.

Would you like to be part of this new Florida jazz tradition? Contact Director David Manson to talk with him about concerts and sponsorship : mansond@spcollege.edu

Eliana Joy - Studio Sessions video series

Fri, 13 Mar 2026 13:05:25 GMT

Eliana Joy - Studio Sessions video series

Photo of Eliana Joy in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Born and raised in the American Southwest, Eliana Joy is a jack of all trades (master of…some!). After a euphonium degree and a spell with the Santa Fe Opera, she moved to Brooklyn to explore The Great American Songbook. Eliana developed a tender, subtly comedic set of vocal standards - and promptly received the diagnosis of a jaw condition requiring major surgery. In 2024, she had the operation in St. Petersburg, FL, and passed the time playing piano and making ceramics. Now based in Santa Fe, NM, Eliana lives a conspicuously involved life, working as a music educator, production potter, public radio host, digital marketer, and gallerist.

Set List:

'A' You're Adorable
All This and Heaven Too
Desafinado
Again & Again

Personnel:

vocals/piano - Eliana Joy

guitar/sax - Alex Malkovich

bass - Cooper Madden

drums - Ayrias Pedigo

camera/editor - Warren Buchholz

setup/assistance - Adam Darbyshire, Arantza Romero

audio engineer - Jackson Harpe

Jazz Is For Lovers!

Thu, 26 Feb 2026 21:50:07 GMT

Jazz Is For Lovers!

Feeling romantic? These classic jazz love songs are guaranteed to have you and your special someone in the mood for love this Valentine’s Day. Featuring J.J. Johnson, Clifford Brown, Chet Baker, and Lee Morgan, this collection brings together timeless performances that set the perfect soundtrack for romance.

Nick Peters Quartet - Studio Sessions video series

Mon, 26 Jan 2026 18:12:09 GMT

Nick Peters Quartet - Studio Sessions video series

Photo of Nick Peters in the WUSF Studio. Photo by Jazz on Arts Axis Florida

The Nick Peters Quartet is a dynamic jazz ensemble led by pianist Nicholas Peters, who has been performing since age four and immersed in jazz since middle school. Based in the Tampa Bay area, Nicholas has performed at renowned venues such as the Straz Center, Ruth Eckerd Hall, the Clearwater Jazz Festival, the Mahaffey Theatre, Crowbar, and Sparkman Wharf. Alongside his quartet, he delivers vibrant, soulful jazz that captivates any audience.

Nicholas, a full-time educator and performer, brings technical skill and warmth to the band’s sound. The quartet’s repertoire spans classic jazz standards and lively improvisations, and with his leadership, the Nick Peters Quartet offers a memorable jazz experience for every listener.

Personnel:

keys - Nick Peters

sax - Eduardo Marichales

bass - Rugwad

drums - Jacob Mobley

camera/editor - Warren Buchholz

setup/assistance - Adam Darbyshire, Kaylen Ross, Arantza Romero

audio engineer - Jackson Harpe

Aliqua - Studio Sessions video series

Wed, 21 Jan 2026 12:47:31 GMT

Aliqua - Studio Sessions video series

Photo of Zanzibean and Yogi performing for Aliqua in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Aliqua, “to some extent”, is a jazz fusion band formed in Tampa, Florida. With members originating from all walks of life and different corners of the world, they blend their cultures and passions into a musical dialogue that listeners can resonate, engage, and change their lives with.

Personnel:

piano/vocals- Zanzibean

guitar/trumpet - Alex Savinon

guitar/vocals - Radio Bo

bass - Kingsley Reeves III

drums - Jeremiah “Yogi” Warren

camera/editor - Warren Buchholz

setup/assistance - Adam Darbyshire, Kaylen Ross, Arantza Romero

audio engineer - Jackson Harpe

Al Di Meola - Studio Sessions Conversations

Thu, 15 Jan 2026 21:43:46 GMT

Al Di Meola - Studio Sessions Conversations

Meet Al Di Meola. He’s a GRAMMY® Award-Winning American jazz fusion and Latin jazz guitarist/composer, working as a solo artist on hit albums like Casino and Land of the Midnight Sun and performed with Chick Corea’s Return to Forever. He recently released a new album Twenty Four and is currently on tour where he’ll be performing at the Nancy & David Bilheimer Capitol Theatre in Clearwater on January 17 at 8pm.

Laila Biali - Studio Sessions Conversations

Tue, 13 Jan 2026 14:38:46 GMT

Laila Biali - Studio Sessions Conversations

Meet Laila Biali. She’s a Multi award-winning Canadian singer-songwriter, pianist and CBC Music national radio host of the program Saturday Night Jazz. She is a JUNO award winner and has recently released a new album Wintersongs. She will be performing at the Carrollwood Cultural Center in Tampa on January 16 at 7:30pm. I hope you enjoy.

Mutant Fusion Collective - Studio Sessions video series

Fri, 09 Jan 2026 18:55:10 GMT

Mutant Fusion Collective - Studio Sessions video series

Photo of Brian Doss performing for Mutant Fusion Collective in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Mutant Fusion Collective (MFC), the jazz/rock sonic conquistadors, have set sail from Dunedin, FL.

Fronted by guitarist and bandleader Kirk Yates, MFC has earned a reputation for its genre-blending prowess. Their signature sound seamlessly melds original compositions with classic jazz standards and ‘90s alt-rock anthems.

Known for their bold bond of jazz’s improvisational freedom and grunge rock’s raw energy, MFC delivers performances marked by intricate solos, tight rhythms, and a palpable passion.

Each member brings a unique voice, including Michael LaPick (drums), Cabe Crisler (bass), and Brian Doss (saxophone), whose interplay creates a compelling, eclectic landscape.

Emphasizing the COLLECTIVE aspect, MFC has collaborated with notable Tampa Bay artists such as Songbird Shella, Austin Llewellyn, Dimitri Brunelle, Joe Knoebel, Casie Fogle, Darryl McGowan Jr., and Dexter Wilborn.

Set List:

1. Luxury Effluvium

2. Realm of Recalled Dreams

3. Code Rouge

4. Iron Sam

Personnel:

Saxophone - Brian Doss

Guitar - Kirk Yates

Bass - Cabe Crisler

Drums - Michael LaPick

Video and Editing - Warren Buchholz

Audio - Jackson Harpe

Assistance - Kaylen Ross, Adam Darbyshire, Arantza Romero

Jazz at WUSF is a product of Arts Axis Florida and WUSF and is sponsored by Community Foundation Tampa Bay with support from the Gobioff Foundation, the Palladium, and from you. Thank you!

Gumbi Ortiz - Latin Rhythm Workshop

Wed, 07 Jan 2026 17:37:41 GMT

Gumbi Ortiz - Latin Rhythm Workshop

Gumbi Ortiz a 30 year veteran of The Al Di Meola Group, was born and raised in The South Bronx, Gumbi has Recorded, performed, and/or Produced, some of today’s most diverse and acclaimed musicians on the Planet including : Phillippe Saisse, Jeff Berlin, Steve Vai, Nat Adderley, Joel Taylor, Cyril Neville, Irvin Mayfield, Bill Summers, Armand Sabal-Lecco, Senri Kawaguchi, Chick Corea, Gato Barbieri, Rick Ross, Young Jeezy, The J.U.S.T.I.C.E League,Jeff Lorber, Dave Weckl, Eric Marienthal, Brandon Field ,Jay Beckenstein, Barry Miles, Joel Rosenblatt ,The Black Honkeys, Nick Brignola, Jim Pepper, Ted Shumate, Fred Johnson, Irene Cara, kamau kenyatta, Walter Booker, Jimmy Cobb, Rachel Z, Lenny White, kei Akagi,Leonid Agutin, Roman Miroshnichenko, Rick Braun, The Allen Carman Project, Tom Brechtlein, Luis Alicea, New Groove City, The Electrik Rendezvous, Marc Quiñones and Sammy Figueroa, to name but a few. The college campus is located at 6605 5th Ave. North in St. Petersburg. Funded by St. Petersburg College & EMIT.

Studio Sessions Holiday 2025

Thu, 18 Dec 2025 12:59:34 GMT

Studio Sessions Holiday Special 2025

Welcome to the Studio Sessions Holiday Special! I’m Warren Buchholz, jazz brand manager here at WUSF. It’s been a wild year, but now it’s time to slow down and celebrate the holidays—with friends, family, pets, that one uncle who comments on every Facebook post, and even your mail carrier. This season is full of joy, traditions, and of course… some incredible jazz. Listen to some music by local artists like Julián Pernett Castilla, The House Cats, Jeremy Carter, and Dan Bremer along with interviews and music from Dave Koz and Mindi Abair.

The musical legacy of 'A Charlie Brown Christmas,' 60 years on

Mon, 15 Dec 2025 12:48:53 GMT

The musical legacy of 'A Charlie Brown Christmas,' 60 years on

by the Here & Now Newsroom

"A Charlie Brown Christmas" turns 60 this year and is available to stream for free on Apple TV+ this weekend. While its jazzy soundtrack has become a holiday classic, it faced opposition from the network that originally broadcast it.

NPR's Felix Contreras talks about how the score came to be.

This segment aired on December 11, 2025.

Mindi Abair - Christmas 2025 - Studio Sessions Conversations

Wed, 10 Dec 2025 14:18:47 GMT

Mindi Abair - Christmas 2025 - Studio Sessions Conversations

Meet Mindi Abair. She’s is a 2x GRAMMY nominated saxophonist, vocalist, author and wine entrepreneur. She’s recorded and toured with ensembles and musicians like Aerosmith, Gerald Albright, Gregg Allman, Dave Koz and Trombone Shorty. She’s currently touring with Peter White and Vincent Ingala for the 2025 Peter White Christmas show where they will be performing at the Capitol Theatre in Clearwater on December 11 at 8pm. You can find tickets for this wonderful holiday show at RuthEckerdHall.com

Cozy Winter Jazz Mix

Thu, 04 Dec 2025 18:15:28 GMT

Cozy Winter Jazz Mix

Settle into the season with warm jazz melodies, soft swing, and smooth ballads. This mix captures the feeling of falling snow, glowing lights, and quiet nights spent in comfort.

Ron Carter - Studio Sessions Conversations

Wed, 03 Dec 2025 12:31:43 GMT

Ron Carter - Studio Sessions Conversations

Meet Ron Carter. He is among the most original and influential bassists in jazz. He is a performer, band leader, author, and educator with a prolific record of performing with some of the greats like Miles Davis, Herbie Hancock, Eric Dolphy, Cannonball Adderley, Dexter Gordon, Wes Montgomery, and so many more. He has recorded over 2,200 albums and has a Guinness world record to prove it!

Mr. Carter is releasing a brand new album, Sweet, Sweet Spirit , which fuses jazz and gospel music. The creation of Sweet, Sweet Spirit is deeply important to Mr. Carter as it is a tribute to his mother, Willie May, and is in many ways a lifetime in the making. The hymns on this album have an independent and deep history for the gospel community, in addition to having been integrated weekly into the life and musical development of the Carter family in the intimate Detroit church community they attended. A church which depended solely on the voices of the parishioners as instruments. Pre-sales begin December 5.

Dave Koz - Christmas 2025 - Studio Sessions Conversations

Wed, 26 Nov 2025 18:54:52 GMT

Dave Koz - Christmas 2025 - Studio Sessions Conversations

Meet Dave Koz. He’s an American saxophonist, composer, and radio host. Over the past 30 years, he’s earned nine Grammy nominations and performed with artists like Celine Dion and Stevie Nicks–to say the very least. He recently released a new album with his friend Bob James and is currently on tour with his Dave Koz and Friends Christmas Tour, which stops at Ruth Eckerd Hall on November 29–the perfect start to the holiday season.

Learn more and get tickets

Robert Callender - Studio Sessions Conversations

Tue, 11 Nov 2025 15:19:58 GMT

Robert Callender - Studio Sessions Conversations

In the late ’60s, Robert Callender — then recording as Bobby Callender — was a young singer-songwriter with a vision that defied his era. On Rainbow (1968, MGM), he fused Eastern raga textures with Western psychedelic rock, crafting a concept-driven song cycle long before such albums became common. The sessions brought together some of New York’s finest: bassist Richard Davis (Astral Weeks), guitarists Eric Gale and Hugh McCracken, and sitarist Colin Walcott of Oregon. 50 years later, Callender finally performed and recorded the album live for the first time. Rainbow Live will be released on November 14, 2025. Rainbow: The Anniversary Concert is more than a rediscovery — it’s a long-overdue validation of Robert Callender’s role in the psychedelic movement. Once whispered about only in collector circles, his music now takes center stage.

Rod Alnord Quartet - Studio Sessions podcast

Thu, 06 Nov 2025 12:38:35 GMT

Rod Alnord Quartet - Studio Sessions podcast

Rod Alnord is Haitian-born drummer with multiple musical influences including Jazz, Gospel/Worship, and Afro-Caribbean Music. He studied at the University of South Florida under Ric Craig and Bob McCormick. He has since developed his playing style, inspired by the explosive Elvin Jones and modern-day drummer Brian Blade.

Rod leads his own quartet and continues to freelance in the Tampa Bay Area in various projects and groups.

Be sure to follow Rod to stay updated on his music and shows.

IG: @rodalnordquartet

https://www.instagram.com/rodalnordquartet/profilecard/?igsh=MTA4cm1sN3QwbDd4aA==

Facebook: https://www.facebook.com/share/19dRLCcgaT/?mibextid=LQQJ4d

Personnel:

Rod Alnord - drums

Ross Strauser - saxophone

Eric Zabala - vibes

Rugawd - electric bass

Nic Hoffer - vocals

Warren Buchholz - video & editing

Jackson Harpe - audio

Chandler Balkcom - setup

Jazz on Arts Axis Florida is powered by WUSF, sponsored by Community Foundation Tampa Bay and by viewers like YOU, thank you!

Siobhan Monique - Night of Legends

Wed, 29 Oct 2025 12:42:31 GMT

Siobhan Monique - A Night of Legends - Live at the Palladium in St. Pete

Photo of Siobhan Monique performing at the Side Door at the Palladium. Photo by Jazz on Arts Axis Florida

Experience an unforgettable night of jazz in the Palladium Side Door, where the spirits of Nina Simone and Ella Fitzgerald meet in a magical, one-night-only concert. Featuring the captivating Siobhan Monique, who channels the soul of Simone and the elegance of Fitzgerald, this concert will transport you through timeless songs and imagined conversations between these jazz legends.

This concert was originally recorded on August 3, 2024. Presented by The Palladium at SPC.

About Siobhan:

Siobhan Monique’s artistic journey began with a rhythm ingrained in her soul by her uncle, Buster Cooper, a luminary of the Duke Ellington Band. Even before she could walk, Siobhan was swaying to jazz melodies. At the tender age of three, she harmonized her dance with the vibrant hymns of Mt. Zion Missionary Baptist Church in Saint Petersburg, Florida. Her musical odyssey took flight when she encountered the rich tapestry of classical arias and American folk at John Hopkins Middle School, guided by the inspirational mentorship of Music teacher, Stanley Butts. Encouraged to pursue classical training and deepen her musical education, Siobhan found her path at the Pinellas County Center for the Arts.

Under the tutelage of voice teacher Dawn Eubanks, she honed her craft, earning acclaim as a finalist in the Walker Rising Stars Scholarship Foundation and as a featured soloist at the National Holocaust Remembrance project in Washington D.C. Equipped with a degree in Classical Voice from the University of South Florida, where she studied under the esteemed Dr. Warren Jaworski, Siobhan now leads her band, Siobhan Monique and The Negro Ninjaz, as the lead singer. Her magnetic presence has graced esteemed venues including the Palladium Theater, Rock the Park, Jannus Live, American Stage, Mahaffey Theater, the Straz Center, and Williams Park. Siobhan’s versatility shines through her theatrical endeavors, portraying captivating roles such as Geneva Lee Brown in “Radio Hours,” Bess in “Porgy and Bess” at Platinum Theaters Bella Voce, and Summer Breeze in “Inertia: The Musical.” Her talents have also found a home in the vibrant landscape of New York’s theater scene, with appearances in the renowned “Cranky Cabaret” and her own one-woman show, “Siobhan Monique and More,” at the illustrious Duplex Theater. Notably, Siobhan portrayed Sarah’s friend in “Ragtime: The Musical” at American Stage.

Beyond the stage, Siobhan is a beacon of advocacy, serving as the spokesperson for the nonprofit organization, RaceWithoutIsm. She proudly holds the role of President at AncestralFunk Academy, a school that utilizes various art modalities as a means of healing and creative expression. Additionally, Siobhan is the curator of the “Motherland Music Festival,” a celebration of cultural heritage and musical diversity. Her impact extends to the screen, with a WEDU-PBS documentary featuring Siobhan nominated for an Emmy, showcasing her unwavering commitment to using her artistry as a catalyst for change.

Audio recorded by Alastair St.Hill

Video by Warren Buchholz

Bryan Hughes and the Crew - Studio Sessions video series

Wed, 29 Oct 2025 12:39:17 GMT

Bryan Hughes and the Crew - Studio Sessions video series

Photo of Bryan Hughes performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Trained in both traditional and contemporary jazz, American Jazz Vocalist Bryan J. Hughes mixes the seasoned sound of a classic jazz frontman with big band popular stylings and a contemporary R&B smoothness that breathes life into songs both old and new.

Personnel:

Bryan J. Hughes - vocals

James Suggs - trumpet

Alejandro Arenas - bass

Jean Bolduc - drums

John C. O'Leary - piano

Warren Buchholz - camera/editing

Jackson Harpe - audio engineering

Jazz on Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay with support from the Gobioff Foundation and by YOU, thank you for your support. #jazz

Hayes Carll - Studio Sessions Conversations

Tue, 28 Oct 2025 20:13:13 GMT

Hayes Carll - Studio Sessions Conversations

Hayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life, quieting the noise, and sitting with his real voice – the one that’s candid, consistent, and often inconvenient.

We’re Only Human is Carll’s tenth album. Like his best lyrics, it is also an understated masterpiece, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to, well, ourselves, in the midst of confusing, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself.

Hayes is performing at Skippers Smokehouse in Tampa on November 4, 2025.

Stanley Jordan - Studio Sessions Conversations

Tue, 21 Oct 2025 11:05:35 GMT

Stanley Jordan - Studio Sessions Conversations

Meet Stanley Jordan, a jazz guitarist and composer who has performed in 70 countries on 6 continents. His Magic Touch album was an instant classic, and it stayed at #1 on Billboard’s jazz chart for 51 weeks. He is widely regarded as the foremost exponent of the touch, or tapping technique on guitar. To date Jordan has been nominated for four Grammys. He made a cameo appearance in the movie Blind Date with Bruce Willis and Kim Basinger, and numerous TV appearances through the years, including Johnny Carson, Jay Leno, David Letterman and Jimmy Fallon. He has collaborated on the stage or in the studio with a diverse array of artists including Phil Lesh, Miles Davis, Kenny Rogers, Herbie Hancock, Dionne Warwick, Dave Matthews, Sharon Isbin, and Carmen McRae.

Stanley is performing at the Palladium in St. Pete on October 31. Stanley Plays The Dead is not just a concept-it’s a real band that truly works as a unit, with each member contributing something unique and important. All the members sing as well as play instruments. Learn more at mypalladium.org

Ona K - Studio Sessions podcast

Thu, 16 Oct 2025 15:50:35 GMT

Ona K - Studio Sessions podcast

Singer, composer, and creator Ona K envelops you in a mist of beauty. Once you enter, you won’t want to escape. With the sensuality of her voice, the elegance of her compositions and arrangements, her powerful aesthetics, and the strong community of musicians she has created around her music, she moves the listener’s soul in a way that they will always remember.

Her music pushes stylistic boundaries. It is born in the roots of descriptive cinematic music, connected to poetry (in English and Spanish), with a voice and arranges that navigate between r&b, and jazz, and a string quartet that is rooted in her to her classical origins.

Born in Barcelona, having lived in Spain, India, United Kingdom, and Austria, Ona K describes herself as migrant bird. In her travels, she has performed to critical acclaim in venues and festivals across Europe and the United States, winning several national and international awards. She is in process of releasing a new full-length album, FULL NEW LUNA, coming soon.

Personnel:

Ona K - vocals

Alejandro Arenas - bass

LaRue Nickelson - guitar

Patrick Bettison - keys

Jonathan Thomas - drums

Christina Adams - violin

Laura Martin - violin

Sungho Jung - viola

Michael Amos - cello

Camera and Editing - Warren Buchholz

Sound - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by listeners like you. Thank you!

Where to find jazz in Miami, Florida

Thu, 16 Oct 2025 14:26:00 GMT

Where to listen to jazz in Miami, Florida

Miami, Florida offers a variety of jazz at different venues across the city and beaches. See our recurring venue picks for listening to jazz in Miami:

Source: Armstrong Jazz House

Armstrong Jazz House

271 Miracle Mile, Coral Gables, FL 33134

Named after trumpeter Louis Armstrong, Armstrong Jazz House is a vibrant and elegant space for live music and global cuisine.

Source: Lagniappe House

Lagniappe House

3425 NE 2nd Ave, Miami, FL 33137

A New Orleans-style wine bar and live music staple of the Midtown neighborhood, Lagniappe’s cozy indoor space and enchanting gardens make it a must-visit for jazz lovers.

Source: Gibson Room

Gibson Room

2224 SW 22nd St, Miami, FL 33145

*Temporarily Closed Summer 2025 for Renovations*

The Gibson Room is a go-to spot for incredible live jazz, and an intimate, dimly-lit venue, featuring a rotating cast of talented musicians.

Source: On the Grid

The Corner

1035 N Miami Ave #101, Miami, FL 33136

A hip, trendy bar known for its eclectic live music nights, The Corner is a must-visit for anyone looking to enjoy live music in a vibrant setting.

Source: The Fish House

The Fish House

10000 SW 56th St #41, Miami, FL 33165

This go-to seafood restaurant in the heart of Miami offers a variety of live music nightly with jazz artists in the rotation.

Source: Medium Cool

Medium Cool

1690 Collins Avenue, Miami Beach, Florida 33139

This casual chic venue offers jazz Wednesday through Sunday in its intimate setting with plush velvet furnishings and a disco ball that sets the mood for an upscale nightlife experience. Medium Cool also provides a variety of cocktails and nosh. The perfect place to spend an evening. Reservations required.

Spooky Jazz Playlist

Mon, 13 Oct 2025 16:39:16 GMT

Spooky Jazz!

Just in time for Halloween! Listen to some spooky, creepy, eerie, and mysterious jazz tunes. From big band to free jazz to free metal jazz, we've curated an eclectic mix of songs for your next party or night in. Be sure to turn the lights off, light some candles, and get into the Halloween vibe.

Jon Batiste - Studio Sessions Conversations

Tue, 07 Oct 2025 11:59:20 GMT

Jon Batiste - Studio Sessions Conversations

Jon Batiste is a five-time GRAMMY® and Academy Award®-winning singer, songwriter, and composer known for his time on Late Night with Stephen Colbert, his film scores on the Disney film Soul and Jason Reitman’s Saturday Night, and the Netflix documentary “American Symphony,” which explores a year of Jon’s life, his career, and his wife’s struggle with Leukemia. He’s currently released 9 solo albums and has collaborated with a plethora of musicians like Willie Nelson, Madonna, Prince, and many many more. He’s performing at Ruth Eckerd Hall on October 8. Be sure to see him live.

Cool Jazz Mix

Sat, 04 Oct 2025 04:00:30 GMT

Cool Jazz Mix

Experience the smooth, sophisticated sounds of cool jazz with artists like Miles Davis, Lee Konitz, and Lennie Tristano. This mix brings laid-back grooves, subtle harmonies, and effortless style that defined an era. Press play and let the music take you into a world of calm brilliance.

Al Downing Honors 2025 Ceremony

Wed, 01 Oct 2025 14:09:50 GMT

Al Downing Honors 2025 Ceremony

By proclamation in 2023, the City of St. Petersburg Arts, Culture and Tourism acknowledges, celebrates and recognizes July 19th as Al Downing Day of St. Petersburg. Mr. Alvin Joseph Downing (1916-2000), Jazz Music Icon, was a Tuskegee Airman, Professor of Music at Gibbs High School and St. Petersburg College and known as the Ambassador of Jazz by the Clearwater Jazz Holiday Foundation.

The 2025 Al Downing Honors featuring Le Jazz, hosted and emceed by Erica Sutherlin, pays tribute to individuals who have contributed the understanding and appreciation of Jazz in the Tampa Bay area. The show features performances by the Al Downing Education Scholarship student recipients, Gibbs High School jazz ensemble, and the Le Jazz band.

The Al Downing Tampa Bay Jazz Association pays homage to some of Tampa Bay’s distinguished present and past Jazz legends. Those who have made an impact as:

– Jazz Musicians – Jazz Educators – Jazz Supporters

This concert was originally filmed on Sunday July 20, 2025.

Le Jazz, has been a staple of St. Petersburg’s music scene for over 15 years, delivering smooth, soulful, and sophisticated Jazz to audiences across the region. Led by the talented Hiram Hazley on upright and electric basses, the band also features notable members Judi Glover, Dennis Mones, and Kenneth Goolsby Jr. Known for their rich sound and dynamic arrangements, Le Jazz blends classic standards with contemporary flair — making them a favorite for festivals, private events, and cultural celebrations. With deep roots in the community and a passion for timeless music, Le`Jazz continues to set the tone for elegance and rhythm in the Tampa Bay area.

Hard Bop Mix

Fri, 26 Sep 2025 04:00:06 GMT

Hard Bop Mix

Experience the essence of hard bop with music built on blues, swing, and pure groove. Featuring legends like Art Blakey, Horace Silver, and Sonny Rollins, this mix delivers fiery, soulful performances that defined a generation of jazz. Press play and let the horns, drums, and keys carry you through the golden age of jazz.

Sunday Jazz Vinyl - September 21

Thu, 25 Sep 2025 14:08:16 GMT

Sunday Jazz Vinyl - September 21

Sunday Jazz Vinyl Listening Session occurs once per month on a Sunday at Suite E Studios in St. Pete, FL. This intimate lounge space/studio brings a very chill vibe with some great coffee. Old and new jazz vinyl is spun. Listen to this month's vinyl picks.

Jeff Babko - Studio Sessions Interviews

Tue, 23 Sep 2025 05:00:00 GMT

Jeff Babko

Meet Jeff Babko. He is a multifaceted musical talent renowned for his work as a composer, arranger, and keyboardist. Based in Los Angeles, Babko’s career spans live performances, studio recordings, television, and film. He is widely recognized as a member of the house band for Jimmy Kimmel Live!, where his dynamic and versatile keyboard stylings contribute to the show’s vibrant musical identity.

Babko has collaborated with a variety of artists, including Sting, Sheryl Crow, Frank Ocean, James Taylor, John Mayer, and Beck. Notably, he recorded and performed with Sheryl Crow in 2010 and contributed to Frank Ocean’s acclaimed Channel Orange album, showcasing his adaptability across genres.

In his solo work, Babko explores the depths of jazz fusion in albums such as Mondo Trio and Crux, where his improvisational prowess and unique compositional voice are his main focus. His artistry extends into film and television scoring, with contributions to soundtracks for films like Encanto, The 40-Year-Old Virgin, Superbad, Toy Story 4, Frozen 2, Forgetting Sarah Marshall, and Luca . He has also worked on series such as Better Things and Cobra Kai , solidifying his reputation as a composer.

Beyond his performance and scoring work, Babko runs his own studio, TudorTones, where he collaborates on projects and records with his wife, Songa Lee, a distinguished studio violinist. They contribute to both independent and commercial music initiatives by combining their talents in an engaging manner. TudorTones acts as a creative center where Babko not only developed his skills but also guided aspiring musicians, encouraging creativity and teamwork in the music business.

Learn more about Jeff Babko.

Free Jazz Mix

Fri, 19 Sep 2025 15:34:39 GMT

Free Jazz Mix

Experience the fearless creativity of the free jazz era with a playlist that pushes the boundaries and rewrites the rules. Featuring artists like Ornette Coleman, Anthony Braxton, Albert Ayler, and many more. Hit play and dive into the sound of liberation in motion.

Slim Truth - Spoken Word Poetry

Wed, 10 Sep 2025 13:14:00 GMT

Ty Scott King - Spoken Word Poetry Series

Leandra Diaz, known as SlimTruth, is a spoken word artist, author, coach, and workshop facilitator based in Orlando. She’s nationally ranked and known for using her voice to highlight mental health and uncover personal truths. Founder of Truth Serum, she creates healing spaces through community workshops and creative expression. She coaches an award-winning youth poetry team and collaborates across digital and live platforms. SlimTruth also writes scripts and produces theater, expanding her impact through powerful storytelling.

Personnel:

Original Poetry Written by Slim Truth

Camera: Warren Buchholz

Audio: Chandler Balkcom

Julie Black and Her Band - Studio Sessions podcast

Wed, 10 Sep 2025 13:10:15 GMT

Julie Black and Her Band - Studio Sessions podcast

Critically-acclaimed singer, songwriter & artist Julie Black writes expansive music rooted in early blues & jazz. A kindred spirit of free and fiery souls, she’s a songwriter whose personal story is deep, complex, and inspiring. Her soulful voice, intuitive approach, and fiery emotional intensity conjure up live performances that are passionate and profound. Deeply-rooted influences like Solomon Burke and Etta James flavor her sound, as do elements of blues, jazz, soul, swing, and rock. Filled with emotional truth, clarity, and vision, Julie Black offers a musical experience that is one-of-a-kind.

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Fusion Jazz Mix

Wed, 10 Sep 2025 13:05:42 GMT

Fusion Jazz Mix

Experience the groundbreaking sound of the jazz fusion era with a playlist that captures its spirit and innovation with standout performances from Weather Report, Return to Forever, Miles Davis, and many more. Hit play and enjoy the sound of modern jazz at its best.

Dan Bremer - Studio Sessions podcast

Fri, 05 Sep 2025 16:58:02 GMT

Dan Bremer - Studio Sessions podcast

About Dan Bremer: A freelance musician in NYC for 40 years. He plays bassoon, clarinet, sax and piano and has played venues from the Staten Island Ferry to Lincoln Center and everything in between. Dan taught at Wagner College and Staten Island Community College. As a woodwind player he's performed with the Staten Island Chamber Music Players, the Staten Island Symphony, 7th Army Band, the Metropolitan Opera Orchestra. As a legit pianist, he worked as an accompanist for soloists, choirs, community theater, musical director for Staten Island Children's Theater. As a jazz pianist, he played clubs, hotels and restaurants, including Birdland, the 21 Club, the Riverside Cafe.

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Late Night Jazz Mix

Thu, 04 Sep 2025 19:00:02 GMT

Late Night Jazz Mix

Set the mood for a smooth ride with a mix of smooth, moody, and soulful jazz made for late-night drives. Featuring artists like Miles Davis, Chet Baker, Stan Getz, Billie Holiday, and Herbie Hancock, this playlist will prepare your engine for the smoothest ride.

Ross Strauser - Studio Sessions Conversations

Wed, 03 Sep 2025 14:22:15 GMT

Ross Strauser - Studio Sessions Conversations

Ross Strauser is a saxophonist, composer and educator who serves on the music faculties at University of South Florida and Hillsborough Community College. He’s in process of creating his second album, Going to the Sun, a 15-movement suite of original works inspired by the Glacier National Park. He recently sat down with me and Adam Darbyshire in the WUSF studio, where we got to talk about his work and what inspires him.

Modern Jazz

Thu, 21 Aug 2025 15:58:32 GMT

Modern Jazz Mix

Experience the sound of jazz today with a mix that highlights the energy and creativity of the modern era with standout performances from Kenny Garrett, Pat Metheny, Wynton Marsalis, Christian McBride, Esperanza Spalding, and many more. Hit play and enjoy the sound of modern jazz at its best.

From What I Recall – Premazzi / Nasser Quartet

Tue, 12 Aug 2025 14:00:01 GMT

From What I Recall – Premazzi / Nasser Quartet

by Adam Darbyshire--

Within the opening moments of the Premazzi/Nasser Quartet’s debut release From What I Recall, it becomes clear that this is the work of a distinctly unique and modern voice. While the group occasionally dips into the familiar territory of that “modern” jazz sound, they consistently find ways to recontextualize those sounds with clear intent and originality.

From What I Recall plays like something of an experiment in the manipulation of melody--even at its most rhythmically challenging points, it can still be incredibly catchy.

On tunes like “Back Seat,” Premazzi and Nasser (who split writing credits on the record) turn rhythmic displacement into a melodic device reminiscent of Thelonious Monk’s playful phrasing. This experiment continues with tunes like “Persistence of Change,” which contrastingly uses space as something of a melodic device, still in a similar way.

All considered, this record comes off as less of a debut project for the quartet, and more like an invitation to consider new possibilities in the evolution of contemporary jazz.

Favorite tracks: Back Seat, Persistence of Change, Rocks That Aren’t So Smooth, From What I Recall

Rating: 4/5 stars

Rita Bolton - Studio Sessions Conversations

Tue, 12 Aug 2025 10:39:55 GMT

Rita Bolton - Studio Sessions Conversations

Meet Rita Bolton. She’s a singer and pianist who lives in the Tampa Bay area. She’s also a therapist and an educator, which has influenced her music. She recently released a new album: Soulful of Jazz, filled with a collection of jazz, blues, pop, gospel and show tunes. She’s collaborated with some local jazz greats like Hiram Hazley and John Lamb. Joining me in the studio is Adam Darbyshire where the three of us have a soulful conversation about music, life, and everything in between.

Detective Noir Jazz Mix

Mon, 11 Aug 2025 16:00:39 GMT

Detective Noir Jazz Mix

Check out some of the most popular detective jazz scores in movies and television including The Naked Gun, Anatomy of a Murder, Monk, L.A. Confidential, Zodiac , and a lot more! There are some classic tunes from artists like Duke Ellington, Miles Davis, Lalo Schifrin, Jerry Goldsmith, and John Barry. Listen now!

Dave Koz - Studio Sessions Conversations

Wed, 16 Jul 2025 13:22:29 GMT

Dave Koz - Studio Sessions Conversations

Dave Koz is a celebrated American saxophonist, composer, and radio host, widely recognized for his contributions to smooth jazz. Born in 1963 in Encino, California, he began playing the saxophone in his youth and quickly rose to prominence in the late 1980s, touring with artists like Bobby Caldwell and Richard Marx. His solo career took off with his 1990 debut album and has since led to numerous chart-topping albums, Grammy nominations, and collaborations with icons such as Celine Dion, Stevie Nicks, and Barry Manilow. Koz's engaging stage presence and musical versatility have made him a staple in contemporary jazz, while his popular syndicated radio show and annual Dave Koz & Friends At Sea cruises have expanded his influence beyond music. With a legacy built on innovation, collaboration, and a passion for performance, Dave Koz remains one of jazz’s most enduring and influential figures.

Andrew Berish - Studio Sessions Conversations

Tue, 01 Jul 2025 14:30:17 GMT

Andrew Berish - Studio Sessions Conversations

Andrew Berish is an Associate Professor who holds an M.A. and Ph.D. in Musicology from the University of California, Los Angeles. His book, Hating Jazz: A History of its Disparagement, Mockery, and Other Forms of Abuse (University of Chicago Press) is now available. He is also the author of Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s (University of Chicago Press, 2012). His essay on Space and Place in jazz is part of the Routledge Companion to Jazz Studies (Routledge, 2019). He has published articles on singer Vaughn Monroe, 1930s “sweet” jazz, and guitarist Django Reinhardt (Modernism/Modernity, The Journal of the Society for American Music and Jazz Perspectives). An essay on Duke Ellington in the 1930s appears in the Cambridge Companion to Duke Ellington, edited by Ed Green (Cambridge University Press, 2015). His research focuses topics in jazz and American popular music and their relationship issues of taste, aesthetics, and race. He teaches courses on American culture of the 1930s and ’40s, jazz and civil rights, the analysis of popular music, and the role of place and mobility in American historical experience.

Schaff-Wall Collective - Studio Session podcast

Thu, 26 Jun 2025 14:44:22 GMT

Schaff-Wall Collective - Studio Sessions podcast

Formed in 2022 by Trombonist James Wall and Multi-Instrumentalist T.J. Schaff, The Schaff - Wall Collective is a diverse and experimental music ensemble that performs in multiple configurations across the West Coast of Florida. The group draws influence from multiple genres and specializes in live jazz, fusion, pop, and New-Orleans style music. The band's core duo consists of James Wall (Trombone/Vocals) and T.J. Schaff (Drums/Piano) who are regularly joined by artists such as Julian Pernett (Piano), Nick Peters (Piano,) Jean Bolduc (Drums) Valentin Korniyenko (Bass), Erik Hempel (Bass), Aaron West (Sax) and Alex Ocon (Drums/Percussion).

Set List:

1. If I Only Had a Brain - by Harold Arlen (music) and Yip Harburg (lyrics)

2. Do You Know What it Means to Miss New Orleans - written by Eddie DeLange and Louis Alter

3. My Shining Hour - composed by Harold Arlen with lyrics by Johnny Mercer

4. Pentwater - written by T.J. Schaff

Personnel:

T.J. Schaff - drums/piano

James Wall - trombone

Erik Hempel - bass

Juliån Pernett - piano

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Andy Harrison

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Gabrielle Leonore - Studio Sessions Conversations

Tue, 17 Jun 2025 13:36:51 GMT

Gabrielle Leonore - Studio Sessions Conversations

Meet Gabrielle Leonore: she is an autistic artist who is premiering her first one-woman show, My Life as an “Inspirational Porn” Star , that she acts, writes and produces. You may have recently seen her as “Desdemona” in TheatreFor’s production of Desdemona: A Play about a Handkerchief and as a “Person in Charge” in Tampa Rep’s production of Straight White Men. She has played Various Roles in “A Sketch-ceptional Showcase” at the Tampa Fringe Festival (Theatre eXceptional), both Marvalynn and Rhonda in “Almost Maine” (West Coast’s Community Players), and Stella in “A Streetcar Named Desire” (Carrollwood Community Players). She also wrote, directed, and produced her acclaimed play, “(Re)union,” which was featured at the Tampa Theatre Festival, as well as earning the Social Good award at the Tampa Fringe Festival. Gabrielle holds a double major in Communication and Film from the University of Tampa.

Get tickets to see her new show: https://festival.tampafringe.org/events/my-life-as-an-inspirational-porn-star/

source: Gabrielle Leonore Instagram

The House Cats - Studio Session podcast - S1E2

Fri, 09 May 2025 14:08:16 GMT

The House Cats - Studio Sessions podcast

Travis Van Bumble and Stephanie Ruscito are The House Cats: a husband and wife, guitar and vocals duo, playing straight ahead-jazz, bebop, and swing. Travis and Stephanie grew up near Clearwater, and have been playing music together for over ten years. Travis’ walking baselines and chord melodies give The House Cats a big, swinging sound, but as soon as they play a ballad you’ll feel the mood shift, and see the two’s chemistry shine. The House Cats pull inspiration from many of the greatest names in American jazz including Ella Fitzgerald, Joe Pass, Wes Montgomery and Sarah Vaughan. Their repertoire consists of timeless tunes from The Great American song book; the pair hopes to breathe new life into these songs with original and inspired arrangements.

Set List:

On the Sunny Side of the Street - composed by Jimmy McHugh with lyrics by Dorothy Fields

Polka Dots and Moonbeams - music by Jimmy Van Heusen and lyrics by Johnny Burke

A Fine Romance - composed by Jerome Kern with lyrics by Dorothy Fields

Personnel:

Travis Van Bumble - guitar

Stephanie Ruscito - vocals

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Chandler Balkcom

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Daniela Soledade & Nate Najar - Studio Sessions video series

Fri, 09 May 2025 12:25:27 GMT

Daniela Soledade & Nate Najar - Studio Sessions video series

Photo of Daniela Soledade and Nate Najar performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Daniela Soledade is a rising star among legends in the Brazilian music scene. Downbeat Magazine calls Daniela a “master of classic samba and bossa nova.” An heir to the Bossa Nova legacy, Soledade is highly acclaimed for her poignantly expressive vocal style and intimate aesthetic.. With a tremendous talent for paying tribute to her musical heritage while staying true to her own artistry, Soledade is a mix of authentic bossa nova, samba, MPB, and American Popular Song.

Daniela’s grandfather was Paulo Soledade, who composed songs with legendary Brazilian artists Antonio Carlos Jobim, Vinicius de Moraes, Toquinho and Baden Powell. Her father, Paulinho Soledade is an artist and producer who learned guitar from Baden Powell himself and has worked with legends Ivan Lins and Gilberto Gil among others. As a child Daniela participated in studio recordings for multiple Brazilian artists and TV shows aired on Rede Globo. At age 14, she placed first in the entrance exam to attend the prestigious Music Conservatory Villa Lobos. Daniela settled in the United States in 2003 and maintains a busy performing schedule.

"JazzTimes calls him a 'masterful guitarist,' Nate Najar has emerged as one of America's finest modern jazz exponents. From his Billboard chart topping hit ‘Groove Me’ to the critical and commercial acclaim of ‘Jazz Samba Pra Sempre,’ Najar amalgamates his varied experience into a diverse and interesting body of work spanning live performance, recording and visual media. Currently on tour with Daniela Soledade, his partner in love, life and music the guitarist/arranger/producer/engineer continues spreading Love & Bossa Nova at venues all across the globe."

Personnel:

Daniela Soledade - vocals

Nate Najar - acoustic guitar

Carl Amundson - electric guitar

Cláudio Infante - drums

Patrick Bettison - piano

Joe Porter - bass

Warren Buchholz - camera/editing

Jackson Harpe - audio engineering

Jazz on Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay with support from the Gobioff Foundation and by YOU, thank you for your support. #jazz

Review - A Nuyorican Tale - Carlos Henriquez

Thu, 01 May 2025 14:08:16 GMT

Carlos Henriquez: A Nuyorican Tale

by Scott Watchler--

Make no mistake, Carlos Henriquez’s album A Nuyorican Tale is heavily influenced by its Latin music roots. However, there are threads of Straight Ahead Jazz, Afro-Jazz and even some Big-Band winding through the 9 songs that help broaden its appeal to a wider audience.

Bassman Henriquez’s bonafides are long and deep. The Juilliard trained Henriquez has played with all the great Jazz players —— contemporary and classic. From Tito Puente to members of the Marsalis family, to pop stars like Lenny Kravitz and Nobel Prize winning songwriters such as Bob Dylan.

The album starts out with the track "Nuyorican Soul" that sets the pace of the album. Tight Latin beats, and vocals with enough space for solid solos from the band give the listener a taste of what’s to come.

Both Bodega Groove and Latin Gemini show off the band and their ability to fuse together various styles that come together into a nice grove with Henriquez laying down a fundamental funk while flutist Jeremy Bosh provides a Latin voice to his vocals and his flute.

Henriquez's bass work and Robert Rodriguez's piano show off their Thelonious Monk influences on the aptly title "Afro Monk". The rest of the band colors the track with their own take on Monk that gives it a very fresh and new feel.

Henriquez’s A Nuyorican Tale is a great listen that shows a band in their prime and able to tackle various music styles with ease.

AAF Rating: 4/5 Trumpets

Amigo the Devil - Studio Sessions Conversations

Wed, 30 Apr 2025 18:31:48 GMT

Amigo the Devil - Studio Sessions Conversations

Amigo the Devil is a musician and songwriter who channels a voice of unsettling beauty and raw truth. He's a master at murderfolk, the genre that combines Americana, dark folk, and metal with themes of the macabre. His songs are greatly influenced by the honesty of Leonard Cohen, the creativity of Tom Waits and the ruthlessness of Chavela Vargas. He's currently touring and will be performing his solo show at the Floridian Social in St. Pete, Florida on May 1.

More about Amigo the Devil:

In the vast realm of modern folk and alternative rock, Amigo the Devil is an artist who channels a voice of unsettling beauty and raw truth. Splicing alarming honesty with personal realizations, his narratives carry weight, wisdom and wit. Nestled within the corners of Amigo the Devil’s haunting melodies and daring experimentation lies a tale as profound as the dirges he sings.

With a brilliant mind, full soul and a penchant for the obscure, Amigo the Devil’s songwriting harkens back to a more brutal state of songwriting. Rather than imitate Waits and Cohen, he identifies with the authentic disregard of consequences when it comes to songwriting and releasing music. Amigo the Devil is not polished or clean – he’s all heart, with reckless abandon. His understanding of emotions is deep and instinctual, choosing to embrace one’s flaws instead of trying to change them.

The son of a Greek father and Spanish mother, Amigo the Devil – otherwise known as Danny Kiranos – is a first-generation American from South Florida. He came of age in downtown Miami during the mid-1980s when the city was equal parts thriving, diverse and dirty. With a lust for travel and unusual experiences, Kiranos bounced around from city to city – 16 in total from LA to Europe – before he finally found a home in Texas. It was there, in Austin, that Amigo the Devil took root.

Nate Najar & Daniela Soledade - Studio Sessions Conversations

Wed, 23 Apr 2025 13:40:19 GMT

Nate Najar and Daniela Soledade - Studio Sessions Conversations

Meet Daniela and Nate, a Bossa Nova duo dedicated to sharing authentic Brazilian jazz with audiences across the globe. They’ve travelled and performed hundreds of shows from Rio de Janeiro to Paris. They’re currently touring their latest show, Love and Bossa Nova, which began in the pandemic on Zoom and quickly transformed into a live concert series. They’re performing on April 23 at the Palladium. I got to sit down with them in the WUSF Loraine Rubis and Neil Frankel studio, to talk more about their show.

About Nate:

He is an American guitarist, music producer, and composer who plays classical guitar within the jazz tradition. Najar's musical style is influenced by Charlie Byrd, a fingerstyle guitarist who played bossa nova and Brazilian jazz.

About Daniela:
An heir to the throne of bossa nova, Soledade is highly acclaimed for her poignantly expressive vocal style and hyper-intimate aesthetic. Born and raised in Rio de Janeiro, Soledade’s family roots are steeped in Bossa Nova’s inception. Her grandfather, Paulo Soledade composed popular song with renowned Bossa Nova founders Antônio Carlos Jobim, Vinicius de Moraes, Toquinho, Baden Powell, Fernando Lobo, and others. In 2019, Soledade established herself as the new sound of Bossa Nova with the release of her debut album A Moment of You.

About Love & Bossa Nova:

During 2020 Soledade teamed up with guitarist and producer Nate Najar to livestream a weekly duo concert series entitled “Love & Bossa Nova.” Running for over a year, the series was featured by JazzTimes hailing both Soledade’s “exquisite vocals” and Najar’s “masterful” guitar playing. They now tour the show globally and will be performing at the Palladium in St. Petersburg, Florida on April 23.

Tha Banned - Studio Sessions video series

Fri, 18 Apr 2025 12:44:15 GMT

Tha Banned - Studio Sessions video series

Photo of Tha Banned performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Tha Banned is a 6 piece jazz band consisting of Alejandro “Chach” Coronado (Trumpet), Malachi Elmore-Davis (Trombone), Kingsleyiii (Bass), Jeremiah "Yogi" Warren (Drums), Lincee St. Amand (Vocals) and Johnny Champagne (Keyboard). As a collective of Tampa based musicians and songwriters that started as a jam band in an auto shop, they are committed to spreading the spirit of live music and community.

Tha Banned plays every genre of music and specializes in improvisational jazz. They play events at venues across the Tampa Bay area including Rock the Park at Curtis Hixon, The Nest St. Pete, Hooch

& Hive in Tampa, St. Pete Saturday Morning Market, and give back to the community at events like Love Ybor at Crowbar, which raised money for victims of gun violence. Tha Banned has been commissioned for collaboration by the likes of Tampa City Ballet in their Fall show, “Interstices:” a dance theater production telling the stories of many historic figures in Ybor’s history.

Tha Banned operates as a collective and often plays as a supporting band for its members' solo performances.

Personnel:

Alejandro "Chach" Coronado - Trumpet

Malachi Elmore-Davis - Trombone

Lincee St. Amand - Vocals

Jeremiah "Yogi" Warren - Drums

Kingsley Reeves III - Bass

Christian "Johnny Champagne" Tapper - Keys

Warren Buchholz - camera/editing

Jackson Harpe - audio engineering

Jazz on Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay with support from the Gobioff Foundation and by YOU, thank you for your support.

Ty Scott King - Studio Sessions Conversations

Wed, 16 Apr 2025 12:51:45 GMT

Ty Scott King - Studio Sessions Conversations

Ty Scott King is an award-winning, multi-Billboard charting poet and hip hop artist and a best-selling author. Ty has successfully showcased her poetic talent on the National Poetry Slam level and hosted both an internationally aired TV show and her own radio show. tyscottking.com.

Jeremy Carter Group - Studio Session podcast

Fri, 11 Apr 2025 14:54:43 GMT

Jeremy Carter Group - Studio Sessions podcast

Jeremy Carter is a true study of Jazz music, Nebraska native, and understudy of the Southeast’s best professors and musicians. Jazzy funk riffs, screaming over the sounds of the BSP is truly a spectacle, for the ears and the eyes. If you find yourself stop-dancing in a dropped draw fashion, it is probably because of Carter’s riffs–his soul pouring over the speakers like sand. Carter has recorded with numerous national acts and has performed, recorded and produced solo albums and cameo appearances too many to list.

Set List:

Frequencies - written by Jeremy Carter
Record Me - written by Joe Henderson
Watermelon Man - written by Herbie Hancock

Personnel:

Jeremy Carter - saxophone

Elias Tona - bass

LaRue Nickelson - guitar

Rod Alnord - drums

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Chandler Balkcom

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

AP3 - Studio Sessions video series

Fri, 11 Apr 2025 14:13:41 GMT

AP3 - Studio Sessions video series

Photo of Ayrias Pedigo performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

The Ayrias Pedigo Trio (AP3) is a jazz trio located in St Petersburg Florida featuring members Ayrias Pedigo, Cole Hazlitt, and Cooper Madden. They play a combination of originals by Ayrias Pedigo and classic jazz standards and are inspired heavily by bebop and ECM era jazz.

Personnel:

Ayrias Pedigo - drums

Cooper Madden - bass

Cole Hazlitt - piano

Warren Buchholz - camera/editing

Jackson Harpe - audio engineering

Jazz on Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay with support from the Gobioff Foundation and by YOU, thank you for your support.

Tal Cohen Trio - 2025 St Petersburg Jazz Festival Night 1

Wed, 09 Apr 2025 15:27:16 GMT

Tal Cohen Trio - 2025 St. Petersburg Jazz Festival - Night 1

Photo of Tal Cohen on stage at the Palladium Side Door - photo by Jazz at WUSF

"The Tal Cohen Trio manages to combine complex, modern jazz concepts with graceful phrasing, thoughtful development and honest expression. The original ideas, high level of communication and spontaneity of the group is a breath of fresh air and proof that jazz has a bright future” – David Manson, Director of EMIT & the St. Petersburg Jazz Festival

Tal Cohen is a Grammy award winning jazz pianist. He has received much acclaim including winning the Barry Harris National Piano Competition and was the recipient of the prestigious Freedman Fellowship held at the Sydeny Opera to a sold out crowd.

In recent times Cohen has been playing around the Globe with Terence Blanchard, Greg Osby, Ignacio Berroa, Joe Lovano and others. he currently leads his own ensemble which has performed at Iconic jazz festivals and venues that include Jazzbez Jazz Festival (Ukraine), Detroit Jazz Festival, Melbourne Jazz Festival (Australia), Sopot Jazz Festival (Poland) as well as a week residency at the Black Cat (San Fransisco).

Cohen has become one of the most in demand pianists as he continues to tour the globe with his unique blend of Middle eastern melodies, traditional jazz Harmony and an impeccable rhythmic pallet forging a path to be remembered.

Personnel:

piano - Tal Cohen

bass- Vincent Dupont

drums - Brandon Lee Lewis

camera/editing - Warren Buchholz

audio - Danny Piechocki

This concert was filmed on location at the Side Door at the Palladium in St. Petersburg, FLA. as part of the 2025 St. Pete Jazz Festival produced by EMIT. The St. Petersburg Jazz Festival is sponsored in part by EMIT,

Claus and D'Vora Krueger, City of St. Petersburg, St. Petersburg College.

Dylan McHann - Studio Sessions Conversations

Wed, 02 Apr 2025 12:25:56 GMT

Dylan McHann - Studio Sessions Conversations

Meet Dylan McHann. He is an accomplished saxophonist and composer based in Miami, Florida and plays tribute to some of the greats like Thelonious Monk and John Coltrane. He’s performed in prestigious clubs like Dizzy’s Coca Cola and at festivals like the Monterey Jazz Festival. I spoke with Dylan over zoom about his upcoming show at Studio 620 on Saturday April 5, 2025. The show honors two jazz giants—Horace Silver and Cedar Walton.

Jazz Gift Basket Giveaway

Tue, 01 Apr 2025 15:37:52 GMT

Jazz on Arts Axis Florida 2 Year Anniversary Jazz CD Basket Instagram Giveaway

GIVEAWAY ALERT! Calling all jazz lovers! Jazz at WUSF is giving one lucky winner a GIANT gift basket of Jazz CDs to help celebrate the Jazz Appreciation Month and the 2 Year Anniversary of Jazz on Arts Axis Florida. We've pulled from the giant selection of CDs from the WUSF media library.

How to Enter:

What You'll Win:

A large selection of jazz CDs from the WUSF media library (~$300 value)
A CD copy of the Studio Sessions series
WUSF and Jazz on Arts Axis Florida swag
A shoutout on the @wusfjazz social media page

Giveaway ends April 30, 2025 at 11:59PM ET. One (1) winner will be selected on May 2, 2025 and contacted via email. No purchase necessary. Must be 18 years or older and a U.S. resident to enter. This promotion is in no way affiliated with Instagram. We will never ask for your credit card information. See full contest rules below.

Jazz CD Library at WUSF

JAZZ ON ARTS AXIS FLORIDA 2 YEAR ANNIVERSARY

JAZZ CD BASKET GIVEAWAY

OFFICIAL RULES

1. NO PURCHASE OR PAYMENT IS NECESSARY TO ENTER OR WIN . Promotion is offered only at the Jazz CD Basket giveaway (the

“Event”) at wusfjazz.org (the “Promotion Area”) on April 1, 2025 - April 30, 2025 Void outside the Promotion Area and where prohibited.

2. Promotion is subject to all federal, state, and local laws. WUSF shall be entitled to interpret these Official Rules as needed — including but not limited to rules regarding entries, entry or other deadlines, winner selection, prize restrictions, and eligibility — and all its decisions are final and binding in all Promotion-related matters. By participating, you irrevocably, fully and unconditionally agree to be bound by these Official Rules and the decisions of WUSF.

3. Entries will be accepted from 4/1/2025 to 4/30/25 only, beginning at 12:01 AM Eastern Time (“ ET ”) and ending at 11:59PM ET. Event date and/or time are subject to change depending on weather. Drawing to determine potential winner will be held one week after the conclusion of the Event. You do not have to be present to win . WUSF‘s computer is the official time-keeping device for this Promotion.

4. Promotion is only open to those who subscribe to the Jazz at WUSF newsletter, who are eighteen (18) years old or older. Employees, associates, officers, directors, volunteers and agents of WUSF, any other prize providers or entities directly involved in the development or administration of the Promotion, and the members of their immediate families (defined as spouses, parents, siblings, and children) and households, are not eligible to enter or win.

5. Prize ( 1 ): Detailed prize description. ARV: $300. The odds of winning depend on the number of entries received. All prize details shall be at WUSF‘s sole discretion. Prize consist only of those items specifically listed as part of the prize description. Winner assume sole responsibility for any expenses and/or costs associated with the prize not expressly included in the prize description. The right to receive a prize is not transferable. Not accepted by the winner is forfeited and no cash or substitute will be offered or permitted, unless required by law. Prize may not be substituted except that WUSF in its discretion may substitute a prize, or portion thereof, with a prize or portion of equal or greater value if it deems necessary. Any such changes will be announced.

6. The prize offered is provided “as is” with no warranty or guarantee either express or implied by Released Parties (below). Released Parties have neither made nor are responsible or liable for any warranty, representation, or guarantee, express or implied, in fact or in law, relative to the prize, including but not limited to its quality, mechanical condition or fitness for a particular purpose. There is no warranty or guarantee, expressed or implied, relative to the prize, including but not limited to quality, mechanical condition or fitness, except as may be offered by the manufacturer or otherwise required by law. Other restrictions apply.

7. Entries will be accepted 4/1/25 through 4/30/25 only, starting at 12:01 AM and ending at 11:59 PM ET (the “ Entry Period ”). To enter, visit @wusfjazz on Instagram. Subscribe to the profile (the “ Profile ”) and comment under the Jazz Basket Giveaway post by tagging a friend. You may only enter yourself; no third-party entries will be accepted. This is the only method of entry. Entries will not be accepted via U.S. mail, email, or any other method. You can unsubscribe at any time by following the instructions in the Newsletter email.

8. All entries must be received by WUSF no later than 11:59 PM ET on 4/30/25. Limit one (1) entry per person. WUSF is not responsible for electronic communications that are undeliverable because of any form of passive or active filtering. In the event of a dispute as to the identity or eligibility of a winner based on a profile, the entry will be deemed made by the “ Authorized Account Holder ” of the Instagram profile used for entry. The Authorized Account Holder is the natural person who is assigned to the Instagram profile by the relevant email provider. Entries that omit any required information above may be disqualified without further notification by WUSF. WUSF is not responsible for entries that are lost, misdirected, damaged, incomplete, illegible, incorrect or late for any reason, and all such entries are void. WUSF may disqualify any entry that in its opinion does not comply with these Official Rules. Entry forms become the property of WUSF and will not be returned.

9. Following the Entry Period, WUSF will select one (1) name at random from all timely entries received. Subject to verification of eligibility, the entrant whose name is selected will be declared the winner. WUSF will notify the potential winner based on the account provided at the time of entry. Potential winner must respond to WUSF within forty-eight (48) hours of notification with any requested contact information and, if requested, valid photo ID and signed declaration of eligibility, liability waiver and/or publicity release (where legal) to WUSF. WUSF in its sole discretion may allow for transmission of verification material via email. If potential winner fails to respond to, or cannot be contacted directly by, WUSF within forty-eight (48) hours, declines to accept the prize or is otherwise ineligible, WUSF in its discretion may disqualify that person and will select an alternate winner, who will be subject to all verification requirements above. Confirmed winner will receive instructions from WUSF for claiming or receiving prize.

10. WUSF may, in its sole discretion, post the verified winner on WUSF‘s websites, including https://www.wusf.org and/or https://www.wsmr.org , or any of its social media channels. By accepting a prize, winner agrees to award WUSF the right to publicize his/her/their name, photograph (including the use and appearance of his/her/their photograph on WUSF‘s websites), likeness, biographical information, email address, voice and details of winning for purposes of this and future promotions without further compensation, except where prohibited.

11. By entering the Promotion and/or accepting a prize, you agree that WUSF, all other companies involved in the development or administration of this Promotion, the Event host and/or organizer, and a range of subsidiaries, agencies, affiliates, franchisees, promoters, prize suppliers, directors, officers, employees, agents and related persons (collectively, the “ Released Parties ”): (a) are not responsible for mechanical, technical, electronic, communications, telephone, computer, hardware or software errors, malfunctions or failures of any kind, or other errors of any kind, whether human, mechanical, or electronic; or late, damaged, illegible, stolen or misprinted entries; (b) are not responsible for any incorrect or inaccurate information, whether caused by entrants or other participants, printing, typographical or other errors or by any of the equipment or programming associated with or utilized in the Promotion (including any entries) or in the printing of this offer, administration of this Promotion, or in the selection or announcement of the winner or award of the prize (c) are not responsible for unauthorized human intervention in any part of the Promotion; (d) are not responsible for any unauthorized third-party use of any entry materials; (e) are not responsible for the inability to select winner because of postal failure, equipment failure, or data storage failure; (f) are not responsible for any printing, typographical, technical, computer, network or human error that may occur in the administration of the Promotion, the acceptance of entries, the selection of the winner the prize or otherwise in any Promotion-related materials; and (g) are released from any and all alleged, existing, or future actions, claims, and/or liabilities of whatever nature including, but not limited to, personal injury, bodily injury (including, without limitation, wrongful death and disability), property damage, and expense (including, without limitation, reasonable attorneys’ fees) and loss or damage of any other kind, arising in whole or in part directly or indirectly, from participating in the Promotion (in whole or in part), the use (including modification, adaptation, and reproduction) of entry materials during or after the Promotion, and the delivery, acceptance, possession, redemption, use, misuse, loss, or misdirection of the prize.

12. RELEASED PARTIES EXPRESSLY DISCLAIM ALL WARRANTIES OF ANY KIND (WHETHER EXPRESS, IMPLIED, STATUTORY OR OTHERWISE), INCLUDING BUT NOT LIMITED TO, IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, AND NON-INFRINGEMENT. RELEASED PARTIES SHALL NOT BE LIABLE OR RESPONSIBLE FOR THOSE GUARANTEES OR WARRANTIES MADE OR OFFERED BY ADVERTISERS, PARTNERS, MANUFACTURERS OR SUPPLIERS, INCLUDING THOSE RELATED TO THE PRIZE. UNDER NO CIRCUMSTANCES SHALL RELEASED PARTIES BE HELD RESPONSIBLE OR LIABLE FOR YOUR USE OF THE INFORMATION AND/OR PRODUCTS PROVIDED AND/OR MADE AVAILABLE THROUGH THE PROMOTION OR FOR ERRORS OR ANOMALIES RESULTING IN THE UNINTENDED OR ERRONEOUS PARTICIPATION, AWARD OF THE PRIZE OR OTHER BENEFITS UNDER THESE OFFICIAL RULES. RELEASED PARTIES DO NOT GUARANTEE THE ACCURACY OR RELIABILITY OF ANY INFORMATION OBTAINED THROUGH THE PROMOTION.

13. BY ENTERING THE PROMOTION, ACCEPTING A PRIZE AND/OR OTHERWISE PARTICIPATING IN THE PROMOTION, YOU FURTHER AGREE THAT (A) ALL DISPUTES, CLAIMS, AND CAUSES OF ACTION ARISING OUT OF OR CONNECTED WITH THE PROMOTION, OR ANY PRIZE AWARDED, SHALL BE RESOLVED INDIVIDUALLY, WITHOUT RESORT TO ANY FORM OF CLASS ACTION; (B) ALL CLAIMS, JUDGMENTS AND AWARDS SHALL BE LIMITED TO ACTUAL OUT-OF-POCKET COSTS INCURRED, INCLUDING COSTS ASSOCIATED WITH ENTERING THE PROMOTION, BUT IN NO EVENT ATTORNEYS' FEES; AND (C) UNDER NO CIRCUMSTANCES WILL YOU BE PERMITTED TO OBTAIN ANY AWARD FOR, AND YOU HEREBY WAIVE ALL RIGHTS TO CLAIM, ANY DAMAGES WHATSOEVER, INCLUDING DIRECT, INDIRECT, PUNITIVE, INCIDENTAL OR CONSEQUENTIAL DAMAGES AND ANY RIGHTS TO HAVE DAMAGES MULTIPLIED, TREBLED OR OTHERWISE INCREASED AND ANY DAMAGES OTHER THAN ACTUAL OUT-OF-POCKET COSTS DESCRIBED ABOVE.

14. SOME STATES DO NOT ALLOW LIMITATIONS ON THE ABILITY TO PURSUE CLASS ACTION REMEDIES, OR ON CERTAIN KINDS OF DAMAGES, SO THE ABOVE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU IN WHOLE OR IN PART.

15. WUSF reserves the right to cancel, suspend or terminate this Promotion, or any part thereof, if WUSF determines, in its sole discretion, that the security, administration, fairness and/or operation of the Promotion has been corrupted or impaired by any non-authorized intervention, network failure, information storage failure, telecommunications failure, regularly scheduled maintenance, malfunction, or any other cause beyond WUSF‘s control. In such an event, WUSF will post notice of same at the Event and select the winner at random from all non-suspect entries received prior to the suspension, cancellation or termination of the Promotion or in such other manner as WUSF, in its sole discretion, deems fair and appropriate under the circumstances.

16. Note: Without limiting the generality of the foregoing, WUSF reserves the right, in its sole and absolute discretion, to terminate or suspend all or part of this Promotion, in the event that (a) its ability to award the prize or any portion thereof is restricted or prohibited by any federal, state, or local laws or municipal governing or regulatory body or agency, or by law or regulation; (b) the Event is canceled, postponed, or suspended by any third party as a result of any decision, decree or recommendation of any federal, state, or local laws or municipal governing or regulatory body or agency, including any public health authorities or that attendance or participation in the Event is discouraged or recommended against by any public health authority; or that (c) the Event cannot be held as scheduled, or the prize cannot be awarded as offered, as a result of any cause outside of WUSF‘s control and WUSF will have the right in its sole discretion to award a different prize, cancel or rescind the prize and/or cancel the Promotion as a whole.

17. WUSF reserves the right to disqualify any individual from further participation in the Promotion if WUSF concludes, in its sole discretion, that such person (a) has attempted to tamper with the entry process or other any operation of the Promotion, (b) has repeatedly disregarded or has attempted to circumvent these Official Rules, or (c) has acted towards WUSF or any other entrant or other participant in an unfair, inequitable, deliberately annoying, threatening, disrupting or harassing manner. Tampering includes attempting to enter more than the number of times permitted herein, including by using any prohibited device or method. Any failure by WUSF to enforce any of these Official Rules shall not constitute a waiver of such Official Rules. All activity arising out of and relating to the Promotion, including reference to any person as a "winner," is subject to verification and/or auditing for compliance with the Official Rules. If WUSF determines, in its sole discretion, that there is evidence of non-compliance with the Official Rules, WUSF may disqualify such entrant from the Promotion and prize at any time. Each entrant agrees to cooperate with WUSF and its representatives in connection with all verification activities. WUSF reserves the right to correct typographical, printing or clerical errors in any Promotion-related materials. No more than the stated number of prizes will be awarded. If production, technical, seeding, programming or any other reasons cause more than the stated number of prizes as set forth in these Official Rules to be available and/or claimed, WUSF reserves the right to award only the stated number of prizes by a random drawing from among all legitimate, un-awarded, eligible prize claims.

18. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or the rights and obligations of the entrants or Released Parties in connection with the Promotion, shall be governed by Florida law. By entering the Promotion, you expressly (a) agree that any legal proceedings arising out of or relating in any way to this Promotion or these Official Rules shall be brought only in the federal or state courts located in Hillsborough County, Florida, and (b) consent to the mandatory and exclusive jurisdiction in such courts with respect to any such legal proceedings.

19. Any third-party trademarks mentioned herein are the property of their respective trademark owners and the use or mention of any such third-party trademarks in these Official Rules or in the Promotion is solely for descriptive purposes and shall in no way imply an endorsement or sponsorship of the Promotion or WUSF. Any questions or complaints about this Promotion must be directed to WUSF and not to such third parties.

20. Sponsor : WUSF

Julie Black and Her Band - Studio Sessions video series

Mon, 31 Mar 2025 14:27:26 GMT

Julie Black and Her Band - Studio Sessions video series

Photo of Julie Black performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Song List:

I Will Overcome - written by Julie Black & Dave Eichenberger

I Prefer You - written by Julie Black & Dave Eichenberger

River of Blood - written by Julie Black & Dave Eichenberger

Personnel:

vocals - Julie Black

guitar - Dave Eichenberger

drums - Frank Timpanelli

bass - Eric Mullins

Jazz on Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay with support from the Gobioff Foundation and by YOU, thank you for your support.

MPM Trio - Studio Sessions Concerts

wbuchholz@wusf.org (Warren Buchholz) — Thu, 27 Mar 2025 15:22:12 GMT

MPM Trio - Studio Sessions Concerts

MPM is an instrumental trio based out of Tampa Bay, Florida specializing in jazz performance. Led by Alex Malkovich on guitar and saxophone, Cooper Madden on bass, and Ayrias Pedigo on drums, this ensemble performs classic bebop tunes in a modern way. This concert was recorded at In Between Days, an intimate sake bungalow house in St. Petersburg, Florida.

Where to find jazz in Sarasota

Wed, 26 Mar 2025 17:39:07 GMT

Where to listen to jazz in Sarasota, Florida

Sarasota, Florida offers a variety of jazz at different venues across the city and bay. See our recurring venue picks for listening to jazz in Sarasota:

Source: Florida Studio Theatre

Florida Studio Theatre Court Cabaret

1265 1st St, Sarasota, FL 34236

The Jazz Club of Sarasota is a staple of jazz in the bay area and hosts their Monday Night Jazz Cabaret series in this intimate, 100-seat Parisian-style dinner theater with a full bar. These shows offer a wide range of talented musicians like Jeremy Carter , La Lucha, and Zach Bartholomew. These ticketed events can be found on eventbrite .

Source: Fogartyville

Fogartyville Community Media and Arts Center

525 Kumquat Ct, Sarasota, FL 34236

This arts and community center provides space for a listening room that hosts a ton of local and national musicians ranging in all genres, but it also provides space for jazz concerts. T ickets can be acquired through WSLR.

Source: Google Maps

Historic Asolo Theatre at The Ringling

5401 Bay Shore Rd, Sarasota, FL 34243

The Historic Asolo Theatre (reconstructed from its original 1798 Renaissance-era palace) is located on the Ringling College campus and hosts the occasional jazz concert with musicians like The Two Rivers Ensemble, Alain Pérez, and Lívia Mattos Trio. Learn more about the performing arts center.

Source: Sarasota Art Museum

Sarasota Art Museum

1001 S Tamiami Trl, Sarasota, FL 34236

The Sarasota Art Museum hosts its “Jazz Thursdays” concert series each second Thursday of the month from 5:30p-8:00p on the Marcy & Michael Klein Plaza. Musicians have ranged from Simon Lasky, Friends of Fil, and Suzanne Lucas and the Hot Boyz. Learn more about Jazz Thursdays.

Source: Google Maps

Selby Public Library

1331 1st St, Sarasota, FL 34236

SRQ Jammers at Selby Library is a free jazz jam event for musicians and non-professionals and occurs twice per month on Mondays from 5:30pm until 7:30pm in the Geldbart Auditorium. Learn more and find a day that works best for you.

Source: Van Wezel

Van Wezel Performing Arts Hall

777 N Tamiami Trl, Sarasota, FL 34236

The Van Wezel Performing Arts Hall is a performing arts venue that occasionally hosts jazz concerts from more known musicians like Branford Marsalis.

Smokin Guitar Cat - Julie Black

wbuchholz@wusf.org (Warren Buchholz) — Fri, 21 Mar 2025 14:05:06 GMT

"Smokin' Guitar Cat" - Julie Black

by Warren Buchholz --

“Smokin’ Guitar Cat” is a beautiful single from vocalist Julie Black, which features Julie’s classic raspy, mellifluous bluesy voice. Dave Eichenberger's acoustic guitar and synth structure compliment Julie’s vocals, which makes you feel like you’re roaming the rainy streets of Ybor City. The song’s Cuban noir influences showcase lyrics like “soon everybody’s dancing to this smokin’ guitar cat on the rainy streets of Tampa where they roll the cigars at.”

Julie’s brand and persona shine bright here, and "Smokin' Guitar Cat" makes me want a full album filled with Cuban noir flair that highlights the best of what Tampa offers.

AAF Rating: 4/5 trumpets

Sandujazz - Studio Sessions podcast

Wed, 19 Mar 2025 13:41:59 GMT

Sandujazz - Studio Sessions podcast

Born in Hattiesburg, Mississippi, Sandujazz is an ensemble devoted to the sounds of the African, Caribbean, and Latin American idiosyncrasies. Since 2019, the group has released its first trilogy of albums blending Jazz Fusion and Salsa styles with psychedelic influences. They are now a prominent part of the jazz scene in Tampa led by the new generations.

Set List:

1. “Covidio Yr.” writtren by Julián Pernett Castilla

2. “Espairecendo” written by Hareton Salvanini / arr. Julián Pernett Castilla

3. “Alivio Bendecío” written by Frank Zappa / arr. Julián Pernett Castilla

3. “Entre Aleros” written by Julián Pernett Castilla

Personnel:

Julián Pernett Castilla - piano

Alex Ocón - drumsE

Aaron West - saxophone

Evan Hoffman - congas/percussion

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Malaika Hollist

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Steve Hunter - Studio Sessions Conversations

Wed, 12 Mar 2025 12:13:50 GMT

Steve "The Deacon" Hunter - Studio Sessions Conversations

Meet Steve "The Deacon" Hunter. He's a musician, composer and guitarist who has been touring and recording with musicians like Dr John, Jack Bruce, Lou Reed, Tracy Chapman, Mitch Ryder, Jason Becker, and Alice Cooper. Steve has contributed to Peter Gabriel's "Solisbury Hill" and to ten Alice Cooper albums, starting in 1973 with Billion Dollar Babies and featured heavily on the new Welcome 2 My Nightmare . He completed a World tour with Alice in 2011 but left at the end of that year to write and record his solo album The Manhattan Blues Project. He is on the 2017 Alice Cooper release Paranormal and the 2021 album Detroit Stories . He’s had an illustrious solo career with seven solo albums with more in the making.

Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Samara Joy - Portrait - Album Review | Jazz at WUSF

Thu, 06 Mar 2025 16:56:01 GMT

Samara Joy - Portrait - Album Review

Photo of the album cover for Samara Joy's Portrait

by Adam Darbyshire—

GRAMMY award winning artist Samara Joy crafts a stunning soundscape of vivid hues and complex harmonies with her aptly-titled second studio album Portrait. Each track is seamlessly woven together through some of the most impressive composing and arranging I’ve heard from any recent jazz release. Each track serves as a carefully brushed stroke on a massive canvas. With brilliant vocal control and an impressively dynamic range, Joy has no problem painting this colorful canvas from top to bottom.

Samara Joy’s rich and mature voice fills the room with a masterful elegance similar to the likes of Ella Fitzgerald and demonstrates a deeper understanding of the art form, which gives tribute to the greats who inspire her (Sarah Vaughan and Carmen McRae just to name a few). Joy continues to become one of the most unique and innovative voices in the contemporary vocal jazz world.

"Joy continues to become one of the most unique and innovative voices in the contemporary vocal jazz world"

The consensus stemming from today's discourse is that the jazz scene is teeming with copycats. The often-repeated lament of “jazz is dead” comes off extremely shortsighted and naïve, especially while artists like Samara Joy consistently strive to find new ways to breathe life into the lively genre.

Though her latest project consists primarily of covers—aside from the brilliant "A Fool in Love (Is Called a Clown)" and "Peace of Mind"—the band’s fresh arrangements transform these swing classics into something uniquely her own. From jazz standards like "You Stepped Out Of A Dream" and "Autumn Nocturn" to deeper cuts from the jazz songbook like Sun Ra’s "Dreams Come True," Joy employs her own storytelling prowess to present a new perspective to these classics.

Her band's undeniable chemistry, featuring some of the finest jazz musicians of the younger generation (many of which are native to the Tampa and St. Petersburg area), enhance the creative energy and emotional depth of Joy's voice.

Samara Joy’s album Portrait stands as a milestone album for the contemporary jazz scene. Over the course of eight beautifully sequenced tracks, Joy and her band contribute meaningful impact to the genre’s ongoing evolution—a necessary reminder that jazz is not only alive but it's also thriving.

AAF Rating: 5/5 trumpets

AAF Top Picks: You Stepped Out Of A Dream, Reincarnation Of A Lovebird, Peace Of Mind / Dreams Come True, No More Blues

ERG- Studio Sessions podcast

Thu, 06 Mar 2025 14:16:39 GMT

ERG - Studio Sessions podcast

ERG is a new ensemble exploring the intersections of composed and improvised creative music. Four of its five members are SHIM alumni and include David Pate (saxophones & flute), Tom Kersey (cello), David Manson (trombone), TJ Glowacki (double bass), and Jim Stewart (drums). Their collective experiences include the free spirit of SHIM, the experimentalism of BONK, and the groove and grittiness of the Zappa repertoire band Bogus Pomp. For more information about ERG, see https://emitseries.org/erg

Set List:

1. Cacoethes

2. Dür

3. Following

4. Spin Dali

Personnel:

David Pate - saxophone/flute

Tom Kersey - cello

TJ Glowacki - double bass

Jim Stewart - drums

David Manson - trombone/composer

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Malaika Hollist

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Charlee Loyst Trio - Studio Sessions podcast

Tue, 25 Feb 2025 14:13:26 GMT

Charlee Loyst Trio - Studio Sessions podcast

Charlee Loyst is a pianist from St. Pete Beach, FL. Influenced by Bill Evans and Wynton Kelly, Charlee has developed a sound that combines his classical background with his passion for jazz to craft musical ideas and share his story. He currently studies at Berklee College of Music and is majoring in Performance.

Set List:

1. Softly, as in A Morning Sunrise - Sigmund Romberg

2. Voyage - Kenny Barron

3. 54th Ave. S. - Charlee Loyst, Erik Hempel

Personnel:

piano - Charlee Loyst

bass - Erik Hempel

drums - Ayrias Pedigo

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Malaika Hollist

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

SANTOS: Skin to Skin

wbuchholz@wusf.org (Warren Buchholz) — Tue, 25 Feb 2025 13:22:54 GMT

SANTOS: Skin to Skin

Image of SANTOS: Skin to Skin SXSW 2022 cover art, courtesy of Searchlight Films

by Warren Buchholz --

On a cold Thursday I spent my evening nestled in the Murray Theater at Ruth Eckerd Hall to watch the film screening of Santos: Skin on Skin , a music documentary that gives us a glimpse into the life of John Santos, a seven-time Grammy nominated musician, educator, and activist.

The film begins with an explosion of music and colorful latin-themed motion graphics that set the tone. Director Kathryn Golden quickly establishes a sense of wonderment when we meet John Santos: an American born percussionist with latin roots. He’s more than just a percussionist as he lives and breathes the rhythms of the congas.

Image of John Santos performing on congas, courtesy of Searchlight Films

Paired with clips of his music and the artistry that Golden and Ashley James (cinematographer) create, this documentary serves as an exploration into why afro-latin music is important to our history as humans. Santos tells us that music not only documents but also educates our history. Without the congas, music as we know it would not exist. The roots of the congas date back to slavery where they travelled across the globe. Santos' afro-latin influences direct back to his grandparents–especially his grandfather who inspired Santos to explore music as a career.

Each section of the documentary transitions with a live performance piece from many of Santos’ ensembles that includes the songs "La Rumba Me Lleva" and "The Youth." These performances made me feel like I was in the room with him, and the energy burst through the theatre during each song. The music became the highlight for the audience as they danced in their seats.

Golden skillfully juxtaposes Santos’ activism (he fought the Grammy Academy for two years to reinstate 31 cut categories and won the fight) and grief that comes when losing a child. Santos uses the power of music to work through his grief, which leads to the creation of many beautiful songs. Playing and performing is a cathartic outlet for him, and it makes his work that much stronger.

The finale of the documentary looks toward the future with Santos continuing his journey by educating and presenting the congas as heartbeats you can feel within your body and your soul. This film is inspirational in its approach, and it makes me want to start learning the congas.

A Q&A session followed the film where Kathryn and Ashley stepped onto the stage. Several questions the audience asked:

“Where can we watch it at home?” (Kathryn and Ashley are working on streaming rights)
“What other films have you produced together?” ( Dancing With Saigon , Bomba – Dancing the Drum are a couple of examples )
“What advice would you give filmmakers?” (Record oral histories. Ashley speaks he forgot his mother’s voice, so he recorded the oral history of his father, which inspired him to create more films)
“What stood out to the filmmakers when spending so much time with John?” (Santos explaining rhythm and the vibration in the world. This changed Kathryn’s perspective on percussion and the rhythms of life)

Image of John Santos playing on congas with other local performers in Puerto Rico, courtesy of Searchlight Films

Kathryn Golden and Ashley James have created an impactful documentary that goes beyond the life of Santos and holds a lens to the profound effect that music, especially of latin influence, has on us through history, activism, grief and ultimately, love.

AAF Rating: 5 stars

Defiant Jazz - Severance Playlist

Fri, 21 Feb 2025 15:48:51 GMT

Defiant Jazz - Severance Playlist

Can't g et enough of the Apple TV show Severance ? Check out the Defiant Jazz playlist that features the best of Avant-Garde jazz to help you get through the week until the next episode drops. It includes artists like Alice Coltrane, Sun Ra, Pharoah Sanders, Sam Rivers, and many more.

Sunday Jazz Groove

Fri, 21 Feb 2025 15:36:16 GMT

Sunday Jazz Groove

Introducing the Sunday Jazz Groove through Jazz at WUSF. This new social media series highlights a song from some of the most popular (and obscure) jazz albums every Sunday at 11am on Instagram and Facebook. Including John Coltrane's Blue Train , Ella Fitzgerald's Like Someone in Love , Frank Sinatra Live at the Sands , Stan Kenton Plays for Toda y and many more!

Harrison Jazz Ensemble - Studio Sessions podcast

Wed, 19 Feb 2025 14:10:57 GMT

Harrison Jazz Ensemble - Studio Sessions podcast

Harrison Jazz Ensemble performed in the WUSF Studio. Pianist and songwriter Roger Harrison played several original pieces while musicians from the Al Downing Association: Henry Ashwood, Ron Gregg, and Valentyn Korniienko. You can learn more about Roger at theharrisonjazzensemble.com and rogerharrisonmusic.com

Set List:

1. More than Friends

2. My Living Dream Come True

3. Lost Love

4. Miles, Byrd, Duke, Trane

All songs written and performed by Roger Harrison.

Personnel:

Roger Harrison - piano

Henry Ashwood - saxophone

Ron Gregg - drums

Valentyn Korniienko - bass

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Malaika Hollist

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

SNL 50 - Jazz Musical Guests

Mon, 17 Feb 2025 20:00:06 GMT

Saturday Night Live: 50 Years of Jazz Musical Guests

SNL reached its 50th anniversary last night. Let’s take a look back at some of the jazz musical guests who’ve performed classic songs. #snl50

• Gil Scott Heron - 1975
• Al Jarreau - 1976 & 1984
• Preservation Hall Jazz Band - 1976
• George Benson - 1977
• Ray Charles - 1977
• Keith Jarrett - 1978
• Sun Ra - 1978
• Ornette Coleman - 1979
• David Sanborn - 1980
• Miles Davis - 1981
• Herbie Hancock - 1984
• Anita Baker - 1987 & 1989
• Harry Connick Jr. - 1990
• Quincy Jones - 1990
• Norah Jones - 2002 & 2004
• Lady Gaga - 2013

See some clips from each performance below.

Where to find jazz in St. Petersburg

Wed, 15 Jan 2025 17:34:48 GMT

Where to listen to jazz in St. Pete, Florida

St. Pete may not have a devoted jazz venue, but there are tons of venues, bars, and restaurants that host jazz concerts and events. See our picks for listening to jazz in St. Petersburg, Florida:

Source: Floridian Social profile on Google Maps

The Floridian Social

687 Central Ave N, St. Petersburg, FL 33701

This 21+ music, cabaret & cocktails venue offers a variety of jazz shows. They host a weekly Sunday jazz series that includes the Sunday Jazz in the Lounge with Boho Sideshow at 2pm followed by St. Pete Sunday Jazz with "The Crew" at 6pm.

RSVP online

Source: Google Maps

Grand Central Brewhouse

2340 Central Ave, St. Petersburg, FL 33712

Grand Central Brewhouse is a local brewery focused on craft beer and live music in their beer garden. They often host jazz events that have included ensembles like Crisis: the Jazz Project, Charlee Loyst Trio, and Hot Tonic. Jazz events are free to attend.

Learn more about Grand Central Brewhouse

Source: DI Coffee Bar website

The Hangar Restaurant & Flight Lounge

Second Floor Albert Whitted Airport, 540 1st St S, St. Petersburg, FL 33701

Part of the small Albert Whitted Airport, this restaurant serves up a weekly Monday Night Jazz Jam hosted by the Al Downing of Tampa Bay Association. This is a free event to attend.

Learn more about Monday Night Jazz Jam

Source: Google Maps

In Between Days

2340 1st Ave S, St. Petersburg, FL 33712

In Between Days is an intimate sake house nestled in an old bungalow in the Grand Central district of St. Pete. They host a monthly a free roadside jazz show on the front patio. Bands that have performed include AP3, Zebop!, and Alex Malkovich Trio.

Learn more about In Between Days

The Palladium

253 5th Ave N, St. Petersburg, FL 33701

The Palladium frequently hosts of local and national jazz ensembles in their Side Door stage that’s included Bryan Hughes, La Lucha, Siobhan Monique, and the St. Petersburg Jazz Festival. These ticketed events always sell out quickly.

Learn more about The Palladium

Source: Google Maps

Ruby’s Elixir

15 3rd St N, St. Petersburg, FL 33701

Ruby's Elixir is a cocktail and cigar lounge in downtown St. Pete. They host live music every night with jazz events recurring frequently including Hiram Hazley's weekly Thursday night jazz series "Le Jazz at Ruby's".

Learn more about Ruby's Elixir

Source: Google Maps

Studio Public House

2950 Central Avenue, St. Petersburg, FL

This British Pub offers a variety of bar food from across the pond and hosts a weekly Sunday jazz show from 3pm to 5:30pm and features Mark Moultrup and James Suggs. Free to attend.

Learn more about Studio Public House

Source: Google Maps

Tampa Bay Drinkery

2756 Central Ave, St. Petersburg, FL 33712

The newest venue in St. Pete to host jazz. The Tampa Bay Drinkery offers classic cocktails and brews in an intimate cocktail lounge vibe. They host ensembles and pianists seven nights per week.

Learn more about Tampa Bay Drinkery

RIP to the locales we lost in 2024

Tue, 14 Jan 2025 17:59:26 GMT

R.I.P to the locales we lost in 2024

Restaurants and venues that host jazz have helped the genre's resurgence in Tampa over the past decade–making up for the fact that this area no longer has a true, dedicated jazz club. From the pandemic to the rising cost of real estate and groceries, restaurants have struggled to stay afloat, and 2024 was no different. It was a traumatic and harsh year for many reasons including the shuttering of three major venues that provided recurring jazz music. Let's take a moment and remember the venues we've lost.

Big Easy Bar - Closed August 2024

A cocktail lounge staple of Ybor City with a 10-year history, this bar served a variety of liquor and cocktails and hosted jazz frequently with their Big Easy Brunch every weekend and featured jazz ensembles like Sandujazz and Schaff-Wall Collective.

Ella’s Americana Folk Art Cafe - Closed September 2024

One of the original gentrified venues in the revitalization of Seminole Heights in Tampa, Ella’s Americana Folk Art Cafe lasted for 15 years and hosted jazz ensembles including In the Pocket, Hot Tonic, Friends of Fil, and so many more. They also hosted Rod Alnord’s CHOPS Jam Sessions.

Hooch & Hive - Closed December 2024

Hooch and Hive was a music-centric café, cookery and cocktail house that hosted many art shows and concerts. They often featured jazz groups like ARConnection, Chance Reynolds Trio and larger shows by Tim Cappello, ATHNTC Music Group, and New Jazz Underground. They also hosted a Third Sunday Jazz Brunch and Rod Alnord’s CHOPS Jam Sessions that moved from Ella’s.

Don't worry, there's still plenty of venues that host jazz music in the area.

Ruffus 4-tet - Studio Sessions video series

Tue, 14 Jan 2025 14:53:14 GMT

Ruffus 4-tet - Studio Sessions video series

Photo of Rafael "Ruffus" Silva performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Rafael "Ruffus" Silva is a Boston based Jazz piano player with nearly two decades of experiences. He attended Berklee College of Music in Boston and majored in Performance. He plays about 15+ instruments and is proficient in Jazz piano, saxophone, flute, and bass. He specializes in Jazz music from the early to mid 20th century and performs with a repertoire of over 900+ songs.

Learn more about Ruffus

Set List:

Till Then - Ruffus

Moon Alley - Tom Harrell

Bay Park - Ruffus

Casa Forte - Edu Lobo

Personnel:

Ruffus - piano/alto sax

Justin Renfrow - trumpet/flugelhorn

James Varnado - drums

Nick Spagnuolo - bass

Warren Buchholz - video & editing

Jackson Harpe - audio

Chandler Balkcom - setup

Adam Darbyshire - assistance

Jazz on Arts Axis Florida is powered by WUSF, sponsored by Community Foundation Tampa Bay and by viewers like YOU, thank you!

Where to find jazz in Tampa, Florida

Mon, 13 Jan 2025 15:36:03 GMT

Where to listen to jazz in Tampa, Florida

Tampa may not have a devoted jazz venue, but there are tons of venues, bars, and restaurants that host jazz concerts and events. See our picks for listening to jazz in Tampa, Florida:

Source: Tampa Jazz Club website

Tampa Jazz Club

Multiple Locations

Since 1995, the Tampa Jazz Club has served the Tampa community as a not-for-profit 501(c)3 organization that hosts concerts in Ybor City and New Tampa. Their mission, “generating interest in preserving, understanding and performing jazz" provides a stage for a variety of ensembles and groups that perform different sub-genres.

Currently, the Tampa Jazz Club hosts their recurring HCC Sundays show at:

HCC Ybor (Mainstage Theatre - 1411 East 11th Avenue Tampa, FL 33605)

and New Tampa Jazz Nights at the New Tampa Performing Arts Center

(8550 Hunters Village Rd, Tampa, FL 33647).

Concerts are ticketed. GA prices vary.

Learn more about Tampa Jazz Club

Source: Google Maps

The Independent Bar and Cafe

5016 N Florida Ave, Tampa, FL 33603

The Independent, nestled in Seminole Heights, offers a wide selection of beers and comfort food along with a robust selection of music and events. They host their 1st and 3rd Saturday jazz nights from 8pm onward. Music events are free to attend. This is a chill venue that highlights the best of local Tampa jazz.

Learn more about the Independent Bar & Cafe

Source: DI Coffee Bar website

DI Coffee Bar

214 E Davis Blvd, Tampa, FL 33606

A recent addition to the Tampa Jazz scene, DI Coffee Bar serves up coffee and all day fare in an intimate location. Hosted by musician Dominic Walker, this weekly free jazz jam takes place in DI Coffee Bar's back patio from 7:30-10:00pm.

Learn more about DI Coffee Bar

Source: Google Maps

Carrollwood Cultural Center

4537 Lowell Rd, Tampa, FL 33618

Carrollwood Cultural Center focuses on strengthening the community through art education and events/concerts. They host the “Jazz with Jim” series on the last Friday of each month and provide a stage for other jazz concerts like the Carrollwood Jukebox Big Band. Concerts are ticketed. GA rates vary.

Learn more about Carrollwood Cultural Center

Source: Corner Club website

Corner Club

1502 E Sligh Ave. Tampa, FL 33610

The Corner Club is a neighborhood bar and restaurant in Seminole Heights. They serve a variety of AM and PM foods, coffees, and alcoholic beverages. They host the Nick Peters Quartet (formally Jazz Night with In the Pocket) every second Sunday. This is a free event.

Learn more about the Corner Club

Crisis: the Jazz Project - Studio Session podcast - S1E5

Thu, 09 Jan 2025 19:03:24 GMT

Crisis: the Jazz Project - Studio Sessions podcast

The Tampa-based jazz ensemble Crisis: The Jazz Project features musicians who play in non-jazz bands around the Tampa Bay Area and cover contemporary jazz artists like Roy Hargrove and Herbie Hancock. Their setlist also includes trumpeter and comedian Brad Gilmore performing a cover of "All of Me" with a Louis Armstrong twist.

Set List:

1. Strasbourg / St. Denis - Roy Hargrove

2. Mercy, Mercy, Mercy - Cannonball Adderley

3. All of Me - Gerald Marks and Seymour Simons

4. Sandu - Clifford Brown

Personnel:

Brad Gilmore - trumpet

Jay Aye - saxophone

Dylan Chee A Tow - drums

Brad Sugarman - bass

Austin Llewellyn - piano

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Malaika Hollist

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Rich and Rose - Studio Sessions Conversations

Sun, 29 Dec 2024 19:15:00 GMT

Rich and Rose - Studio Sessions Conversations

Meet Sarasota's Rich & Rose–a musical duo that features the guitar work of Charley Rich with the captivating vocals of Daenah Rose. For four years, this duo has been charming audiences with their blend of American Songbook classics, jazz favorites, pop, and original compositions.

Personnel:

Charley Rich - guitar

Daenah Rose - vocals

You can learn more about Rich & Rose by visiting:

Want to book Rich & Rose? Contact Charlie at Charley.Rich@gmail.com

Warren Buchholz - video & editing

Jackson Harpe - audio

Chandler Balkcom - setup

Jazz on Arts Axis Florida is powered by WUSF, sponsored by Community Foundation Tampa Bay and by viewers like YOU, thank you! #jazz #jazzmusic

Ryan Devlin Trio - Studio Sessions video series

Fri, 20 Dec 2024 19:00:05 GMT

Ryan Devlin Trio - Studio Sessions video series

Photo of Ryan Devlin performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Ryan Devlin is a 27-year-old saxophonist and music educator from Orlando, FL Ryan started his musical journey with his father Scott Devlin who was the leader of the Walt Disney World Sax Quartet. He completed a Jazz Performance master’s degree at The New England Conservatory in Boston under the instruction of saxophonist Jerry Bergonzi in 2023 and is currently on staff as part time faculty at New England Conservatory. Ryan has been a member and featured soloist in ensembles including The Florida All State Jazz Band, The Orlando Philharmonic Orchestra, and The Orlando Jazz Orchestra.

Ryan has toured a majority of the United States & Canada playing at famous jazz clubs like Smalls in NYC, The Zinc Bar in NYC, Chris’ Jazz Cafe in Philadelphia, Scullers Jazz Club in Boston, Timucua Arts Foundation in Orlando, The Rex in Toronto, and Rudy’s Jazz Room in Nashville. He is also the 2017 winner of the Central Florida Jazz Society Scholarship Competition and was runner up in the 2017 Bob Washington Jazz Scholarship Competition. Ryan has taken lessons with world class musicians Chad Lefkowitz-Brown, Alain Bradette, Lucas Pino, and Airmen of Note Tedd Baker. He has performed and/or recorded with pianists Davis Whitfield Jr. and Mike Bond, saxophonists Chad Lefkowitz-Brown, Steve Kortyka, and Dave Pollack, bassist Gene Perla, drummers Adam Nussbaum, Ulysses Owens Jr., and many other notable musicians.

Caleb Montague is a drummer and composer from Cincinnati Ohio. A recent graduate of the New England Conservatory of Music, Caleb is performing throughout the United States with a number of artists in various genres. While at New England Conservatory, Montague had the opportunity to study with Billy Hart, Cecil McBee, Jason Palmer, Nasheet Waits, and Anna Webber while also participating in the jazz honors ensemble. While pursuing his degree, he supplemented his education as a member of the house band for the New England Conservatory community jam session, served as a speaker at events for newly admitted students, and participated in NEC’s Student Leadership Group. In addition, Caleb teaches regularly, including programs through Berklee College of Music, Cincinnati Public Schools, and Music and Math Camp at M.I.

Thomas Milovac has continued to perform, record, and collaborate with artists across the musical spectrum since graduating. He has collaborated with artists such as: Ulysses Owens Jr., Ryan Devlin, Steve Cohn, John Lumpkin, Zoh Amba, Doc Handy, Syoma Klochko, Dominick Farinacci, Steve Swallow, Elizabeth A. Baker, Sean Hamilton, Majid Araim, Chad Lefkowitz-Brown, Renee Baker, and Jonas Van den Bossche. Thomas also is a member of the "pan-Florida improvisation syndicate" BONGUS, the Ryan Devlin Electric Band, and the Jacksonville based ensemble Madre Vaca. He also leads his own ensembles and projects to perform his original works including the Thomas Milovac Sextet and Trio, Maxiphony, and the Unit Colossus. In 2018, Thomas Milovac created and curated the Backroom Series in Jacksonville, Florida. The series presented concerts of improvised and creative music in Thomas's home and various venues around Jacksonville. The series played hosts to artists such as Jack Wright and Ron Stabnisky, B|_ank, Zach Rowden, Majid Araim, and Adam Goodwin. The Backroom Series ceased in 2020 with a large archive of concerts on their YouTube page.

Thomas founded the Cosmo Sonic Collective in 2021 upon his move to his current home base of Orlando, Florida. Cosmo Sonic is a platform for artists around the world to present their vanguard work. The Cosmo Sonic Collective record label has focused on releasing works of improvised music. Artists that have released music on Cosmo Sonic include Paul* Hermansen, Syoma Klochko, and Taylor Rouss.

Set List:

1 - Speak out Stand out - Thomas Milovac

2 - Amtrak - Ryan Devlin

3 - King Tut - Steve Grossman

4 - Castles - Thomas Milovac

Personnel:

Ryan Devlin - saxophone

Thomas Milovac - electric bass

Caleb Montague - drums

Warren Buchholz - video & editing

Jackson Harpe - audio

Chandler Balkcom - setup

Adam Darbyshire - assistance

Jazz on Arts Axis Florida is powered by WUSF, sponsored by Community Foundation Tampa Bay and by viewers like YOU, thank you! #jazz #jazzmusic

Mindi Abair - Studio Sessions Conversations

Tue, 17 Dec 2024 11:00:01 GMT

Mindi Abair - Studio Sessions Conversations

Meet Mindi Abair. She’s a 2x GRAMMY nominated saxophonist, vocalist, author and wine entrepreneur. She’s recorded and toured with ensembles and musicians like Aerosmith, Gerald Albright, Gregg Allman, Dave Koz and Trombone Shorty. Mindi has just released a new album “I Can’t Wait for Christmas.” She’s currently touring and will be performing at the Capitol Theatre in Clearwater, FL on December 20 at 8pm. You can learn more about this wonderful holiday show at RuthEckerdHall.com

“She’ll Move You” – Keb’ Mo’

“Forget You, Who’s Your Sax Player? – Steven Tyler on American Idol

“21st Century Sophistication, A Gritty, Raucous Spirit, And Exceptional Creative Imagination” – Allmusic.Com

During her remarkable 24-year recording career, saxophonist/vocalist Mindi Abair has garnered 2 GRAMMY nominations, recorded with some of the biggest names in music, and built a substantial following among jazz and blues audiences with her soaring melodies and powerhouse style. In 2014, Mindi received her first GRAMMY nomination in the Best Pop Instrumental Album category for Summer Horns with Dave Koz, Richard Elliot and Gerald Albright, followed by a 2015 GRAMMY nomination for Best Contemporary Instrumental Album for her solo LP Wild Heart featuring the late Gregg Allman, Joe Perry, Trombone Shorty, Booker T. Jones, Keb’ Mo’, and Max Weinberg.

You might know her as the featured saxophonist on American Idol, sitting in with Paul Shaffer on The Late Show with David Letterman and The Roots on The Tonight Show Starring Jimmy Fallon, or from moonlighting on tour with Duran Duran or Aerosmith. As a solo artist, she has consistently topped the Billboard Contemporary Jazz and Blues charts. In 2018, Mindi Abair and The Boneshakers won 8 Independent Blues Awards including Artist of the Year, and an Independent Music Award for Best Blues Song Fan Award for “Pretty Good For A Girl” featuring Joe Bonamassa. They won the 2019 LA Critics Award for Best Holiday Album for All I Got For Christmas Is The Blues. And in 2019, 2020 and 2021 Mindi was nominated by the Blues Music Awards as the Best Instrumentalist: Horn.

As creator, designer and owner, Mindi launched www.wineandjazz.com in 2019 as a lifestyle concept that brings together the worlds of wine and music through members-only exclusive wines paired with personally curated music playlists, label art and branded wine and music worldwide adventures and festivals.

Mindi wrote the book “How To Play Madison Square Garden – A Guide To Stage Performance” and served 10 years as an LA Chapter Governor, President and National Trustee for The Recording Academy.Mindi has toured and/or recorded with: Aerosmith, Joe Bonamassa, Smokey Robinson, Joe Perry, Trombone Shorty, Booker T. Jones, Gregg Allman, Kenny Wayne Shepherd, Fantastic Negrito, Waddy Wachtel, Bobby Rush, Keb’ Mo’, Teena Marie, Lee Ritenour, Adam Sandler, Duran Duran, Bill Champlin, Richard Elliott, Jimmy Webb, Max Weinberg, Dave Koz, Peter White, Gerald Albright, Mandy Moore, Lalah Hathaway and the Backstreet Boys.

Today’s audio was recorded over Zoom. Production assistance by Chandler Balkcom, Adam Darbyshire, and Arantza Romero. Host and editor: Warren Buchholz. Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay, the Gobioff Foundation with support from the Palladium by you. Thank you for your support. Learn more about Jazz on Arts Axis Florida by visiting our website at wusfjazz.org. Copyright 2024 WUSF.

Rod Alnord Quartet - Studio Sessions video series

Mon, 16 Dec 2024 16:39:55 GMT

Rod Alnord Quartet - Studio Sessions video series

Photo of Rod Alnord performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Rod leads his own quartet and continues to freelance in the Tampa Bay Area in various projects and groups.

Be sure to follow Rod to stay updated on his music and shows.

Instagram: @rodalnordquartet

Facebook

Set List:

Soulful - Roy Hargrove

Timeline - Russell Ferrante

Skip Step - Nate Smith

Personnel:

Rod Alnord - drums

Ross Strauser - saxophone

Eric Zabala - vibes

Rugawd - electric bass

Nic Hoffer - vocals

Warren Buchholz - video & editing

Jackson Harpe - audio

Chandler Balkcom - setup

Jazz on Arts Axis Florida is powered by WUSF, sponsored by Community Foundation Tampa Bay and by viewers like YOU, thank you! #jazz #jazzmusic

La Lucha - Studio Session podcast - S1E4

Thu, 12 Dec 2024 03:30:17 GMT

La Lucha - Studio Sessions podcast

La Lucha is a Tampa Bay-based trio that consists of three best friends from three different parts of the world: Colombia (Alejandro Arenas), Mexico (John O’Leary), & United States (Mark Feinman). Their music ventures boldly into a wide variety of musical styles, offering an appealing and fun mix of genres under the jazz umbrella. The combination of their musical versatility and varied musical influences makes for compelling virtuosic performances. Through an engaging stage presence and a high level of interaction, La Lucha brings the audience into their world.

Set List:

1. Por La Tarde (Arenas)

2. Blues for Houston Person (Arenas/Feinman/O'Leary)

3. Feel Like Makin' Love (McDaniels)

4. Otra Vez (Feinman)

Personnel:

John O’Leary - piano

Mark Feinman - drums

Alejandro Arenas - bass

Executive Producer - Warren Buchholz

Producer / Editor - Scott Wachtler

Audio Engineer - Jackson Harpe

Assistance / Setup - Chandler Balkcom

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and listeners like you. Thank you for your support!

Preservation Hall Jazz Band - A Creole Christmas

Thu, 05 Dec 2024 18:26:36 GMT

Preservation Hall Jazz Band returned to the Bilheimer Capitol Theatre for A Creole Christmas

Image of Preservation Hall Jazz Band live at the Capitol Theatre in Clearwater, FL. Photo by Arantza Romero / WUSF

by Arantza Romero—

The Preservation Hall Jazz Band brought the holiday spirit to the Nancy & David Bilheimer Capitol Theatre in Clearwater, FL with A Creole Christmas concert that blended timeless holiday classics with their signature New Orleans jazz flair. This ensemble thrives the musicians’ collective energy, and each artist knows how and when to bring that energy to the audience.

Branden Lewis (bandleader, trumpet) and Clint Maedgen (vocalist, multi-instrumentalist) provided comedy and levity throughout the evening, which elevated the energy in the room for the rest of the show. Clint encouraged the audience to sing along, especially during their playful rendition of “Christmas Tree,” which became one of the highlights of the evening.

Another highlight was their instrumental cover of “Christmastime is Here.” The interplay between the piano's delicate chords and the smooth, muted brass horns evoked cozy Christmas vibes. All that was missing was a warm fire and a cup of cocoa to enhance the comforting nostalgia, which peaked when the band performed “Please Come Home for Christmas.” The band’s jazzy interpretation, marked by bluesy piano riffs and subtle brass made the performance even more special.

Adding a little twist to the holiday setlist, the band surprised the audience with a cover of Robert Plant and Alison Krauss’ “Rich Girl” toward the end of the concert. It was a wonderful close to a vibrant festive evening.

If you have the opportunity to see the Preservation Hall Jazz Band live, then do so. Attending A Creole Christmas was more than just enjoying excellent holiday music; it was also about feeling the warmth, delight, and connection in a season when what we need the most is a sense of community.

Learn more about Preservation Hall Jazz Band on their website.

Jazz on Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay. This review was in collaboration with Ruth Eckerd Hall. You can learn more about Ruth Eckerd Hall here .

A Very Jazz Christmas Eve Playlist

Tue, 03 Dec 2024 15:11:22 GMT

A Very Jazzy Christmas Eve Playlist

Christmas Eve is near! Enjoy this special evening with some jazzy tunes to get you spirited and ready for the big morning ahead. Including Florida artists like Jack Wilkins, La Lucha, and Daniela Soledade and national musicians like Samara Joy, Ella Fitzgerald, Dexter Gordon and many more, this playlist will be perfect for your next night in or at your next party. We hope you and your family have a festive and jazzy holiday.

Rich & Rose - Studio Sessions video series

Mon, 02 Dec 2024 14:26:30 GMT

Rich & Rose - Studio Sessions video series

Photo of Daenah Rose and Charley Rich performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Sarasota's Rich & Rose brings together the guitar work of Charley Rich with the captivating vocals of Daenah Rose. For four years, this duo has been charming audiences with their blend of American Songbook classics, jazz favorites, pop, and original compositions. The passion for their music infuses their performances with genuine joy and infectious enthusiasm.

Set List:

Aqua de Beber

RiverFalls by Charley Rich

Why Don't You Do Right?/Stray Cat Strut

I've Grown Accustomed to Your Face

Personnel:

Charley Rich - guitar

Daenah Rose - vocals

Warren Buchholz - video & editing

Jackson Harpe - audio

Chandler Balkcom - setup

You can learn more about Rich & Rose by visiting:

Wa nt to book Rich & Rose? Contact Charlie at Charley.Rich@gmail.com

Jazz on Arts Axis Florida is powered by WUSF, sponsored by Community Foundation Tampa Bay and by viewers like YOU, thank you!

Holiday Dinner Hits Jazz Playlist

Wed, 27 Nov 2024 15:03:10 GMT

Holiday Dinner Hits Jazz Playlist

Enjoy this special holiday dinner playlist featuring jazz classics from Bill Evans, Wynton Marsalis, Samara Joy, Frank Sinatra, Louis Armstrong, and more! This mix is perfect for your next dinner or party this holiday season.

Steamin' Jazz - Studio Sessions video series

Wed, 20 Nov 2024 14:34:18 GMT

Steamin Jazz - Studio Sessions video series

Photo of Joe Barone (piano), Mike Harris (sax), and Holly Cordero (bass) performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Led by founder Holly Cordero, Steamin’ Jazz is made up of players from the Central Florida area with a sense of New York Flair. Steamin’ Jazz plays tunes from jazz standards to brazilian to Funk to arrangements of pop tunes in a Jazz fashion.

Holly received her Master’s in Jazz Performance from New York University playing with Jazz greats such as Kenny Werner, Chris Potter, Jean Michel-Pilc, Brad Shepik, Tony Moreno, among others. She learned under the tutelage of Mike Richmond who tours with the Mingus Big Band. She now resides in Florida continuing to compose and arrange, constantly learning more from the jazz idiom. She continues to be a strong force in the jazz world performing with multiple ensembles and for multi styled events from Burlesque to Symphony to Country to Funk.

Set List:

1. Cityscapes

2. Foresight

3. A Still Night

Personnel:

Mike Harris - Sax

Joe Barone - Piano

Ken Shadrake - Drums

Holly Cordero - Bass/composer/bandleader

Camera/Editor - Warren Buchholz

Audio Engineer - Jackson Harpe

Assistance / Setup - Chandler Balkcom

Learn more about Studio Sessions at wusfjazz.org. Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and viewers like you. Thank you for your support!

Top Rated Holiday Jazz Tracks Playlist

Mon, 18 Nov 2024 15:30:30 GMT

Top Rated Holiday Jazz Tracks Playlist

We've curated some of the top-rated Holiday jazz tunes to kick off your holiday season. Featuring tracks from Vince Guaraldi, Nat King Cole, Norah Jones and many more artists, this playlist will get you in the celebratory mood. We hope you have a wonderful holiday!

Equilibrio - Review - Gabriel Guerrero - Jazz at WUSF

Mon, 11 Nov 2024 16:49:07 GMT

Equilibrio - Gabriel Guerrero & QUΔΠTUM - Review

Photo of the album cover for Equilibrio

by Andy Harrison and Warren Buchholz—

Gabriel Guerrero, a Colombian-born and NYC-based pianist, composer and educator has given us eleven charming and silky-smooth tracks to enjoy on his new record Equilibrio-- while at times verging on the inoffensive and anodyne, Guerrero and his band QUΔΠTUM provide enough energy to keep listeners engaged with their particular brand of high-end jazz.

While you can hear a bit of hard-bop inflections in their playing, they've created something more daring--Guerrero and company stick to a measured and comfortable approach that embraces his charts with a beauty you don't get to hear often.

Songs like "Belong" and "Nunu (For Nebula)" provide for a comfortable listen (preferably with a cocktail in hand). Even when descending into a controlled chaos, Guerrero's playing calms the nerves and the mind. Equilibrio is 70 minutes of jazz therapy and Guerrero scratches that deep craving for a moment of peace within our loud chaotic world.

He delivers.

AAF Rating: 4/5 trumpets

AAF Top Picks: No Return, Encrucijada, Belong, OzPal, Retrogression

SRQuintet - Studio Sessions video series

Fri, 08 Nov 2024 20:43:35 GMT

SRQuintet - Studio Sessions video series

Photo of John Wheatley (left) and Chris Kottke performing in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Consisting of Chris Kottke on trumpet, John Wheatley on tenor sax, Jim Lemli on guitar, Don Colladay on bass (Steve King on bass substituting on the Arts Axis Studio Session recording) and Pete Szujewski on drums. The SRQuintet is committed to carrying on the tradition of the great jazz quintets of the last 60 years. Playing everything from songbook standards to bebop classics, blue note gems, bossa nova favorites, and many new original tunes, the quintet is a can't-miss feature of the Sarasota jazz scene.

Set List:

1. ARRIVAL - Composer: Jim Lemli

2. EVANESCENT WINDS - Composer: Chris Kottke

3. FOR UKRAINE - Composer: Jim Lemli

Personnel:

Chris Kottke - trumpet

John Wheatley - tenor sax

Jim Lemli - guitar

Steve King - bass

Pete Szujewski - drums

Warren Buchholz - video & editing

Jackson Harpe - audio

Chandler Balkcom - setup

Jazz on Arts Axis Florida is powered by WUSF, sponsored by Community Foundation Tampa Bay and by viewers like YOU, thank you!

Festival Spotlight - Clearwater Latin Jazz Festival

Wed, 06 Nov 2024 18:24:14 GMT

Clearwater (EMIT) Latin Jazz Festival

Location: The Sound - 255 Drew Street Clearwater, FL 33755

Date: Sunday, December 8, 2024 | 7pm show start

FREE to Attend with RSVP

One night of great Latin Jazz

The free event is produced by David Manson & EMIT and Ruth Eckerd Hall, with support from the American Rescue Plan Act (ARPA) and South Arts

Musicians from Brazil, Cuba, Colombia, Puerto Rico, Venezuela and the U.S. come together in a FREE concert of Latin Jazz at the BayCare Sound!

Lineup includes:

- Renesito Avich & Friends

- Mauricio Rodriguez & the MJR Latin Project

- O Som Do Jazz with Andrea Moraes Manson & José Valentino Ruiz

The free event is produced by David Manson & EMIT and Ruth Eckerd Hall, with support from the American Rescue Plan Act (ARPA) and South Arts.

Renesito Avich & Friends

Renesito Avich is a Cuban-born, Latin Grammy recipient and master of the tres guitar. His concerts are always exciting and entertaining, and his quartet includes some of the best Latin musicians in the state.

Mauricio Rodriguez & the MJR Latin Project

Mauricio Rodriguez & the MJR Latin Project revives the Latin jazz scene with original compositions with its intricate fusion of Latin rhythms and momentary flashbacks to the Latin greats of musical history.

O Som Do Jazz with Andrea Moraes Manson & José Valentino Ruiz

O Som Do Jazz features Rio de Janeiro singer Andrea Moraes Manson and an international crew of musicians performing samba-jazz, Bossa Nova, Baião and MPB. Imagine Brazilian musicians in love with American jazz playing in Rio de Janeiro night clubs circa 1965 - and you get an idea of what O Som Do Jazz is about. Special guest Latin Grammy recipient José Valentino Ruiz joins the group.

The free event is produced by David Manson & EMIT and Ruth Eckerd Hall, with support from the American Rescue Plan Act (ARPA) and South Arts.

Would you like to be part of this new Florida jazz tradition? Contact Director David Manson to talk with him about concerts and sponsorship : mansond@spcollege.edu

Schaff-Wall Collective - Studio Sessions video series

Fri, 18 Oct 2024 16:17:17 GMT

Schaff-Wall Collective - Studio Sessions video series

Photo of James Wall and Erik Hempel (bass) in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Formed in 2022 by Trombonist James Wall and Multi-Instrumentalist T.J. Schaff, The Schaff-Wall Collective is a diverse and experimental music ensemble that performs in multiple configurations across the West Coast of Florida. The group draws influence from multiple genres and specializes in live jazz, fusion, pop, and New-Orleans style music. The band's core duo consists of James Wall (Trombone/Vocals) and T.J. Schaff (Drums/Piano) who are regularly joined by artists such as Julian Pernett (Piano), Nick Peters (Piano,) Jean Bolduc (Drums) Valentin Korniyenko (Bass), Erik Hempel (Bass), Aaron West (Sax) and Alex Ocon (Drums/Percussion).

Set List:

1. If I Only Had a Brain - by Harold Arlen (music) and Yip Harburg (lyrics)

2. Do You Know What it Means to Miss New Orleans - written by Eddie DeLange and Louis Alter

3. My Shining Hour - composed by Harold Arlen with lyrics by Johnny Mercer

Personnel:

T.J. Schaff - drums/piano

James Wall - trombone

Erik Hempel - bass

Juliån Pernett - piano

Camera/Editor - Warren Buchholz

Audio Engineer - Jackson Harpe

Assistance / Setup - Andy Harrison

Studio Sessions is made possible by WUSF, Community Foundation Tampa Bay, and viewers like you. Thank you for your support!

The Crew - Album Review | Jazz at WUSF

Mon, 14 Oct 2024 21:11:27 GMT

The Crew - Album Review

Photo of the album cover for The Crew

With his latest album release ‘The Crew,’ singer Bryan Hughes demonstrates a (personally) much-appreciated earnestness and true love for the Great American Songbook. While still bringing a fresh and modern take to these tunes, Hughes and his crew so passionately remain true to the jazz tradition.

This “Crew” in question is made up of an all-star cast of Tampa jazz royalty like drummer Jean Bolduc and USF’s own James Suggs on trumpet. Over the length of ten songs recorded in only two days, The Crew gives a masterclass in rhythm section chemistry and a strong pyramid of sound built through Hughes’ charismatic and charming vocals.

On my first listen of this album, I was constantly surprised by the refreshing variety of subgenre styles. The album begins in an explosive manner with the tune ‘Duke’s Place’ (aka C Jam Blues). The energy the band brings in just the first few seconds of the tune is more than enough to hook you, not to mention John O’Leary’s bluesy piano solo which – while still managing to slip in a few eyebrows raised, whole-toney licks – remains fairly true to the style. O’Leary’s solo is followed by a quick lesson in jazz vocabulary by James Suggs.

“Centerpiece” tones down to the vibes of a 1960s' smokey, dim-lit New-York jazz club (at least from what I can imagine). Something that rivals the greats from the bebop era.

"Over the length of ten songs recorded in only two days, The Crew gives a masterclass in rhythm section chemistry..."

From this point on it’s nearly impossible to tell where the band is going to take us next. Track after track, The Crew hits us with hip new arrangements of some of the greatest American Songbook standards like ‘Our love is here to stay’ (which sounds like the musical love child of Hiatus Kaiyote and Nat King Cole). Later, we even get something of a Motown tribute with ‘I want you back.’ The tune ironically has a quirky but not unwelcome ‘Sir Duke’ reference (Stevie Wonder’s own tribute to Duke Ellington), which – on top of the previously mentioned ‘Duke’s place’ – makes this feel like a sort of Ellington tribute inception; and I’m all here for it.

After about 40 minutes of some truly amazing improvisation (and what I find to be a lot of very refined stylistic commitment) The Crew ends off the album with a smooth send off in ‘Teach me Tonight.’

Overall, Bryan Hughes and The Crew not only demonstrates their ability to showcase a variety of styles throughout the album but also exemplifies their commitment to truly embodying each of these styles and the jazz tradition as a whole.

AAF Rating: 4/5 trumpets

AAF Top Picks: Duke's Place, Feel Like Making Love, Our Love is Here to Stay

Cole Hazlitt's Latin Jazz Band - Studio Sessions video series

Sun, 06 Oct 2024 21:13:43 GMT

Cole Hazlitt's Latin Jazz Band - Studio Sessions video series

Photo of Cole Hazlitt and Frankie Pinerio in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Cole Hazlitt is a clearwater based vibraphonist, drummer, pianist, and composer. Cole received his bachelor's degree from the Manhattan School of Music in jazz drum set, and his masters degree in jazz vibraphone from the Manhattan school of music. Cole is a versatile musician who has played in a variety of different musical situations as both a leader and a sideman. He has a special interest in Cuban and Brazilian music, and played drums in the grammy nominated Manhattan School of Music Afro-Cuban Jazz orchestra, conducted by drummer and educator, Bobby Sanabria. His work in composing has included orchestral pieces, big band arrangements, and music for film.

Cole started his latin jazz band in 2018 using some of the best latin jazz musicians in the area. They mainly play Cole's original compositions along with various songs from the standard latin repertoire.

Personnel:

Cole Hazlitt - vibes

LaRue Nickelson - guitar

Mauricio Rodriguez - bass

Andy Fornet Betancourt - percussion/timbas

Frankie Pinerio - congas

Warren Buchholz - Camera & Editing

Chandler Balkcom - Setup & Assistance

Jackson Harpe - Sound

Set List:

1. “guaguancoco” written by Cole Hazlitt / performed by the Cole Hazlitt’s Latin Jazz Band

2. “JS rumba” written by Cole Hazlitt / performed by the Cole Hazlitt’s Latin Jazz Band

3. “Schumann bembe” written by Robert Schumann / adapted and performed by Cole Hazlitt

Jazz on Arts Axis Florida is a product of WUSF, Tampa's NPR station, and is sponsored by Community Foundation Tampa Bay with support from The Palladium and YOU! Thank you for your support. Watch more Studio Sessions by visiting wusfjazz.org.

Sandujazz - Studio Sessions video series

Sun, 06 Oct 2024 21:10:40 GMT

Sandujazz - Studio Sessions video series

Photo of Sandujazz in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Personnel:

Julián Pernett Castilla - piano

Alex Ocón - drums

Aaron West - saxophone

Evan Hoffman - congas/percussion

Warren Buchholz - Camera & Editing

Chandler Balkcom - Setup & Assistance

Jackson Harpe - Sound

Set List:

1. “Covidio Yr.” writtren by Julián Pernett Castilla / performed by Sandujazz

2. “Espairecendo” written by Hareton Salvanini / arr. Julián Pernett Castilla / performed by Sandujazz

3. “Entre Aleros” written by Julián Pernett Castilla / performed by Sandujazz

Solidarity - Review

Sun, 06 Oct 2024 17:35:51 GMT

Solidarity - Zach Rich - Review

Photo of the album cover for Solidarity

by Andy Harrison—

Solidarity is an assured debut record by Colorado composer, arranger and trombonist Zach Rich – at points one’s shocked that this his first foray into studio recording as a bandleader. Blending a full chamber jazz sound with influences from more-contemporary composers, Rich paints a vivid sonic tapestry that captivates from start to finish. Replete with skillful musicianship from players like Gavin Allen-Dunn and Austin Cebulske, Solidarity is a worthwhile purchase for any attentive jazz enthusiast.

Kicking off with lead single “Seraph,” a moody piece featuring skittering trombone blasts moving effortlessly over a backdrop of piano and stabbing strings, Rich sets the tone for the whole record with his dynamic stylizations. While a rather uninspired and limp guitar solo threatens to drag the rest of the ensemble down, the poise and weight the other players put into their performances keeps the group above water.

"Allen-Dunn’ s work on the ivories strengthens every track he's featured on..."

Thankfully, that’s the only real wobble over the course of the album: Rich provides his band balladic compositions conducive to virtuoso improv, and in particular Allen-Dunn's work on the ivories strengthens every track he’s featured on with performances deserving of high praise. Taking influences from contemporary pianists operating out West like Hal Galper and Pamela York, the Washington native clearly draws upon the music and sounds of his home state in his playing, with his chromatic work on "June" worth noting not for technical showmanship but his willingness to do what's best for the band as a whole.

Keep an eye out for this one once it hits store shelves (it released on streaming on February 23rd): "June," he title track and closer “The Heavyweight” are standouts, and make the record worth listening to for those alone. Come for those and stay for Rich's exemplary songs, strong performances and an all-around solid jazz record that is worth your time.

AAF Rating: 4/5 trumpets

AAF Top Picks: June, Solidarity, The Heavyweight, Seraph

Julián Pernett Castilla - Piano Sessions

Tue, 17 Sep 2024 15:04:23 GMT

Julián Pernett Castilla - Piano Sessions

Photo of Julián Pernett Castilla in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Julián Pernett Castilla’s pronounced natural talents in music, specifically in Afro-Latin percussion instruments are the result of his valuable cultural heritage from the Colombian Caribbean Coast. These abilities have always provided him with an abundance of musical gifts to share with the world. He is a passionate instrumentalist, concert pianist, and educator. Trained in the Western European musical tradition and the discipline of Improvisation in the Jazz style, Julián possesses a rich skillset that has opened a door to freely explore musical thoughts. With all sonic options at hand, including beyond the realms of piano performance, he makes each creation a truly personal expression through music.

Recently graduated from the University of South Florida’s Jazz Masters program, Julián now embarks on new musical adventures. He devotes his creativity to the production of original music and performances with diverse projects that showcase his musical influences and talents as both a pianist and keyboardist. Among these: a Brazilian Tropicalia and progressive rock tribute band, Kumaru; a jazz fusion power trio, L.A.C. Connection; a New Orleans jazz project, Schaff/Wall Collective; and The Sokolowski Trombone Project, an ensemble devoted to reimagining the tradition of ‘Bone Bands in Jazz music.

Furthering his collaborations, Julián is also the co-founder of Sandujazz, a group that dedicates itself to the sounds of the African, Caribbean, and Latin American idiosyncrasies, combined with Jazz-rock and Salsa sub-styles, and in addition to a fair number of Cuban and psychedelic influences.

Personnel:

Julián Pernett Castilla - piano

Warren Buchholz - camera & editor

Jackson Harpe - sound

Chandler Balkcom - setup

Set List:

Music composed and performed by Julián Pernett Castilla

1. "Dizque Larks" from Frippianas

2. "Escapismo Sónico"

3. "El Locombiano (paseo)"

Eyran Katsenelenbogen - Piano Sessions

Tue, 17 Sep 2024 15:02:21 GMT

Eyran Katsenelenbogen - Piano Sessions

Photo of Eyran Katsenelenbogen in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Eyran Katsenelenbogen is a pianist who has performed throughout the world. In 2019 he released his latest solo album, titled Outstandards, with a concert tour that included venues in the U.S., Europe and Israel. Since 2020 Katsenelenbogen is a member of the Recording Academy.

Katsenelenbogen's recordings have been reviewed by jazz publications such as Jazziz, JazzTimes, Jazz Journal International and All About Jazz, which stated in its review of Eyran’s previous release: "88 Fingers is truly a virtuoso's work. Perhaps Katsenelenbogen is most in league with [Art] Tatum for this fact: he sets the bar towards which other pianists must strive."

A classically trained pianist with a jazz style, Katsenelenbogen has performed and recorded in venues such as the Iridium Jazz Club, New York; Teatro di Marcello, Rome; the Tel-Aviv Jazz & Blues Festival; Bechstein Centrum, Hamburg; Mirrors Hall, Saint Petersburg; Scullers Jazz Club, Boston; Shalin Liu Performance Center, Rockport, MA; Saint Joseph Theatre, Scarborough, UK; and the Glenn Gould Studio, Toronto. Radio and TV appearances include WGBH, WERS and WHRB, USA; BBC Radio York, UK; Israel Broadcasting Authority (IBA); and Radio Télévision Belge Francophone (RTBF), Belgium.

In addition to solo touring, Katsenelenbogen has also performed with his Pictures At An Exhibition: Classical Meets Jazz collaboration with Russian classical pianist Andrei Ivanovitch. Following performances in Germany and Russia, the American premiere of Pictures At An Exhibition: Classical Meets Jazz took place at Jordan Hall in Boston on May 24, 2009, and was released on DVD the following year.

Personnel:

Eyran Katsenelenbogen - piano

Warren Buchholz - camera & editor

Jackson Harpe - sound

Chandler Balkcom - setup

Set List:

1. "In a Sentimental Mood" by Duke Ellington

2. "La Fiesta" by Chick Corea

3. "How my Heart Sings" by Earl Zindars

4. "On the Sunny Side of the Street" by Jimmy McHugh

Cynthia Jordan - Piano Sessions video series - Jazz at WUSF

Tue, 17 Sep 2024 14:42:20 GMT

Songwriter Cynthia Jordan performs classic tunes - Piano Sessions

Photo of Cynthia Jordan in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Cynthia Jordan began her career in music as a songwriter when in 1983 her song, Jose Cuervo became the #1 country song of the year in Billboard Magazine. She calls herself a storyteller because over the years she has written hundreds of songs and instrumentals, 3 historical novels, 2 non-fiction books, 4 children’s books, 3 musicals, piano tutorials and she does keynote speaking and workshops.

Cynthia writes music in 7 genres: Theatrical Musicals, Inspirational, Country, Period Music, Children’s, Celtic, and Ambient Piano. In 1998 she created 11 CDs for Page Music that resulted in over 5 million downloads of instrumental piano music world wide. After doing extensive research on the benefits of music, she developed her Music: A Powerful Soul-ution workshop.

Learn more about Cynthia:

@cynthiajordanproductions

https://cynthiaproductions.com/

@pearlthemusical

@cynthiajordanmusic

Personnel:

Cynthia Jordan - piano

Warren Buchholz - camera & editor

Jackson Harpe - sound

Chandler Balkcom - setup

Set List:

1. "Alright, Okay, You Win" by Sid Wyche (music) and Mayme Watts (lyrics)

2. Medley: "Since I Fell for You" by Buddy Johnson / "The Way You Look Tonight" by Jerome Kern and Dorothy Fields / "Bésame Mucho" by Consuelo Velåzquez

Soul Mafia - Studio Sessions video series - Jazz at WUSF

Thu, 05 Sep 2024 16:34:25 GMT

Soul Mafia - Studio Sessions video series

Photo of Soul Mafia in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Soul Mafia is the Tampa Bay area's hottest new dance band, featuring experienced players from across the region with a song list ranging from funk and soul classics to the latest dance hits, smooth jazz and much more. Songlist includes Bruno Mars, Dua Lipa, Chaka Khan, Daft Punk and Sade. The group performs everywhere from concert halls and nightclubs to private events, weddings and parties. Book them today: soulmafiaband@gmail.com

Personnel:

Justin Green - saxophones

Jeannette "J Diva" Estes - vocals

Jaimee L. Marshall - bass

Eric Deggans - drums, electronic percussion, backing vocals

Rex Jones - guitars

Brandon Lee Caudill - keyboards

Set List:

1. People Make the World Go Round - written by Thom Bell and Linda Creed / performed by Soul Mafia

2. I Keep Forgettin’ (Every Time You’re Near) - written by Michael McDonald and Ed Sanford / performed by Soul Mafia

3. Pick Up the Pieces - written by Roger Ball and Hamish Stuart / performed by Soul Mafia

BK Jackson comes home for Party in the Bay 2024

Wed, 14 Aug 2024 12:49:14 GMT

BK Jackson comes home for Party in the Bay 2024

BK Jackson in the middle of the Jaab Theater during his performance. Photo by Warren Buchholz of Jazz on Arts Axis Florida.

Tampa, FL – Saxophonist Bernard “BK” Jackson has an extensive and illustrious career, performing around the globe with renowned artists such as Prince, Anita Baker, and Trombone Shorty. He also has a growing solo career, and his dynamic saxophone performances have captivated audiences worldwide. When he's not on the road, BK now resides in Atlanta, but Tampa is the one place that he will always come back to.

BK came home on Saturday to host at the Straz Center his annual "Party in the Bay" benefit concert, which served as a back-to-school drive to support local students and teachers in need. As a product of the Hillsborough County Public Schools, BK wanted to give back to the educational institutions that have played a pivotal role in his development. He did just that on Saturday night.

BK and his band performed some of his original compositions as well as covers from the artists that helped shape his career. Every song BK performed had the full house dancing, but it was BK’s cover of “Purple Rain” by Prince that brought everyone in the theater together to harmoniously sing the chorus. “Music is one of those powerful things. It’s a universal language.” BK spoke before he performed his rendition of Anita Baker's "Sweet Love."

This concert wasn't just about the music though. It also served as a platform for giving back to the community BK grew up in. Jackson donated $500 from the night's ticket sales to the Hillsborough Education Foundation. Colin Higgins, the director of communications for the foundation, accepted the check on stage.

BK Jackson (right) and Mark Perry (center) presented Colin Higgins (left) with a large $500 check. Photo by Warren Buchholz of Jazz on Arts Axis Florida.

BK also recognized a Hillsborough County public school teacher Johntha Gillyard who's played a pivotal role in many students' educational journeys over the past 25 years. The two hugged on stage before BK brought out his friend and collaborator Sherwood Brown, Jr. of Sherwood And The Loud Pack to sing. And they brought the house down.

BK Jackson (left) performed with Sherwood Brown, Jr. (right). Photo by Warren Buchholz of Jazz on Arts Axis Florida.

The show ended with a cheering crowd, but the party wasn't over yet. After a speech from Mark Perry, producer of the UPTOWN Music & Arts Festival, BK came back out for an exhilarating encore that featured covers of Bell Biv DeVoe's "Poison" and "Before I Let Go" by Frankie Beverly And Maze. This was a concert that no one in the audience wanted to leave, but like all good parties, everyone had to go home.

The benefit concert was a love letter to the place BK grew up and tells us that no matter where he travels Tampa will always be home. BK will return to Tampa in 2025 to host his third Party in the Bay benefit concert. Keep up with BK by visiting his website.

BK Jackson doing what he does best. Photo by Warren Buchholz of Jazz on Arts Axis Florida.

Grentry Burkes - What We Keep Poetry Series

Wed, 07 Aug 2024 13:43:01 GMT

Grentry Burkes - What We Keep Poetry Series

Photo of Grentry Burkes outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

What We Keep is a night of poetry readings by USF graduate students in the "Graduate Poetry Workshop" class. The original poems were written with imagination, mystery, and wildness in response to the MFA artists' work featured in the exhibition I Keep the Ladders Clean 2024 MFA Thesis Exhibition.

Poetry Written and Performed By

Grentry Burkes

Artwork Referenced:

“swansong” by Caroline Colby

"Juicebox of Desire” by Andrew King

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Erin Olds - What We Keep Poetry Series

Wed, 07 Aug 2024 13:40:03 GMT

Erin Olds - What We Keep Poetry Series

Photo of Erin Olds outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Erin Olds

Artwork Referenced:

“mo~ASerat” by Ainaz Alipourbaghal

“swansong” by Caroline Colby

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Thomas Page - What We Keep Poetry Series

Wed, 07 Aug 2024 13:36:33 GMT

Thomas Page - What We Keep Poetry Series

Photo of Thomas Page outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Thomas Page

Artwork Referenced:

“Yellow Grouper” by Tanner Simon

“Dhobi ka Kutta” by Harsh K. Sharma

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Daniel Dykiel - What We Keep Poetry Series

Thu, 25 Jul 2024 16:02:34 GMT

Daniel Dykiel - What We Keep Poetry Series

Photo of Daniel Dykiel outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Daniel Dykiel

Artwork Referenced:

“untitled” by Mason Dowling

and

“Respite” by Amber Toplisek

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Alye Prentice - What We Keep Poetry Series

Thu, 25 Jul 2024 15:59:37 GMT

Alye Prentice - What We Keep Poetry Series

Photo of Alye Prentice outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Alye Prentice

Artwork Referenced:

“as the cause of coming into being” by Amber Toplisek

and

“An Alphabet” by Mason Dowling

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Jeevitha Kannan - What We Keep Poetry Series

Thu, 25 Jul 2024 15:56:22 GMT

Jeevitha Kannan - What We Keep Poetry Series

Photo of Jeevitha Kannan outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Jeevitha Kannan

Artwork Referenced:

“Dhobi ka Kutta” by Harsh K. Sharma

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Elizabeth Pottinger - What We Keep Poetry Series

Thu, 25 Jul 2024 15:54:42 GMT

Elizabeth Pottinger - What We Keep Poetry Series

Photo of Elizabeth Pottinger outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Elizabeth Pottinger

Artwork Referenced:

“swansong” by Caroline Colby

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Alec Tvenstrup - What We Keep Poetry Series

Thu, 25 Jul 2024 14:35:37 GMT

Alec Tvenstrup - What We Keep Poetry Series

Photo of Alec Tvenstrup outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Alec Tvenstrup

Artwork Referenced:

“An Alphabet” by Mason Dowling

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Alex Rivera - What We Keep Poetry Series

Thu, 25 Jul 2024 14:32:43 GMT

Alex Rivera - What We Keep Poetry Series

Photo of Alex Rivera outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Alex Rivera

Artwork Referenced:

“Cultural Concepts” by

Manantial Clyburn

“Juicebox of Desire” by

Andrew King

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Grace Vlaming - What We Keep Poetry Series

Thu, 25 Jul 2024 14:30:35 GMT

Grace Vlaming - What We Keep Poetry Series

Photo of Grace Vlaming outside of the USF Contemporary Art Museum. Photo by Jazz on Arts Axis Florida.

Poetry Written and Performed By

Grace Vlaming

Artwork Referenced:

photographs by

Manantial Clyburn

Video / Editing - Warren Buchholz

Audio - David Waterman

Video Produced By Arts Axis Florida

Special Thanks To:

Leslie Elsasser, Curator of Education

Dr. Julia Koets

in partnership with

USF Contemporary Art Museum

and

USF Department of English

Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like YOU! Thank you.

Festival Spotlight - Jazz in the Gardens

Tue, 16 Jul 2024 20:01:58 GMT

Where: Hard Rock Stadium - 2269 NW 199th St, Miami Gardens, FL 33056

When: Saturday, March 8, 2025 - Sunday, March 9, 2025

A staple in the global live jazz and R&B scene, Jazz in the Gardens is a vibrant celebration of Black culture. The festival showcases its rich diversity through music and art, featuring both legendary acts and rising local stars.

photo credit / AJ Shorter Photography / 2024

Al Downing Honors presented by the Al Downing Tampa Bay Jazz Association

Tue, 16 Jul 2024 19:35:57 GMT

Al Downing Honors presented by the Al Downing Tampa Bay Jazz Association

The Al Downing Tampa Bay Jazz Association (ADTBJA) will host the inaugural Al Downing Honors on July 21st to celebrate Al Downing Day and honor local jazz legends. The event will feature awards for Jazz Supporter, Musician, and Educator of the Year. The event pays tribute to distinguished jazz supporters, educators, and musicians in Tampa Bay and features a live performance by the Al Downing AllStars.

The Al Downing AllStars, consisting of Dwayne on trumpet, Ben Winkler on piano, Vincent Sims on electric guitar, Erik Hempel on bass, Ron Gregg on drums, along with special guests Emani Baines on tenor saxophone and vocalist Greg Porter, will perform. Members of the Downing Family will present awards to this year’s honorees.

The mission of the Al Downing Tampa Bay Jazz Association, Inc., a 501C3 non-profit organization, is to promote jazz and to encourage the appreciation of jazz, its origin, and evolution. By sponsoring concerts and providing educational opportunities and scholarships, the association preserves and perpetuates jazz as an original American art form. Go to WWW.ALDOWNINGJAZZ.COM for more information.

Date: Saturday, July 21, 2024
Time: 3:00pm

Location: The Palladium - 253 5th Ave N, St. Petersburg, FL 33701

Link to Tickets: https://mypalladium.org/events/al-downing-honors-at-the-palladium/

St. Pete Brazilian Band O Som Do Jazz Performs at Museum of American Arts and Crafts Movement

Wed, 03 Jul 2024 17:30:50 GMT

St. Pete Brazilian Band O Som Do Jazz Performs at Museum of American Arts and Crafts Movement

O Som Do Jazz gives a concert at the Museum of American Arts and Crafts Movement (MAACM) on Saturday, July 27. It’s an evening of grooving samba, Bossa Nova, MPB and Baião at the beautiful MAACM in the ball room. This group features Rio de Janeiro singer Andrea Moraes Manson and an international crew of master musicians. With 4 CDs, original music placed on BBC, Fox and HBO and two recents Bronze Medals in the Global Music Awards, O Som Do Jazz is a Florida favorite.

When: Saturday, July 27, 2024 from 7:30-9:30pm
Where: Museum of American Arts and Crafts Movement - 355 4th Street North St. Petersburg, FL 33701

Cost: $25 General Admission

Tickets are available at: https://osomdojazzatmaacm.eventbrite.com

Eric's Record Store Crawl - Tampa Bay - Jazz at WUSF

Thu, 06 Jun 2024 14:37:18 GMT

Eric's Record Store Crawl - Tampa Bay Record Stores

Join Mullin's Music Executive Director Eric Mullins on his first Record Store Crawl throughout Tampa Bay. They visited 8 record stores throughout Tampa and St. Petersburg, Florida for a full day of vinyl record shopping. They started the day in Mullins Gallery in New Port Richey for two short workshops on the history of vinyl and how to grade vinyl by DJ and collector Jimmy Michaud.

Jazz on Arts Axis Florida joined the crawl to film the event. Record Stores Visited:

Sound Exchange Tampa

14246 N Nebraska Ave, Tampa, FL 33613

Mojo Books & Records

2554 E Fowler Ave, Tampa, FL 33612

Microgroove Records

4906 N Florida Ave, Tampa, FL 33603

Steelworker Records

708 W Dr Martin Luther King Jr Blvd, Tampa, FL 33603

Bananas Warehouse

2226 16th Ave N, St. Petersburg, FL 33713

Bananas Records

2887 22nd Ave N, St. Petersburg, FL 33713

ARTpool (not pictured)

2030 Central Ave, St. Petersburg, FL 33712

Daddy Kool Records (not pictured)

2606 Fairfield Ave S, St. Petersburg, FL 33712

Mullins Music is a non-profit organization located in New Port Richey, FL and provides quality music education to students of all ages regardless of ability, background, or personal circumstances. Mullins Music is also home to the Music Gallery, a second floor events space for local concerts.

Tour and Workshop provided by Eric Mullins

Vinyl Grading Workshop by Jimmy Michaud

Bakery Items Provided by Railroad Square Bakery in New Port Richey

Filmed & Edited by Warren Buchholz

Produced by Jazz on Arts Axis Florida

Jazz on Arts Axis Florida is powered by WUSF and is sponsored by Community Foundation Tampa Bay and by viewers like you. Thank you! #jazz #tampajazz

Improbable Solutions - Review

Sat, 18 May 2024 18:28:23 GMT

Improbable Solutions - Bill Anschell - Review

Photo of the album cover for Improbable Solutions - Origin Records

by Andy Harrison—

The Pacific Northwest has become something of a hotbed for great new jazz music in recent years, with the region producing forward-thinking artists and records at a seemingly improbable rate. Bill Anschell, one of the most talented pianists working in today’s scene and a Seattle native, was not someone known to rock the boat: previous albums such as Rumbler and Blueprints operated within the existing bounds of mainstream acoustic jazz, filled with technically gifted playing but did not aim to reinvent the wheel. Improbable Solutions , Anschell’s best release to date, changes all that.

Like a number of stellar records released in the past four years, Improbable Solutions’ genesis was in the COVID-19 lockdown. Experimenting for the first time with electronic tones and textures, Anschell took over three years to mix, edit and refine a series of recordings while shut indoors at the height of the pandemic. While it would be remiss to say that Improbable Solutions is solely an exercise in electronic jazz a la late career Herbie Hancock (think instead of Weather Report with a more sour edge), it is a radical departure from Anschell’s previous work and is all the better for it.

"[Improbable Solutions] is a radical departure from Anschell’s previous work and is all the better for it."

“Is This Thing On?” is exemplary of this. A menacing electronic arpeggio gives way to Anschell’s off-kilter acoustic piano, which at points seems to de-tune or become a part of the electronics itself. Washes of synth pads gurgle in the background, as fellow PNW luminary Jose Martinez locks into tight percussive grooves, going back and forth with Anschell like a rally at the U.S. Open. On more mellow cuts such as “Hidden Nobility” and “Gentle Persuasion,” Sections of piano trio glide through Anschell’s soundscapes with poise and ease, counterposing elegant playing with his synthetic late-night ambiance. Anschell’s willingness to push himself out of his comfort zone during COVID paid off in dividends if we go off of tracks like these.

If you take nothing else away from this review, then take this: get this record. If you have a taste for fusion, moody atmospherics and just plain old good musicianship, Improbable Solutions is a must-have.

AAF Rating: 5/5 trumpets

AAF Top Picks: Is This Thing Even On?, Gentle Persuasion, Hidden Nobility, Abandoned, Outburst (ft. KJ Sawka)

Nicole Baum - Spoken Word Poetry

Sat, 18 May 2024 17:53:34 GMT

Nicole Baum - Spoken Word Poetry Series

Photo of Nicole Baum in the WUSF Performance Studio. Photo by Jazz on Arts Axis Florida.

Nicole has always had a love for writing and especially poetry, one she has only expanded on through high school and college. Inspired by lyricists, other poets, and the natural world, she commonly writes about internal and external struggles and how language shapes our understanding of ourselves. For more of her work, check local literary magazines and community poetry events in the St. Pete area, where she appears regularly.

Personnel:

Original Poetry Written by Nicole Baum

Camera/Editing: Warren Buchholz

Audio: Chandler Balkcom

The Blunt Space Incorporated is a 501(c)(3) not for profit corporation and media hub for art, advocacy, and culture and aims to be a safe haven and provide resources to marginalized voices within the arts.

Bela Souza - Studio Sessions video series

Tue, 14 May 2024 20:46:30 GMT

Bela Souza - Studio Sessions video series

Photo of Bela Souza in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Bela Souza is a seasoned singer living in St. Pete, FL. She has been performing in the Tampa Bay area since 2011. Bela studied Musical Theatre at the University of Tampa, which led her to pursue a career in music and vocal coaching. Her sultry, soulful sound and Brazilian roots have influenced her love for singing jazz and Bossa Nova. Bela will be releasing a jazz EP early next year. Follow her on Instagram at @belassings to stay updated.

Song List:

1. “Ain’t Misbehavin” - Fats Waller & Harry Brooks

2. “Like a Star” - Corinne Bailey Rae

3. “Insensatez” - by Antônio Carlos Jobim

4. “Perfidia” - Alberto Dominguez

Personnel:

vocals - Bela Souza

piano - Joe Cosas

guitar - Sebastian Johnson

bass - Tito Daniel

drums - Dave Hamar

Camera/Editing - Warren Buchholz

Assistance/Setup - Andy Harrison

Sound - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you!

What message(s) do you hope resonate with your audience when they hear your music?

I hope people feel uplifted and moved by the emotions portrayed through my music. There is so much beauty and joy to be experienced in music.

How do you choose what songs to play live?

I choose songs that people love to hear and can sing along to, and I also choose songs that I personally connect with. There are certain genres, such as jazz and r&b, that my voice gravitates towards more.

Who are your musical inspirations?

I grew up listening to many different genres, but I have always been inspired by great vocalists, such as Ella Fitzgerald, Stevie Wonder, Sara Bareilles, Jason Mraz, Tori Kelly, Allen Stone and more.

What’s your favorite album or song to listen to?

I have so many favorites, but lately, I have loved Allen Stone's album Building Balance and Sara Bareilles's album Kaleidoscope.

What’s the greatest musical moment you’ve experienced?

My greatest musical moment was when I had the opportunity to sing backing vocals for Josh Groban at the Amalie Arena for 30k people. It was exhilarating!

What’s your earliest musical memory?

I grew up singing in church, so I remember at 10 years old we did a Christmas show, and I was the lead. It was my first taste of being on-stage and I caught the performing bug.

How do you prepare mentally and physically for a live show?

I'm a huge believer in practice makes almost perfect! Preparation physically includes stretching and vocal warm-ups.

What’s your favorite memory of a live performance?

I was filling in for a gig last minute with a jazz band and we had not rehearsed together before. We played "Cheek to Cheek" and we were so in sync that it felt as if I had been performing with them for years. It is amazing to see how music can connect us to others.

What are your future aspirations/plans in jazz music?

I am planning on releasing a jazz album with cover songs sometime next year. It is my favorite genre to sing by far!

What’s your top tip for musicians just starting to perform live at venues?

Choose material that your audience can connect with and make sure you have excellent musicians backing you up!

Ty Scott King - Spoken Word Poetry

Tue, 30 Apr 2024 20:21:54 GMT

Ty Scott King - Spoken Word Poetry Series

Photo of Ty Scott King in the WUSF Performance Studio. Photo by Jazz on Arts Axis Florida.

Personnel:

Original Poetry Written by Ty Scott King

Camera/Editing: Warren Buchholz

Audio: Chandler Balkcom

Charlee Loyst Trio - Studio Sessions video series

Tue, 30 Apr 2024 20:15:02 GMT

Charlee Loyst Trio - Studio Sessions video series

Photo of Charlee Loyst in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Charlee Loyst is a pianist from St. Pete Beach, FL. Influenced by Bill Evans and Wynton Kelly, Charlee Loyst has developed a sound that combines his classical background with his passion for jazz to craft musical ideas and share his story. He currently studies at Berklee College of Music and is majoring in Performance.

Song List:

1. Softly, as in a Morning Sunrise - Sigmund Romberg

2. Voyage - Kenny Barron

3. 54th Ave. S. - Charlee Loyst, Erik Hempel

Personnel:

piano - Charlee Loyst

bass - Erik Hempel

drums - Ayrias Pedigo

Camera/Editing - Warren Buchholz

Assistance/Setup - Andy Harrison

Sound - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you! #jazz #tampajazz

Sokołowski Trombone Project - Studio Sessions video series

Tue, 30 Apr 2024 20:12:58 GMT

Sokołowski Trombone Project - Studio Sessions video series

Photo of Sokołowski Trombone Project in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Established in 2022, Sokołowski Trombone Project is a Trombone Band made up of 4 trombonists and 3 rhythm section players. The band’s goals consist of promoting innovative arrangements for the trombone of popular jazz standards, while also aiming to contribute original and modern music in various styles. STP recently won the International Trombone Association’s "Kai Winding Jazz Trombone Ensemble Competition" as well, where the group was given a featured performance at the International Trombone Festival in Salt Lake City.

STP are planning on recording an album next year featuring all of Filip Sokołowski’s original compositions and arrangements and are raising money to record it:

https://www.gofundme.com/f/sokolowski...

Song List:

1. "Gingerbread Boy" - written by Jimmy Heath / Arr. Filip Sokołowski

2. "Cheesecake" - written by Dexter Gordon / Arr. Filip Sokołowski

3. "All the Things You Are" - composed by Jerome Kern / Arr. Filip Sokołowski

Personnel:

trombone section - Filip Sokołowski, James Wall, Kamyl Alicea, Nathan Petersen

piano - Julián Pernett

bass - Noe Rios

drums - Rod Alnord

Camera/Editing - Warren Buchholz

Assistance/Setup - Andy Harrison

Sound - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you! #jazz #tampajazz

Dorrian Bridges - Spoken Word Poetry - Spoken Word Poetry Series

Tue, 23 Apr 2024 21:10:41 GMT

Dorrian Bridges - Spoken Word Poetry Series

Photo of Dorrian Bridges provided by Dorrian Bridges.

Dorrian Tyrell Bridges (born April 2nd, 1997) is an American rapper, singer, songwriter, and record producer. Bridges gained distinction and acclaim for his hybrid style that combined his unique spoken word delivery, pained lyrics, and dark classical production. As an entrepreneur, Dorrian Bridges and his Wife founded The Lindsay School of the Arts, a private performing arts school dedicated to providing high-quality arts education programming at no cost, ensuring complete accessibility to children and families.

Personnel:

Original Poetry Written by Dorrian Bridges

Camera: Warren Buchholz

Audio: Chandler Balkcom

Ja Rhymes - Spoken Word Poetry - Spoken Word Poetry Series

Wed, 10 Apr 2024 16:53:55 GMT

Ja Rhymes - Spoken Word Poetry Series

Photo of Ja Rhymes in the WUSF Performance Studio taken by Jazz on Arts Axis Florida

Orlando, FL native and nationally renowned spoken word artist "Ja Rhymes" gracing the mic with her original work, word play and powerful delivery. JaRhymes has done BET sponsored events, Michael Colyar morning show, Apachee XLR, as well as being featured in HOT1 Magazine for emerging artist.

Personnel:

Original Poetry Written by Ja Rhymes

Camera: Warren Buchholz

Audio: Chandler Balkcom

The Instrument of Hope Discussion and Concert - Gun Violence Discussion in St. Pete, FL - Jazz Music

Sat, 06 Apr 2024 17:03:39 GMT

The Instru ment of Hope: Discussion & Concert - November 3, 2023 at the Warehouse Arts District in

St. Petersburg, FL

presented by

Warehouse Arts District Association, EMIT, Jazz on Arts Axis Florida & WUSF

The Warehouse Arts District Association, in collaboration with the Al Downing Tampa Bay Jazz Association, EMIT, 7C Music, and Jazz on Arts Axis Florida hosted an important roundtable discussion on gun violence and a paired concert that featured the Instrument of Hope. The 2-part event took place at 7C Music and the ArtsXchange Outdoor Theater, located at 515 22nd Street South, St. Petersburg, on Friday, November 3, 2023, from 6:30 PM to 9 PM. St. Petersburg Mayor Ken Welch made a special appearance and gave a short speech.

Composer and Arranger Kim Scharnberg collected testimonials from former students and survivors. Scharnberg facilitated the roundtable discussion before the concert. The Roundtable discussion at 7C Music on gun violence prevention featured State Representative Lindsay Cross, City Council Member Brother John Muhammed, Dr. Tara Newsom, Dr. Kirsten England, Dr. Erin Carlin, and other community leaders.

The concert showcased a talented ensemble of musicians from Tampa Bay, brought together by the Al Downing Tampa Bay Jazz Association. This organization's origins date back to the 1980s and are closely tied to the collaborative work of Al Downing, award-winning performer, band leader and music educator and the late Ernie Calhoun a celebrated saxophonist and humanitarian from Tampa, Florida. This event is a noteworthy addition to the Warehouse Arts District Association's Concert Series, which is aptly titled "Jazz and Politics: Harmony & Discourse."

The concert on the ArtsXchange stage was performed by the Al Downing Tampa Bay Jazz Association that featured the Instrument of Hope which was played by Trumpeter and Band Leader, Dwayne White. Special guest vocalist Belinda Womack performed several tunes including "Shine" which was written by two students from the Parkland, FL shooting.

About WADA: The Warehouse Arts District Association (WADA) started with a dream of a creative corridor. Abandoned warehouses in St Petersburgs Midtown neighborhood help promise. Artists needed reasonably priced workspace were already moving into the area, reclaiming building that once housed tomato and seafood packing plants, a large commercial laundry, a sewer equipment manufacturer and a deserted railway station.

As time passed, a major concern was that there is a history nationwide of artists moving into an undesirable area, they make the place “cool” and then rental prices go through the roof until artists can no longer afford space.

In early 2012, a group of interested people was held at the Morean Center for Clay. The idea was to form an organization that could represent artists, studios and galleries in the city of St Petersburg and work to preserve affordable studio space. That is how the organization came to be. Later that year, it organized as a 501(c)3 non-profit organization dedicated to creating a vibrant arts community in and around St. Petersburg, FL and to develop and grow as an energetic group that creates jobs, attracts artists participates in the local community and provides arts education opportunities.

About EMIT: For the past twenty-seven years, over 500 events involving new music, jazz, world music, interactive electronics, improvisation and interdisciplinary art forms that incorporate sound have been featured in the EMIT series. EMIT (a registered nonprofit arts organization) brings adventurous music and educational activities to the Tampa Bay area. EMIT is presenter of the annual St. Petersburg Jazz Festival, Recording Arts Program with Boys & Girls Club students at the Royal Theater in Midtown, EMIT Latin Jazz Fest and supporter of the 18-member Helios Jazz Orchestra.

About the Al Downing Tampa Bay Jazz Association: The start of The Al Downing Tampa Bay Jazz Association can be traced to the joint efforts of Al Downing and the late Ernie Calhoun, renowned saxophonist and humanitarian from Tampa, Florida. Its beginnings were in 1981 and emerged from two jazz organizations in 1989. Today it provides jazz opportunities for enthusiasts throughout the Tampa Bay area.

The primary focus of the association is to encourage the understanding and appreciation of jazz.

The ADTBJA:

Promotes the understanding of jazz, its origins and evolution
Presents live jazz performances
Works with youths who are interested in learning to explore and perform jazz
Informs the public about jazz clinics, festivals, performances, events and club scenes
Provides scholarships to students who plan to further their jazz studies

About Jazz on Arts Axis Florida: Jazz on Arts Axis Florida provides digital resources and advertising opportunities for jazz musicians, organizations, and venues throughout Florida and is committed to showcasing diverse jazz voices through original and shared content. Shaped out of 56 years of history under WUSF and its long-running All Night Jazz program, Jazz on Arts Axis Florida is the hub for all-things local for jazz music.

Suzanne Lucas - Studio Sessions video series - Jazz at WUSF

Thu, 04 Apr 2024 14:13:20 GMT

Suzanne Lucas and Her Ensembles Perform for Studio Sessions

Photo of Suzanne Lucas and Rafael Silva in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Meet Suzanne Lucas, the extraordinary jazz singer from Brooklyn, NY who captivates audiences with her unparalleled ability to craft each song into a unique masterpiece. In the world of jazz, her spellbinding phrasing and soulful interpretation, weaves stories through her music like no other. Suzanne has been captivating audiences with her unique blend of jazz, blues, and folk since she was a young woman. She recently stopped by the WUSF Performance Studio to perform with her bands the Hot Boyz and Black Box Duo.

Suzanne Lucas & the Hot Boyz:

Song List:

1. God Bless the Child - written by Billie Holiday and Arthur Herzog Jr

2. Temptation - written by Tom Waits

3. Folsom Prison Blues - written by Johnny Cash

Personnel:

Vocals - Suzanne Lucas

Piano / Bass - Rafael Silva Ruffus

Drums - Ray C. Williams

Black Box Duo

Song List:

1. I Wish You Love - Lyrics by Albert Beach; original music by Charles Trenet, Leo Chauliac

2. Night and Day - written by Cole Porter

3. Crazy He Calls Me

4. When Sunny Gets Blue - Marvin Fisher, Jack Segal

Personnel:

Vocals - Suzanne Lucas

Piano / Bass - Rafael Silva Ruffus

Drums - Ray C. Williams

Camera/Editing - Warren Buchholz

Assistance/Setup - Andy Harrison

Sound - Jackson Harpe

Jazz on Arts Axis Florida: What message do you hope to resonate with your audience when they hear your music?

Suzanne Lucas: When our audience listens to our renditions of jazz standards from the 20s, 30s, 40s, and 50s, I hope they feel a profound connection—not just to the rich history and timeless quality of these songs but to the emotions and stories that are as relevant today as they were back then. By reimagining these classics in a new way, in a more contemporary style, we strive to bridge generations, celebrating the “living of life" with love, loss, joy, and resilience that resonate across time. It's not about us or our interpretations; it's about honoring the legacy of these great artists and the shared human experiences their music captures. We want each performance to be a reminder that, though times change, our core emotions do not. Through our music, we aim to bring people together, offering a sense of belonging and understanding, and highlighting the enduring power of these songs to touch hearts. It's our hope that listeners, no matter their age or background, will find something in our music that speaks to them, comforts them, and reminds them of our shared humanity.

How do you choose what songs to play live?

The songs that I choose have to move me. They have to tell a story that I can relate to. I have to have a stirring in my soul because I can’t perform every song well. I perform songs that make me feel deeply. And i give that emotion to the audience so they can stir deeply inside.

Who are your musical inspirations?

My biggest inspiration is my mother. She was a jazz singer. She started in NYC and played all over the north east. She was even offered to play with Cy Coleman and his big band, and she turned it down to be a mother.

I was not raised by my birth mother, although I did have a relationship with her in my 40s until she died in 2017. When I was cleaning out her house, I found a whole bunch of recordings that she had done and many of my songs, I learned just by listening to her sing them to me. Many of those songs are in my Setlist and some cases I’ve never even heard the originals. I just heard her do them, and fell in love with them.

What is your favorite song or musical memory?

I was in a situation where I did not have contact with my birth mother; however, she somehow got a court order for my foster mother to let me hear her sing on a radio station out of DC. And never knowing her or how she felt about me, the song that she chose to sing on the radio told me that she loved me. I do this song now but it’s always a tearjerker for me. It’s just super raw emotion when I perform that song, and it always takes me back to the day I first heard her sing it to me. It was a Rolling Stones song called "As Tears Go By."

How do you prepare mentally and physically for a show.?

I tend to get very anxious before I perform. So I typically always do a shot of tequila right before I do my first set to just settle my nerves and give me that confidence in a shot glass.

What is your rehearsal process?

That’s a great question--most jazz musicians are so accomplished that they typically know thousands of songs from their head or can read it and play it as soon as you set it down in front of them. Working with Jazz is less about rehearsal and more about creating each person‘s interpretation of the music while you play it live and feed off of that energy. Jazz doesn’t really have a lot of boundaries or rules so if it was rehearsed, it wouldn’t be organically created live.

What makes playing jazz music in Florida so appealing?

Playing jazz music anywhere on the planet is appealing to me, as long as I have somebody that wants to play with me and somebody that wants to listen ….I’m good with it.

What’s your favorite memory of a live performance?

Playing at the Sarasota Art Museum for Jazz Thursday in November last year was pretty thrilling! The place was sold out, and there were 1000 eyeballs looking back at me, and you could hear a pin drop while we were performing. It was a true concert feel, and it was very different from playing in a club. unnerving but thrilling as well.

What’s your top tip for musicians just starting to perform live at venues?

Just do it! The more you do it, the more comfortable you’ll feel and the better you’ll sound. That will relay out to your audience. Keep in mind that as long as they’re having a good time and you’re a showman, they’ll think you’re fantastic!

This interview has been edited for length and clarity.

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you!

Bradley Morewood - Spoken Word Poetry - Spoken Word Poetry Series

Mon, 01 Apr 2024 15:37:10 GMT

Bradley Morewood- Spoken Word Poetry Series

Photo of Bradley Morewood in the WUSF Performance Studio taken by Jazz on Arts Axis Florida

Bradley Morewood, a native of Brooklyn, lives in Tampa where he enjoys writing, and performing and recording his poetry to improvised music. His poetry has appeared in Wild River Review, Meridian Anthology of Contemporary Poetry, Blue Collar Review, Dream International Quarterly, Red Ochre Black and White, Solo Novo Wall Scrawls, Wild Violet, Jellyfish Whispers, Pyrokinection, and other publications. His chapbook "Where the Bangles Live" was published by invitation by St. Leo University.

Personnel:

Original Poetry Written by Bradley Morewood

Camera: Warren Buchholz

Audio: Chandler Balkcom

Moonray - Review

Mon, 01 Apr 2024 15:14:35 GMT

Moonray - James Hudson - Review

Photo of the album cover for Moonray

by Andy Harrison—

Vocal jazz has been on the wane in recent years - as contemporary musicians veer either towards the bleeding edge of avant-garde jazz or the J Dilla-inflected stylings of jazz rap, the moody vocalists and smooth records that once were the standard bearers of popular jazz music fade from view in a genre that seems increasingly unfriendly to the music of Mel Tormé, Dinah Washington and ol' Blue Eyes himself.

Enter James Hudson. An up-and-coming vocalist out of the UK taking cues from the likes of Chet Baker, Kurt Elling and Diana Krall, Hudson is a student of the game, so to speak. A graduate of the National Youth Jazz Orchestra, Hudson's intonations, phrasings and vocal timbre are demonstrative of his love of the sound and history of vocal jazz, loyal to the traditions of the genre while still daring enough to avoid becoming sclerotic altogether. "On a Clear Day," a cover of Burton Lane's Broadway classic and Moonray's opener , is an ideal showcase of Hudson's strengths. Smooth and precise in his enunciation and tone, Hudson plays smartly off the backing strings and Tom Walsh's colorful playing on the trumpet, complimenting his melodious solo with a smoky and subtle performance worthy of applause.

"Hudson... uses his wide range for an immediate shot to the heart, imbuing his performance with an emotional maximalism that tugs at the heart strings..."

Hudson approaches this collection of songs not as untouchable standards, music beyond remove that can't be experimented with, but with a sense of creativity and playfulness. Compare his take on "The Nearness of You" to, say Norah Jones. While she performs with a forlorn and subdued romanticism, Hudson (backed only by a spirited vibraphone) uses his wide range for an immediate shot to the heart, imbuing his performance with an emotional maximalism that tugs at the heartstrings. The sheer variety of instrumentation on display here, with daring additions of musical color to songs that could use it, speaks to Hudson's willingness to step outside of the typical mold of the jazz vocalist, all while keeping a certain fidelity to the strength of the original arrangements and his own performance.

Moonray is a stellar collection of standards in a style of jazz that doesn't get enough love these days. As younger artists increasingly move away from the popular jazz of the last century, Hudson has the gumption to give it a vitality and dynamism that can keep it going for another hundred years. If you think vocal jazz is a staid style of music that fit only for your grandparents, listen to Moonray and see for yourself a genre that still has a few tricks left up its sleeve.

AAF Rating: 5/5 trumpets

AAF Top Picks: On a Clear Day, That's All, The Nearness of You, Sunny

Stephen of Lindow - Spoken Word Poetry - Spoken Word Poetry Series

Tue, 12 Mar 2024 17:05:54 GMT

Stephen of Lindow - Spoken Word Poetry Series

Photo of Stephen Lindow in the WUSF Performance Studio taken by Jazz on Arts Axis Florida

Stephen Lindow was from FL when he moved to MA in 1998 to squeak out an MFA in English from UMass-Amherst in 2004 where he taught, loafed, trespassed, and was diagnosed. Moving to Los Angeles in summer 2012, he eked out survival with performing and creating poetry films from his laptop. He's published poems in ARTillery, Bad Robot Poetry, Penumbra, The Massachusetts Review, Bateau, and Meat For Tea.

He was a poetry editor for The Naugatuck Review from 2010-2011, a scuba diver, urban explorer, naturalist, and noisician[sic]. He performed Kurt Schwitters's 'Ursonata' with a Dadaist group in Holyoke, MA and took a TESOL license in 2008. In the late 90s he toured with Poetry Alive!, Inc. He currently teaches English Comp. at HCC-Brandon.

Personnel:

Original Poetry Written by Stephen of Lindow

Camera: Warren Buchholz

Audio: Chandler Balkcom

Pianist David Miller Performs a Special Solo Set

Tue, 12 Mar 2024 17:01:45 GMT

Pianist David Miller Performs a Special Solo Set in the WUSF Studio

Photo of David Miller in the WUSF Studio. Photo by Jazz on Arts Axis Florida

David A. Miller was born in 1967. He studied music sporadically throughout his life, taking him from the Arizona State music program, London University, Mesa Community College Jazz Program, and to NYU. He wrote and conducted his first symphony in 1995 which was read by the Telluride Orchestra. David moved to China in 1996 and performed weekly in Beijing. He won silver prize for foreigners singing in Chinese in 1997. After living in Asia for nearly five years, he attended Chinese Medical school in New York City and drastically switched careers. Now residing in Sarasota, he is performing stand up comedy, already appearing twice at McCurdy's Comedy Club and will be performing original piano works when he returns to Beijing.

Song List:

1. Thank You for This Life

2. Beethoven Strasse

3. The Shock of Love

Personnel:

Music Written and Performed By

David Miller

Artwork Created By

Selah Clough

In Loving Memory of

Dan & Mary Miller

Camera/Editing

Warren Buchholz

Assistance/Setup

Andy Harrison

Sound

Jackson Harpe

Where can we find you play live?

David Miller: In the next month, I have to go to China to see my mother in law who became ill. I will use the video you helped me make get a spot on a Chinese TV show in Beijing. I hope to appear in the summer. When I return, I will be organizing my first concert at Florida Studio Theater in downtown Sarasota. I am writing a performance piece called "From Mandarin To Mozart" which talks about the legends of how music was discovered in China all the way to the space shuttle Challenger.

While that is being written, I have a string of stand-up comedy routines planned that contain musical numbers at McCurdy's Comedy Club and in St. Pete.

What are some performance tips you wish you knew when you first started?

My preference is to play very well rehearsed material with spaces for being spontaneous written in. To be successful performing live, bands should think about the following:

1) Dynamic changes between crescendo and decrescendo throughout the song, within a phrase, and even within a measure. It makes the audience pay attention.

2) Tempo changes within a song but if you have the audience dancing, keep the beat longer and their feet moving. James Brown did that all the time.

3) Extended chords that let the sounds of the instruments ring and the acoustics of the room be felt. The Who is an example of doing that in rock.

4) Isolation: At certain times throughout the set, let one instrument carry the song for a bit alone, pair up different instruments for a few measures, mix it up and then the listener doesn't get fatigued from feeling trapped inside a song that never changes flavor.

5) Plan a few seconds of silence, let the crowd hear their hearts beating, talk to the crowd.

6) I did video crew for Sheila E. 30 years ago and my only job was to make sure the sound to video input never hit red. I thought it would be easy but she changed dynamics so many times I had to watch it constantly. She taught me two concepts, Ping Pong and Razzle Dazzle:

Ping Pong: Rehearsed band interaction that tells a story or gets a laugh or an emotional response. Prince was very good at this. Sheila E. was his drummer. She is the daughter Pete Escovedo who played percussion for Santana. Ping Pong also involves the crowd and finds a way to make people part of the show. This isn't easy to do and comedians call it crowd work.

Razzle Dazzle: It is what makes your live set into a performance. Spend time working through lists of ideas of what special light effect, sound effect, prop, costume, or activity will give the SPARKLE to your show that pins the blue ribbon to your underpants. In my old group, we threw paper boomerangs into the crowd and then gave lessons how to throw them during a drum/bass cadenza. Jack Valentine in 1975 was the first guy to play drums upside down so beat that! It doesn't have to be extreme, just creative and enough to give a little razzle dazzle.

Photo of Beethovenstr. street sign in Stuttgart, Germany taken by David Miller

How did you come up with Beethoven Strasse?

In Stuttgart, Germany where I walked up the hill and wrote the melody in my head while walking on Beethoven Strasse. I went back to my friend's flat and knocked it out on a kid's keyboard, then wrote it down on paper on the plane home.

During "Thank You for This Life" you begin to hit the keys in a chaotic way. What message do you want audiences to take away when they hear this part of the song?

The crashing parts on the piano where I bang up the octaves represent violence and war. The higher notes fall down like missiles and like the cries of the suffering people. The low notes strike twice before balance returns and beauty emerges just in time. The sun touches the mountain's fingertips and all is well.

Why do you enjoy performing jazz?

Jazz is like classical music but with the green light to make mistakes and play wrong notes and the freedom to improvise. Classical music puts you through the music grinder to develop technique, musical intelligence, and passion but you don't deviate from what is written, especially in competition. However, in Jazz, Victor Wooten, Steve Smith, and Scott Henderson played Giant Steps by John Coltrane backwards and still called it Giant Steps. You couldn't do that with Beethoven as easily. Jazz is special because musicians continue to try to find ways to modulate from one chord to another with maximum trauma!

This interview has been edited for length and clarity.

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you!

Antwerp - Review

Fri, 08 Mar 2024 15:11:15 GMT

Antwerp - John Bishop - Review

Photo of the album cover for Antwerp

by Andy Harrison—

If it sounds like drummer John Bishop and pianist Bram Weijters are playing like their hair's on fire, in a way, they are - Bishop, Weijters and bassist Piet Verbist made yearly trips to the Belgium city of Antwerp, using their time in the city to record, jam and play over a hundred shows as a trio that overflows with effortless chemistry. The COVID-19 Pandemic changed that with strict international travel restrictions meaning the three friends couldn’t make their usual trip to the city on the Scheldt.

When they next saw each other, they knew they had to record an album that paid tribute to the city that hosted so many key artistic moments in their careers. Bishop, who runs the Seattle-based label Origin Records (and who’s music you might have heard if you ever booted up Windows XP back in the day), rarely releases records under his own name, which further demonstrates how important capturing this trio’s shared musical connection is to him.

You can certainly hear it in the music. Starting off with the cool and sprightly "Rücksichtslos" (in English, ruthless ), Weijters and Bishop bounce off of each other in a thoughtful back-and-forth, only for a delightful Verbist solo to take center stage smack in the middle of the track. A thoughtful listener can hear a touch of Hal Galper in Weijters playing on this original track, and one can certainly hear his influence on their cover of Galper’s "Trip the Light Fantastic."

A convivial atmosphere exudes through the record, as it’s clear that this trio has more fun with each other than most.

While this trio does wear their inspirations on their sleeves, the best of the record comes with the original compositions, written by either Weijters or Verbist. All three men are at their best when they're bouncing off each others' ideas and improvisations, which clearly and smoothly comes through within their exchanges on these tracks. Compared to the covers, with the exception of a smooth take on Henry Mancini’s "Two for the Road," they’re much more confident and sharper on their own work. The pensive moodiness of Weijters’ "Contemplative" and Verbist’s bohemian work on "For Less Than Nothing" are particular standouts, with Bishop’s playing worth highlighting on the latter.

This record is nothing short of a labor of love and an album Bishop said was recorded with "ales, waffles & fries, and many days/nights spent with new then old friends” in mind. The warmth he describes comes across best when it’s just these three sharing in their company, indulging in the joys of creative expression and collaboration with friends. A convivial atmosphere exudes through the record, as it’s clear that this trio has more fun with each other than most. This celebratory quality makes Antwerp one of the best piano trio albums to release in recent years. One hopes the three friends get back to Belgium and start recording again soon for more albums like this one.

AAF Rating: 5/5 trumpets

AAF Top Picks: Rücksichtslos, The Same Melody, For Less Than Nothing, Contemplative

Get in the Groove with Jazz on ArtsAxis FL!

Fri, 08 Mar 2024 14:51:50 GMT

Get in the Groove with Jazz on Arts Axis Florida!

Feeling down? Life seem a bit drab, depressing, totally-not-groovy? Change that today by getting in the groove with Jazz on Arts Axis Florida with our curated selection of smooth and slick fusion songs sure to bring the funk into your life! Handpicked by in-studio staff, this playlist featuring everything from funk classics from Isaac Hayes, Parliament and the J.B.'s to modern day four-on-the-floor psychedelic rave ups sure to bring down the house, Get in the Groove is sure to get you dancing as soon as you hit "play."

Aberto - Review - O Som Do Jazz - Tampa - St. Pete - Jazz Music

Thu, 29 Feb 2024 21:08:37 GMT

Aberto - O Som Do Jazz - Review

Photo of the album cover for Aberto

by Andy Harrison—

O Som Do Jazz , despite what the name may imply, is not a purely Brazilian affair. A Brazilian vocalist, backed by American, Colombian and Cuban players each put their own spin on the established genre conventions. Comprised of seasoned musicians such as husband and wife duo David and Andrea Moraes Manson, José Valentino (appearing both on the flute and tenor sax) and Tabajara Belo on guitar, O Som Do Jazz has released one fine collection of songs in Aberto that pays loving tribute to the classic Brazilian sounds of Bossa Nova and música popular brasileira over eight carefully composed tracks.

Dynamic and clean arrangements guide Moraes Manson through the songs, as she, taking inspiration from classic singers such as Elis Regina, glides smoothly over the music in clear resonating tones. Said in contrast to skittering drums and feathery woodwinds, Moraes Manson's presence grounds the tracks and prevents them from becoming so airy they're weightless. David Manson's playing is smooth and confident, his trombone providing a colorful counterpoint to the light instrumentation provided.

"Dynamic and clean arrangements guide Moraes Manson through the songs, as she... glides smoothly over the music in clear resonating tones..."

"Andarilho" is worth mention as a standout feature, as Valentino's acrobatic work glides through Manson's arrangement - the players sound as though they're gliding above the clouds, moving effortlessly through chromatic changes and Moraes Manson's clever phrasings. If you have any appreciation for Bossa Nova, baião , the music of Brazil more generally or just good songs, Aberto is a worthy addition to any jazz fan's collection.

AAF Rating: 4/5 trumpets

AAF Top Picks: Andarilho, Cara de Pau, Soltar Pipa, Passaros

Stephanie GeminiFox Jackson - Spoken Word Poetry Series

Wed, 28 Feb 2024 02:10:42 GMT

Stephanie GeminiFox Jackson- Spoken Word Poetry Series

Photo of Stephanie Jackson in the WUSF Performance Studio taken by Jazz on Arts Axis Florida

Born Stephanie Jackson, Gemini Fox is the love child of Dr. Seuss and Maya Angelou. She speaks in parables and sea water runs through her veins. Using her work as a tool that unites others through common experiences. Gemini is a keen welder of raw emotion. She says that her goal as an artist is to be a voice for the voiceless, believing that poetry can be found in everything. She uses her poems to foster healing, understanding and create connections. She is an active member of the Growhouse Tampa artist collective.

WUSF and Arts Axis Florida is proud to host the Spoken Word Poetry Video Series in the WUSF Performance Studio in Tampa, Florida. This video series highlights local Florida spoken word and slam poets as they perform up to three original poems. Spoken Word is co-presented by The Blunt Space and powered by Community Foundation Tampa Bay.

Personnel:

Original Poetry Written by Stephanie GeminiFox Jackson

Camera: Warren Buchholz

Audio: Chandler Balkcom

Pianist Dan Bremer Performs a Solo Set

Thu, 15 Feb 2024 15:35:07 GMT

Pianist Dan Bremer Performs a Solo Session in the WUSF Studio

Photo of Dan Bremer in the WUSF Studio. Photo by Jazz on Arts Axis Florida

About Dan Bremer: A freelance musician in NYC for 40 years. Plays bassoon, clarinet, sax and piano. Played venues from the Staten Island Ferry to Lincoln Center and everything in between. Taught at Wagner College and Staten Island Community College. As a woodwind player performed with the Staten Island Chamber Music Players, the Staten Island Symphony, 7th Army Band, the Metropolitan Opera Orchestra. As a legit pianist, he worked as an accompanist for soloists, choirs, community theater, musical director for Staten Island Children's Theater. As a jazz pianist, he played clubs, hotels and restaurants, including Birdland, the 21 Club, the Riverside Cafe.

Dan retired and moved to Clearwater in 2016. He was doing a series of programs at local libraries in Pinellas County called The Great American Songbook, performing with vocalist Catherine Costa and which included stories, anecdotes and a bit of history about the composers, lyricists and performers of the music from the American Songbook. The Covid pandemic ended that series.

Dan recently won the Best Original Music Composition in the Veteran's National Arts Competition for his solo piece "Solace." He will perform the piece at the Veterans Art Festival in Denver of May 2024.

What message(s) do you hope to resonate with your audience when they hear your music?

I have no messages for the audience. I have music to offer, with all its magic, excitement, and adventure, all its mystery and ability to transcend the ordinary. It can provide an artistic and spiritual experience if one can allow themselves to be moved by what they hear. Listening is not a passive activity. It requires focus, concentration, and the willingness to go wherever the music takes you. The listener is a participant in the experience, just as much as the performer. The experience, although highly individual, is created by both. When I play a piece on the piano, whether classical or jazz, I offer to take the listener with me on a journey of sound and wonder, of surprise and imagination, a journey that deeply touches the soul. I get bored with music that is interesting or clever. I like music that moves me, that reaches inside my heart and soul, that evokes emotions and passions in me. Music is a ticket to another reality.

How has playing music helped you in life?

Playing music is my life. I started playing the piano when I was around 8 years old, and I’ve been playing ever since. That was 70 years ago. I grew up in a home where expressing your feelings was discouraged. Even to have emotions was not a good idea. But when it came to playing music, playing with feeling was a plus. Beethoven wrote, “To play a wrong note is insignificant, to play without passion is inexcusable.” When I was young, music provided the circumstance where I was allowed to let my emotions surface. Ordinarily, this was not approved of, but it was applauded when it came to playing music.

Music also gave me a livelihood. I was given the talent, but to make a living at it I had to work hard, study, practice, and develop that talent. There was nothing else I had any interest in and nothing else I was very good at. Competition was fierce and there were long periods where there was not a lot of work. Regardless, I never seriously thought of doing anything else. I was following my childhood dream of being a full-time professional musician. Eventually I became established and worked steadily without much down time. Once I had a very talented student who was planning on performing music as her career. Her father was not happy with her plans and asked me, “Of all the people who play music, how many actually make a viable career out of it?” I said only those who have to. I am one of those.

Who are your musical inspirations?

I can’t say that there are any performers who made me want to play more than I already did. It was the music itself that inspired me. I played only piano until I went to high school. When I heard the high school band play, I wanted to play with them. So, I took a class in clarinet. After 6 months I joined the band and loved playing with them. After another couple of months, I joined the All-City Concert Band. That was even better. I eventually learned to play the bassoon because I wanted to play in a symphonic orchestra. I wanted to play all that wonderful classical music I listened to on records. It was always the music that inspired me, not any individuals. Although there was one individual who did impress me. In the early 60s Leonard Bernstein created a series of TV programs called “The Young People’s Concerts.” He talked about music and then had the NY Philharmonic play the music. Those programs were outstanding and left an impression on me.

How do you prepare mentally and physically for a live performance?

If I can, I like to take a nap during the afternoon before a performance. I follow that with a shower and shave and I cut my fingernails. I prepare my clothes and shoes and I collect and prepare any equipment I will need on the gig. I make sure I have directions, gas in the car, and double check the time of the downbeat. To mentally prepare I like to play Bach. It grounds me, it relaxes me, I connect with his music. I play for about half an hour.

How do you choose which songs to play?

Of course, I have to like the song. Better yet, the song should touch me in a deep way. Most of the tunes I play are just good tunes and fun to play. Beyond that, a tune has to work as a solo piano piece. There are a lot of good tunes, but they don’t all work as a piano solo. Also, the music must be able to stand on its own, without the lyrics. Some songs need the lyrics to be complete. I choose songs that are so good musically that they are good even without the lyric.

My repertoire comes from the Great American Song Book, a body of work mostly from the 30s, and 40s. Their virtues are many. The melodies are simple, well built, and beautiful. They are written in simple song forms, which make them easy to arrange and stylize in your own fashion. The harmonies are lush and modern and are easy to modify and reshape into your own harmonic definitions. They lend themselves easily to improvisations.

What’s your top tip for musicians just starting to perform in live venues?

You mean musicians just starting to play gigs? That’s a tough question.

Make sure you are wearing appropriate clothes.
Be well groomed, look good.
Get there early.
Make sure you haven’t forgotten anything.
Make sure you have the right address, and directions on how to get there.
Make sure you have the right date and time for the gig.
Make sure you know about the parking.
Play like you always play. Don’t try to impress.
Stay focused on the music and don’t get distracted.
Enjoy yourself!

Above: images of wood art created by Dan Bremer

What’s your favorite piano to play on?

On Staten Island, there is a cultural center where there are several venues in which to perform. It is called the Snug Harbor Cultural Center. One of the venues is an old chapel. In the chapel there is a Steinway B, seven foot grand, that was built in Germany. It has the most heavenly sound you can imagine. The action is well maintained and regulated. The sound is even throughout the entire range. And it is the perfect size for the room. I’ve played many concerts on that piano and it is always a bit of a thrill for me to perform on such a fine instrument.

There is also a Mason and Hamlin grand at the Jewish Community Center on Staten Island where I performed frequently that I really enjoyed playing.

There is one other place that always has a Steinway 9 foot concert grand on stage. It is the Steinway dealership in Clearwater, the Music Gallery. It is not always the same piano every time I play there, but it is always a Steinway D, and it is always a pleasure to play. The Steinway D is Steinway’s finest concert piano.

Camera/Editing - Warren Buchholz

Audio - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you!

Von the Poet - Spoken Word Poetry Series

Tue, 13 Feb 2024 16:11:22 GMT

Von the Poet - Spoken Word Poetry Series

Photo of Von the Poet in the WUSF Performance Studio taken by Jazz on Arts Axis Florida

Hailing from Florida, DaVon Roberts has harnessed his upbringing in the church and transformed his personal struggles into a compelling form of artistic expression. Following a near-death encounter, DaVon's mother inspired him to turn to writing to convey his faith, sparking a profound love for language that has since blossomed into poetry, melodies, and spoken word performances. From secondary school onward, DaVon has dedicated himself to perfecting his craft, cultivating self-assurance and forming bonds with fellow creatives through networking and collaboration. His masterful works delve into the depth of human experience, exploring themes of forgiveness and self-discovery, all while striving to lead not only himself but also his audiences towards a path of healing, love, and inner tranquility.

Recognizing the vital role played by his early supporter, DaVon expresses gratitude to Becca's Unique Creations for jumpstarting his brand, "VonthePoet." The logo embodies his journey: the book representing written words and poems, the eyeglasses symbolizing daily reflection, and the microphone signifying his powerful spoken word performances.

Personnel:

Original Poetry Written by Von the Poet

Camera: Warren Buchholz

Audio: Chandler Balkcom

The House Cats Duo share their pre-show routine

Thu, 08 Feb 2024 21:38:08 GMT

Jazz Duo The House Cats share how they prepare for shows

Photo of Travis Van Bumble and Stephanie Ruscito in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Jazz on Arts Axis Florida: How has playing music helped you in life?

Stephanie & Travis: Playing music has helped the two of us through life since we were kids. It can be an escape, a way to express yourself, it teaches you discipline and so many other important things. Music actually brought us together, and then years later we started playing music for a living. It was so hard in the beginning but it’s been so rewarding. Performing for people can be tough but sometimes you’ll get the best reaction and it’s so cool to know you made someone’s day like that.

Who are your musical inspirations?

Stephanie: Of course Ella Fitzgerald and Sarah Vaughan; the epitome of jazz greats. I also love Kurt Elling. I love different voices for different reasons. Kurt Elling for how perfect he sounds, so much control over every note and inflection. Sometimes on his low notes he actually sounds like a saxophone. But then I love Keely Smith for her tone, her belts and how she slides around.

Travis: Joe Pass, Wes Montgomery and John Pizzarelli. There’s so many jazz guitarists that I love but those are my favorites. Joe pass for that fact that he can just do anything, and I love the energy that John Pizzarelli has in his lines.

What’s your favorite album or song to listen to?

Stephanie & Travis: Of course we both have so many albums and songs that we love, but as a duo and a couple, we often turn on the Louis Prima and Keely Smith Album “Live from Las Vegas”. The whole band is just goofing off on this album and you can’t help but laugh while you listen. We love Keely Smith and Louis Prima and all their live albums, the energy is just so contagious.

How do you prepare mentally and physically for a live show?

Travis: I have a routine that I do everyday, whether I’m gigging or not. But on the days that I perform I just try to stay loose and relaxed and know that I’m as good as I am today and that’s good enough. -Travis

Stephanie: We perform often so I don’t get super nervous anymore, but on the days that I am nervous, I try not to think about my performance too much. Honestly performing often at small restaurants and bars is really nice because it’s great performance practice. I always think about the last gig I played, and I did fine then so I’ll do fine at the next one.

How do you overcome the anxiety of a performance?

Stephanie & Travis: I think it’s important to remember that it’s not about you. Every person in the audience, no matter what kind of gig it is, has their own life and problems and they’re really not worried about you like you think they are. If you make their day with your performance, that’s great. And if you mess up, maybe you’ll give them something to talk about. Also, it’s just music! It can be so powerful, but it’s also not that serious.

What’s your top tip for musicians just starting to perform?

Stephanie & Travis: Get out there and perform. The only way you can get comfortable performing is to do it a hundred times. Fortunately, we put ourselves in a position where we have to get gigs to pay our bills. So we get a lot of opportunities to perform. If we’re being honest, we were a mess for a few years. Always nervous and worried and embarrassed and it’s easy to want to give up when you put yourself out there like that. But you have to do uncomfortable things in order to grow. And the more comfortable you get, the more fun it is!

What have you been listening to lately?

Stephanie & Travis: Immanuel Wilkins, two songs, The Dreamer and Fugitive Ritual. Since we gig together most of the week, and we’re also married, we end up listening to a lot of the same things. These two songs have been on in the background constantly for a few months now in our house and in our car. If you give them a listen you’ll know why.

Interview edited for length and clarity.

Tiny Big Band 2 - Review

Wed, 07 Feb 2024 19:46:47 GMT

Tiny Big Band 2 - Nikos Chatzitsakos - Review

Photo of the album cover for Tiny Big Band 2

by Andy Harrison—

Tiny Big Band 2 opens strong; a mysterious piano figure sets the scene before giving way to a sprightly tenor saxophone. All the players move through bandleaders Nikos Chatzitsakos’ charts with skill and nerve on “All or Nothing at All,” with the joy of the ensemble coming through the recording loud and clear. The best part is? It only gets better from here.

Chatzitsakos’ Tiny Big Band, a nonet featuring (among others) Salim Charvet and Art Baden on alto and tenor sax, Robert Mac Vega-Dowda on cornet and Nikos himself sitting on bass, is operating within the set boundaries of modern jazz, riffing on the typical themes found in contemporary big band music, but don’t let that fool you: all of Chatzitsakos’ arrangements are performed with an energy that is often lacking among big bands, making this a standout record in 2024 so far.

"Chatzitsakos’ arrangements are performed with an energy that is often lacking among big bands..."

For the listener on-the-go, make sure “Get Out of Town” and Tiny Big Band’s take on Tom Jobim in “Fotografia” are introduced to whatever jazz playlists you may have. In particular, Baden’s playing on “Town” is worth highlighting - his tone is warm and inviting, and he demonstrates his technical skill with aplomb, making the track linger in the listener’s memory long after its five-minute runtime. While all the cuts are worthwhile, these gems are a reassurance that jazz won’t obsolesce with proficient musicians like these taking on the standards.

Chatzitsakos' role as the bandleader is admirable. Remarking in a brief profile with No Treble that his bass superpower is “having good relationships with drummers,” he provides a steady presence for his players to improvise off of and showcase their own talents. He stands out on “Windmills of Your Mind,” sure, but his preference is to orchestrate from the shadows rather than take the spotlight, so to speak. Because of this, Tiny Big Band’s musical conversation with its own members, new developments in jazz as well as the old masters makes it a worthwhile addition to anybody’s listening rotation.

AAF Rating: 4/5 trumpets

AAF Top Picks: All or Nothing at All, Fotografia, You Know I Care, Where or When, The Windmills of Your Mind

The House Cats - Studio Sessions video series

Wed, 07 Feb 2024 16:12:49 GMT

The House Cats - Studio Sessions video series

Photo of Travis Van Bumble and Stephanie Ruscito in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Personnel:

Travis Van Bumble - guitar

Stephanie Ruscito - vocals

Camera/Editing - Warren Buchholz

Audio - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you!

Hot Sax Playlist for Valentine's Day

Tue, 06 Feb 2024 23:02:12 GMT

Hot Sax Playlist for Valentine's Day

Just in time for Valentine's Day. A Hot Sax genre-bending playlist that features the best saxophone-driven songs from artists like Coltrane, Sanborn, Marsalis as well as hits from George Michael, Phil Collins, Lady Gaga, and more!

The Life of Malcolm X Through Jazz

Wed, 31 Jan 2024 14:54:30 GMT

The Life of Malcolm X through Jazz

Will Liverman sings the title role in the Met premiere of Anthony Davis's "X: The Life and Times of Malcolm X." Photo: Zenith Richards / Met Opera

The Metropolitan Opera premiere of X: The Life and Times of Malcolm X is streaming live this Saturday (2/3/24) at 1pm EST on WSMR Classical 89.1 FM for its network premiere. The Opera, which first premiered 37 years ago and follows Malcolm X's life, features a score influenced by the music of his time, namely jazz music from Louis Jordan, McCoy Tyner and John Coltrane.

"You could basically tell a story through the development of music from the Forties to the Sixties — let's say Louis Jordan and His Tympany Five and bebop to the avant-garde jazz of the Sixties — John Coltrane, McCoy Tyner," Pulitzer Prize-winning composer Anthony Davis who wrote the music for Malcolm X says. "So that gave a kind of musical trajectory that I could draw on in creating the score. But I also had to have musical material that travels, that moves from one section to another, and that ties the music together and can build a drama. And so I use cells of rhythmic structures the way Wagner uses leitmotifs, to build a larger form that carries that drama."

Stream live this Saturday (1/03/24) at 1pm EST

This performance is part of the Toll Brothers Metropolitan Opera International Radio Network. Learn more: https://www.metopera.org/season/radio/saturday-matinee-broadcasts/

Jazz on Arts Axis Florida has curated a playlist companion piece that follows the life of Malcolm X throughout his short life.

A musical biography starting with music he liked in the early part of his life, moving to the music of his time in the public eye, and then jazz inspired by his life after his death.

Anthony Patterson - Spoken Word Poetry Series

Wed, 31 Jan 2024 14:16:25 GMT

Liz Prisley - Spoken Word Poetry Series

Photo of Anthony Patterson in the WUSF Performance Studio taken by Jazz on Arts Axis Florida

Anthony Patterson is a poet in St. Petersburg, FL. He has written a short poetry book called Life In Traffic and is a founding contributor to Neptune Poetry Magazine (St. Pete's Seasonal Local Poetry and art journal). He enjoys pineapple on pizza and wholeheartedly knows that mayonnaise is disgusting.

Most things he shares are in person but sometimes end up on Instagram: @silly.ap or @poet.ap

Personnel:

Original Poetry Written by Anthony Patterson

Camera: Warren Buchholz

Audio: Malaika Hollist

Jeremy Carter Group - Studio Sessions video series

Mon, 22 Jan 2024 22:23:19 GMT

Jeremy Carter Group - Studio Sessions video series

Photo of Jeremy Carter in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Jeremy Carter is a true study of Jazz music, Nebraska native, and understudy of the Southeast’s best professors and musicians. Jazzy funk riffs, screaming over the sounds of the BSP is truly a spectacle, for the ears and the eyes. If you find yourself stop dancing in a dropped draw fashion, it is probably because of Carter’s riffs, his soul pouring over the speakers like sand. Carter has recorded with numerous national acts and has performed, recorded and produced solo albums and cameo appearances too many too list.

Personnel:

Jeremy Carter - saxophone

Elias Tona - bass

LaRue Nickelson - guitar

Rod Alnord - drums

Camera and Editing - Warren Buchholz

Sound - Jackson Harpe

Ona K's new album Full, New, Luna is a Masterful Delight

Mon, 22 Jan 2024 19:46:47 GMT

Ona K's new album Full, New, Luna is a masterful delight

Photo of the album cover for Full, New, Luna by Ona K

Ona K’s new album Full, New, Luna is a triumph of vibrant artistry and pure craft within each of the 12 tracks (46 minutes in run-time) and offers a dynamic mix of jazz, Latin, pop, and soul sounds that will captivate anyone who listens. The seamless fusion of genres creates a tapestry of sounds and feeds the creative soul. With something for everyone, this album is the perfect gateway to explore the different music styles presented.

From start to finish, the tracks come together seamlessly, crafted with meticulous attention and an overflow of passion and skill. It is evident that this album was created with deep love and dedication, and it's impossible not to fall in love before the finale of "Open Up.”

Ona K’s emotionally elegant and dynamic vocals punch each song into another creative dimension. Each lyric. Each legato. Each intonation has a purpose to help tell a larger story about the different cycles shown in nature and the creative empowerment that comes from within them.

Ona K’s emotionally elegant and dynamic vocals punch each song into another creative dimension.

The masterful artistry from each musician helps carry Ona K and the listener through the musical odyssey. LaRue Nickelson’s guitar arrangements and striking solo that envelops Ona K’s cover of the 90s grunge to jazz-soul classic “Black Hole Sun.” Alejandro Arenas’ joyful bass plucking on “La Florida.” The convivial string ensemble bouncing with vitality on “Little Beast.” Full, New, Luna is bursting with talented musicians that make this album one of the best of 2024 (and it’s only January).

Listen to the album on your best speakers/headphones and revel in the artistry crafted by such skilled musicians. Rinse and repeat. There’s something new to fall in love with on every play through. It’s an elegant and refined must-have album.

AAF Rating: 5/5 trumpets

AAF Top Picks: Open Up, Black Hole Sun, Let it be a Whisper, To the (Mississippi) River, Más que un Ave Pasajera, La Florida, Little Beast, What a Wonderful World

Liz Prisley - Spoken Word Poetry Series

Tue, 16 Jan 2024 19:00:49 GMT

Liz Prisley - Spoken Word Poetry Series

Photo of Liz Prisley in the WUSF Performance Studio taken by Jazz on Arts Axis Florida

Liz Prisley is a writer, performance poet, and educator based out of Tampa, Florida. Since 2008 she has taught many forms of writing as a Fulbright Scholar in Germany, as well as at Virginia Tech, the University of Tampa, and the University of South Florida St. Petersburg. She earned her MA in English from Virginia Tech and her BA in Creative Writing from the University of Central Florida.

Liz is currently the Executive Director of Heard Em Say Youth Arts Collective, a nonprofit dedicated to youth empowerment through creative arts. As a slam poet, Liz has represented Tampa at regional and national competitions, and her work can be seen on “SlamFind” and “Poetry Slam, Inc.” In addition to being a boss poet, Liz is also a passionate coffee drinker and fro-yo aficionado.

Personnel:

Original Poetry Written by Liz Prisley

Camera: Warren Buchholz

Audio: Malaika Hollist

USF Student Matthew Roxas teaching Anime Piano Arranging

Tue, 09 Jan 2024 17:12:59 GMT

USF Masters Student Matthew Roxas teaching free Anime Piano Arranging class

Photo of Matthew Roxas in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Born and raised in Leawood, Kansas, Angelus Matthew C. Roxas began playing piano at the age of three, and after a couple of years, he studied under Ms. Ying-Yu Emily Yeh. He began competing at a young age, and his passion and determination led him to perform four times at Carnegie Hall in New York, an invitation to perform at the Royal Albert Hall in London, England, and a performance at the Auditorium Parco della Musica, Teatro Studio, in Rome, Italy. He obtained a Bachelor of Music in Piano Performance Degree in 2022 at the University of Missouri - Kansas City Conservatory where he studied under Dr. Thomas Rosenkranz. Matthew is currently studying under Dr. Svetozar Ivanov as he pursues a Master of Music in Piano Performance Degree at the University of South Florida with an accompanying assistantship. Matthew teaches as a piano instructor at the USF Community Music Project.

Anime Piano Arranging Class: Wednesdays, 5 PM | 10 classes | FREE to attend

Requirements: some piano experience, a good ear for listening (instrumentation, registration, form, harmonies, melodies, & rhythms); recommended: identify your preferred song/piece/soundtrack music from Anime/Japanese films (optional). With pianist and class creator, Matthew Roxas. First Class: February 7, 2024.

The USF Community Music Project supports our community’s children and adults of all ages and levels to foster engagement with music and the arts through cultivating skills, understanding, and artistry. They offer equitable and inclusive music making and learner-centered arts experiences and promote social and emotional connections between music creation, consumption, and the human condition. Through this program, USF Artist-Faculty and USF music majors offer private lessons, classes, workshops, and events for everyone interested in enjoying and creating music. These opportunities are available for students of nearly all ages (7 and higher) and all levels, ranging from complete beginners through very advanced.

What’s one cool trick/technique/lesson that you’re going to be teaching in your anime piano arrangement class?

One fun lesson will include taking thematic excerpts from various anime and arranging them into different characters and styles (i.e. acoustic, recitative, playing themes in contrasting registers, etc.)!

Why did you choose anime piano arranging?

I choose to arrange anime songs and soundtracks onto the piano because I enjoy playing the music of the anime shows I watch! When I was in high school, I searched for the sheet music of the anime soundtracks I liked, but I had no luck finding them. Eventually, I found the official audio on YouTube, and I played along with the recording, matching the melody and harmonies. After figuring out how to play it, I wanted to make my own version by adding colors and embellishments. This eventually transformed into making my own anime arrangements!

What are three anime soundtracks you’d recommend?

I would recommend listening to the Original Soundtrack (OST) from these three anime:

IRODUKU: The World in Colors

Oshi no Ko

Lycoris Recoil

What’s your favorite song to play?

My favorite anime song to play on the piano is Shitsuren Song Takusan Kiite Naite Bakari no Watashi wa Amou by Riria. As a classical pianist, my favorite piece to play is “Los requiebros” from Goyescas - Los majos enamorados, Op. 11 by Enrique Granados.

What are the upcoming dates for the anime piano class?

The Anime Piano Arranging Class begins on Wednesday, February 7th from 5:00pm-6:00pm! This free course, which is offered through the USF Community Music Project’s Our Gift to the Community, meets for ten weeks on Wednesdays.

Tampa Bay Jazz Events: 1/8-1/14/24

Mon, 08 Jan 2024 16:39:27 GMT

Florida Jazz Events: 1/8 - 1/14/24

Here are the selcted jazz events for the week:

• Mon 1/8 at 7:30pm - Sarasota Jazz Club presents Hot Tonic Orchestra at the John C Court Cabaret at Florida Studio Theatre in Sarasota. Tickets available at here. 1265 1st St, Sarasota, FL 34236

• Tues 1/9 at 7pm - Charlee Loyst and friends at In Between Days in St. Pete. Free to attend. Rain or shine. Wide selection of sake. 2340 1st Ave S. Saint Petersburg, FL 33712

• Weds 1/10 at 6pm - Peter Neumer Live at the F enway Hotel in Dunedin. Free to attend. 453 Edgewater Dr. Dunedin, FL 34698

• Sat 1/13 at 1pm - Schaff-Wall Collective at the Big Easy Bar Brunch in Ybor City. No cover. 1704 E 7th Ave, Tampa, FL 33605

• Sat 1/13 at 8pm - A lex Harris live at The Palladium in St. Pete. Tickets available here . 253 5th Ave N Saint Petersburg, FL, US 33701

• Sun 1/14 at 2pm - T he Jazz Phools at Wellington at Seven Hills in Spring Hill. Get tickets at the door. Wellington at Seven Hills - 400 Wexford Blvd, Spring Hill, FL 34609

Venue may require RSVP or food/beverage purchase. Please check with venue for final details.

See the full events calendar

Jazz Showcase at the Icehouse

Thu, 04 Jan 2024 19:44:06 GMT

Jazz Showcase at The Icehouse in Gulfport

The Icehouse, a new music recording/rental studio and live venue space in Gulfport, is set to feature three quicking rising jazz and fusion funk ensembles on Monday, January 15, 2024, at 7pm. Jazz on Arts Axis Florida will be at the outdoor event, providing swag and capturing short videos of each performance. The ensembles performing include The Out Groove, Katara, and Rejuvenation . Admission is donation-based, and each donor will receive a raffle ticket for a chance to win band merchandise, music gear, a basket of jazz CDs from Jazz on Arts Axis Florida, artwork, and other exciting prizes. Donations will go directly to support the bands. Join us and show your support for live local jazz.

Location: The Icehouse, 701 49th St S Gulfport, FL, US 33707

Date: Monday, January 15, 2024

Time: 7pm

Entry Fee: Suggested Donation

The Out Groove

The Out Groove is a futuristic jazz band led by Jakob Dee aka Jakbo. The music pushes boundaries of jazz in an attempt to challenge what the genre is. Inspired by modern heroes Louis Cole, Mike Mitchell, Greg Spero, Jonathan Scales and other aggressive creators.

Katara

Katara is a musical duo consisting of Seth Lynn and Natalie DePergola. A unique group in the sense that it is led by harp, playing styles inspired and jazz, R&B, Gospel, classical, and music from around the world. A sound that is constantly exploring, collaborating, changing, and finding new ways to bridge gaps not only between genres but people.

Rejuvenation

Rejuvenation is jazz fusion funk and features bassist Giancarlo Yanes-Martinez and a stellar lineup of musicians including Mark Mayea and Jöęł Bôłdš on keys, Thomas Griggs on guitar, E.J Mitchell on drums, and Nick Bredal on sax.

The Icehouse

The Icehouse started its life as an ice cream distributorship in 1964. In 2017, it was reborn as the New Groove City Music Complex (NGCMC). It served the local music community by providing music lessons, rehearsal spaces, and recording (and broadcasting) studios. In 2023, under new ownership, it morphed into The Icehouse. Its new name serves as a respectful nod to its original existence. Carrying on the NGCMC mission, The Icehouse offers band rehearsal studios, recording studios and spaces to local musicians. As it continues to evolve, it will become a venue for album release events, outdoor music performances, and shared artist spaces. Because of its location on the Pinellas Trail, it will evolve into a destination that gives trail riders, walkers, and runners a place to stop and cool off with music in the background from all genres.

Jazz on Arts Axis Florida

Jazz on Arts Axis Florida serves as the central digital platform for Florida's vibrant jazz scene, dedicated to advertising and amplifying musicians and venues that celebrate jazz music. Offering a comprehensive local events calendar, staff-curated Spotify playlists, video performances and interviews, and on-site assistance at jazz events, Jazz on Arts Axis Florida aims to enhance local accessibility to jazz and is dedicated to engaging younger audiences through online platforms.

Tampa Bay Jazz Events: 1/2 - 1/7/24

Tue, 02 Jan 2024 15:02:37 GMT

Florida Jazz Events: 1/2 - 1/7/24

Happy new year! Here are the highlighted jazz events for the week:

• Thurs 1/4 at 7pm - Acme Jazz Garage at The Floridian Social in St. Petersburg, FL. RSVP for free online or pay $5 at the door. This show is 21+. Doors open at 6pm. 687 Central Ave Saint Petersburg, FL, US 33701

• Fri 1/5 at 2pm - Sarasota Jazz Club presents Jazz at Two with Trace Zacur Quartet at Unitarian Universalists of Sarasota. $20 at the door. 3975 Fruitville Rd, Sarasota, FL 34232

• Fri 1/5 at 9pm - Schaff-Wall Collective at Lakeland Loft. Free entry. 108 S. Tennessee Ave., Lakeland, FL 33801

• Sat 1/6 at 6pm - Hot Tonic Trio at Copper Shaker Ybor City. Free entry. 1502 E 7th Ave, Tampa, FL 33605

• Sat 1/6 at 8pm - James Suggs Trio at The Independent in Seminole Heights, Tampa. Free entry. 5016 N Florida Ave, Tampa, FL, United States, 33603

• Sat 1/6 at 8pm - Rod Alnord Quartet live at The Studio@620 in St. Petersburg, FL. $20 general admission. Tickets available online. 620 1st Ave S St. Petersburg, FL

See the full events calendar

King Shorty Roc - Spoken Word Poetry Series

Mon, 01 Jan 2024 15:00:01 GMT

King Shorty Roc - Spoken Word Poetry Series

Photo of King Shorty Roc provided by King Shorty Roc

Shorty Roc* was born September 11, 1981 in Binghamton, NY. After a couple of years of traveling his mother settled Shorty Roc* and his older brother in a northern part of the Bronx, NY called Co-op City. It was in Co-op City that Shorty Roc* began to get involved in a vast amount of trouble by being surrounded by neighborhood gangs, drugs, alcohol, and an assortment of criminals. Shorty Roc* found himself wrapped up in the street life that many inner-city teens experience everyday. By the time Shorty Roc* was initiated into his first neighborhood gang, he had already been involved in numerous petty crimes in and around The Bronx. As his popularity grew, his temper and attitude began to reflect that of a bitter teen stressed out by the over whelming temptation to fit in. Due to peer pressure and a deep-rooted anger, Shorty Roc* began to harass, beat up, and even rob the teens that lived in and around his neighborhood.

It was on the streets that Shorty Roc* earned his nickname Shorty Roc* and turned his anger and life experiences into rap songs that used the same crude language that he uncontrollably wielded from his lips. While temporarily satisfied with rapping in neighborhood freestyle ciphers, Shorty Roc* was still heading down the wrong path at a rapid pace. After years of getting into trouble in and out of school, Shorty Roc*'s mother became fed up with the path that her sons had chosen and moved.

This move was life changing. In addition to the move, Shorty Roc*'s mother also forced him to attend a local church, which would later transform his life. It was in that church that Shorty Roc* began to discover God's love for him and was also made aware that his perverted language, actions, and current lifestyle were offensive to God and other people around him. Upon discovery of this, Shorty Roc* decided to change and in doing so, he gave his life to God. Within this new dedication to God, it entailed an innovative lifestyle without crime and uncontrollable anger.

Since his conversion to Christianity in 1996, Shorty Roc* has been determined to stay on the right path. He has been highly devoted to using all of his talents, principally his great talent to write and perform Hip Hop music to tell his life story and to incorporate the teachings of Jesus Christ in his music. Since 1999 Shorty Roc* has performed secular Hip Hop & gospel based music over 100 times at various concerts, events, festivals, parties, clubs, and other venues in New York City, Illinois, Ohio, Kentucky, Florida, Delaware, and Georgia. He has released 1 Album and over 5 Mixtapes. Shorty Roc has also acted and directed various independent films, created and appeared on numerous Podcast, created three different clothing lines ( #PrettyGoons Clothing, American Lion Association, GDE Mafia Clothing) and even created the world’s first Movie Streaming social Network called The Khaliseum.

Although Shorty Roc's life is not perfect, it is truly a testimony of how an inner city youth can go from a life of violence and mayhem, to being a successful member of society by deciding to change their ways.

Personnel:

Original Poetry Written by King Shorty Roc

Camera: Warren Buchholz

Audio: Malaika Hollist

Jazz Pianist and Songwriter Roger Harrison shares his music

Wed, 27 Dec 2023 16:00:00 GMT

Jazz Pianist and Songwriter Roger Harrison shares his passion for jazz

Photo of Roger Harrison in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Roger Harrison started playing piano at age 9 and continued with private lessons and college study, where he studied exclusively classical music. He was always intrigued by jazz and began listening to great artists like Wes Montgomery. From there, a desire to learn to improvise was born. Years of specialized jazz training followed, and eventually, he formed a group and began performing for paid gigs in Los Angeles. As he progressed, he discovered he also had talent as a composer and wrote songs not only for his group but also for a movie.

After he moved to the Tampa/St. Pete area in 2014, Roger created the Harrison Jazz Ensemble and now performs regularly in hotels, concerts, and private events.

Jazz on Arts Axis Florida: What message do you hope resonates with your audience when they hear your music?

Roger Harrison: I hope that people are reminded that art should heal, uplift and inspire.

What’s your process for writing a song and how do you write your messages into them?

I get inspirations from either the rhythm of a drum track, a particular chord progression, of sometimes I have a scenario in my mind which is like a mini movie that I'm attempting to express, as in a fellow being happy about a new love. That was the genius of "Living Dream Come True". In my mind's eye I saw a happy couple at a park.

I always aim to express a real scenario and craft it in an aesthetic was that uplifts people, even if the subject matter is getting dumped as in "Lost Love". We've all gone through these emotions and scenarios and so I try to represent them with music and lyrics that describe the circumstances.

Picasso stated that "Art washes away from the soul the dust of everyday life." It's my goal to create music that does just that.

Who are your musical inspirations?

I have several. The biggest is John Coltrane. He embodied not just virtuosity, but sincere purpose. Miles Davis was a master at storytelling, simplicity and he was also constantly moving to the next thing.

Chick Corea was a genius composer, on top of being a virtuoso piano player. There are so many more. Each giant provides his own inspiration.

What’s your favorite album or song to listen to?

My all time favorite is A Love Supreme by John Coltrane.

What’s the greatest musical moment you’ve experienced?

This happened when I was in college. For whatever reason, it had been a rough day and when I came home I felt like crap. In those days they had stereos with detachable speakers. I laid on the floor with a pillow, put one speaker on each side of my head, and listened to a John Coltrane compilation album. As I listened to song after song, I felt the anxiety, stress and confusion washing away. By the time the album ended I felt blissful!

I knew then that I wanted to be able to do that for others too!

What inspirations do you pull from when crafting a song?

I try to get a mental picture of a scenario or circumstance and then write a song to that. Sometimes I'm lucky and the scene is like a mental movie. I then create music to that. Occasionally there's a story that unfolds mentally which can lead to multiple songs. An example is three songs from the album "Getting Ready For the Club" which an instrumental about a woman excitedly dressing to go out and have fun, "Attraction" is this same woman having a keen mutual interest with a man at the club and "Living Dream Come True" is how they're now together and in love.

Other times I may get a melodic idea first and then the story comes later. That was the case with "Miles, Bird, Duke and Trane."

How often do you write?

I try to spend some time daily working with a lyric and a melody. I joined a songwriting group that had a rule of spending at least 15 minutes daily in song creation. I find that this is helpful, because when I plan on spending 15 min, I find that I end up working for an hour or so.

Creative people have a bad habit of having lots of half done projects, so I put my songs on a Trello board so that I keep things on track. There's so many hats to wear!

Do you have a favorite song that you’ve written?

Of my more recent songs it's Miles, Bird, Duke and Trane, because I have so much respect for the contributions of these titans and I've read biographies of all of them, so I have some understanding of their struggles and triumphs. All of them cast huge shadows across the world of jazz.

How do you choose what songs to play live?

I like songs that have great messages, interesting melodies and are fun to play.

How do you prepare mentally and physically for a live show?

For me the secret is in estimating the precise amount of rehearsal. A band or a performer can be over rehearsed, in which case he becomes frantic as he's consumed with doubt or under rehearsed, in which case he can't really communicate the music.

So it's important to get familiar enough with the songs so that you aren't worrying about the mechanics like chords, melody, lyrics and you then can relax and concentrate on imparting a message.

What makes playing jazz music in Florida so appealing?

Florida tends to have a small town friendly vibe amongst musicians. It's much less competitive and more collaborative.

What’s your earliest musical memory?

[Roger laughs] Listening to Disney songs. Jiminy Cricket!

What are your future aspirations/plans in jazz music?
I'm currently working on compiling and creating an hour and 1/2 of my original songs and I'd like to put on a show of all original music. Jazz is similar to classical music in that there is a group of songs that is a set repertoire that musicians learn. Many jazz groups focus on those songs. That's great, but it's extra special to bring new music that will hopefully one day be part of that repertoire.

Can you provide more info on your upcoming album?

The album "More Than Friends" is a collection of songs that have a theme of relationships. The joy of achieving them, the pain of losing them and everything in between. Each song is it's own "universe" in terms of varying rhythms from neo soul, jazz and Latin. Most have lyrics and my vocals but some are instrumental. None of the songs are from any sort of formula but were original ideas.

As I mentioned some are connected to a story. One is a very unique jazz/Latin treatment of a traditional song.

The key is each is it's own special creation and the idea is to provide pleasant aural surprises and joy with each track.

Perfect to listen to after a long day at work or snuggling with your sweetie!

Interview edited for length and clarity.

This Christmas by Night is Alive - Review

Fri, 22 Dec 2023 15:00:01 GMT

This Christmas by Night is Alive Review

Photo of the album cover of This Christmas by Night is Alive

The Christmas album This Christmas by Night is Alive is a delightful addition to any festive party, breathing new life into beloved classics like "Let It Snow" and "Sleigh Ride." Frank Lacy and Teddy Horangic's powerful vocals infuse each song with boundless cheer, creating delightful tracks such as "This Christmas" and "Have Yourself a Merry Little Christmas." With jazz-infused arrangements and captivating sax solos by Jeremy Pelt, this album is a joyous and meaningful addition to your holiday music collection.

AAF Rating: 3/5 trumpets

AAF Top Picks: “Let it Snow”, "Have Yourself a Merry Little Christmas", “Sleigh Ride”, “This Christmas”, “The Christmas Song”

All That Christmas Jazz - Review - Cypress Creek Jazz Band

Tue, 19 Dec 2023 15:30:01 GMT

All That Christmas Jazz by Cypress Creek Jazz Band - Review

Photo of the album cover of All That Christmas Jazz by Cypress Creek Jazz Band

The Cypress Creek Jazz Band covers all the classics with their New Orleans ragtime-style jazz ensemble, and each tune is bombastically joyful to listen to. It’s not hard to get lost within the rhythms and playful instrumentations when the entire band sounds like they're having so much fun redefining these time-honored tracks.

Whether you play it at a party or in a smaller setting, these (mostly) instrumental tracks will transport you to Bourbon Street at Christmas-time. “Nutcracker” is especially jolly, “Santa Baby” knocks your cozy socks off with guest vocals by Jeanine Meyers, and “North Pole Street Parade” will you have you dancing in the living room and is the perfect end to a holiday album you must add to your rotation.

AAF Rating: 4/5 trumpets

AAF Top Picks: Oh Christmas Tree, Santa Claus is Coming to Town, Nutcracker, Frosty the Snowman, Santa Baby, You’re a Mean One Mr. Grinch, North Pole Street Parade

Personnel:

Clarinet - Robin Jodoi

Trumpet/Flugelhorn - Greg Cannella

Tenor Sax - Eddie Meyers

Trombone - Sid Fortner

Tuba - Tim Bailey-Jones

Drums/Percussion - Jeff Henson

Banjo - Marcy Gordon

Keys - Phil McReynolds

Vocals - Jeanine Meyers

Whit the Poet - Spoken Word Poetry Series

Mon, 18 Dec 2023 17:04:51 GMT

Whit the Poet - Spoken Word Poetry Series

Photo of Whit the Poet provided by Whit the Poet

“Whit the poet” is a FL native being born in Bradenton Fl, she began her poetry journey at just 10 years old when she wrote her first poem and it won first place on the radio station in south Fl on “99 jamz”. She then started taking her craft of poetry and SpokenWord very serious, since then she’s been writing visual performance poems where she combines theatre with poetry. Making her a choreo-poem writer. She now is a self published author of 3 books and One visual stage play through poetry. She has been televised on national tv on an “AFROTV” network through xfinity and comcast television networks. And BET on the BET EXPERIENCE.

She serves as a writing coordinator for a poets meet mental health organization entitled “As she speaks” a platform for women to express mental healing through writing. She has been apart of the poetry world for more than a decade, and she has won multiple poetry slam competitions & multiple grand slam poetry competitions on a national ranking level. She is ranked 14th in the nation by the “Women of the world poetry slam” organization, and 13th in the nation with Southern Fried Poetry Slam. Outside of writing, she holds a BA In early childhood education working as a teacher, she also is a Doula encouraging and helping women with natural resources and guiding them emotionally through their pregnancy journeys. Although she is a teacher primarily, her passion is writing and being a story teller through the art of poetry. She uses her platform of spoken-word to express how writing heals the soul through the field of arts and entertainment.

Studio Sessions 2023 Holiday Special

Mon, 18 Dec 2023 15:42:12 GMT

Studio Sessions 2023 Holiday Special

Multiple Tampa Bay musicians and ensembles visited the WUSF Performance Studio to share a special holiday song for the 2023 festive season. Listen to each song that will be released from December 21 to December 25 below.

Lineup:

Dan Bremer - 12/19/23

Jeremy Carter Group - 12/21/23

Matthew Roxas - 12/23/23

The House Cats - 12/25/23

"Have Yourself a Merry Little Christmas" | Dan Bremer | 12/19/23

"Christmas Time is Here" | Jeremy Carter Group | 12/21/23

Jeremy Carter is a true study of Jazz music, Nebraska native, and understudy of the Southeast’s best professors and musicians. Jazzy funk riffs, screaming over the sounds of the BSP is truly a spectacle, for the ears and the eyes. If you find yourself stop dancing in a dropped draw fashion, it is probably because of Carter’s riffs, his soul pouring over the speakers like sand. Carter has recorded with numerous national acts and has performed, recorded and produced solo albums and cameo appearances too many too list.

Personnel:

Jeremy Carter - saxophone

Elias Tona - bass

LaRue Nickelson - guitar

Rod Alnord - drums

"Fantasia on Greensleeves" | Matthew Roxas | 12/23/23

"Have Yourself a Merry Little Christmas" | The House Cats | 12/25/23

Personnel:

Travis Van Bumble - guitar

Stephanie Ruscito - vocals

NPR's Tiny Desk Contest Returns for 2024

Tue, 12 Dec 2023 16:02:44 GMT

NPR announces 2024 Tiny Desk Contest with video opportunity in the WUSF Studio

The Tiny Desk Contest Is Back For 2024!

NPR Music has announced the 2024 Tiny Desk Contest , offering musicians across the nation the opportunity to submit their music for a chance to feature in NPR's Tiny Desk video series. Submissions open on January 23, 2024 and require specific eligibility criteria .

WUSF and Arts Axis Florida will host a 2024 Florida Tiny Desk video series

In 2024, Arts Axis Florida (powered by WUSF, Community Foundation Tampa Bay, and YOU) will choose 10 Florida finalists (any genre) from the 2024 Tiny Desk Contest Applicant List and invite them to perform a short set that will be professionally recorded in the WUSF Studio and shared across WUSF and Arts Axis Florida social platforms. Be sure to apply in the 2024 Tiny Desk contest to be automatically entered into the applicant list for your chance to perform in the WUSF Studio! Applicants will be chosen and notified once the 2024 applicant list is available to NPR stations in mid-2024.

Idle Friend - Spoken Word Poetry Series

Wed, 06 Dec 2023 14:23:23 GMT

Idle Friend - Spoken Word Poetry Series

Photo of Idle Friend, from Idle Friend's facebook page

His name was Introvert. Now it’s Idle Friend, and he likes blowing out his voice over rap beats. Idle Friend's debut EP came out in 2010, and he released my first album, A Graveyard, A Garden , in June of 2017. A month later, he completed his first tour supporting the artist Forthteller and has had the pleasure of opening for artists like Sadistik, Upgrade, Rafael Vigilantics, Moodie Black, Ceschi, Castor’s Hollow, and Jonathan Brown.

2023 Holiday Jazz Playlist

Sun, 03 Dec 2023 15:34:57 GMT

2023 Holiday Jazz Playlist

A mix of jazz holiday favorites from both Florida and national musicians for you to play at parties and get-togethers during the winter season.

Tampa Bay Philanthropy Week Podcast

Wed, 29 Nov 2023 15:48:16 GMT

Arts Axis Florida featured on the

Tampa Bay Philanthropy Week podcast

The Tampa Bay Philanthropy Week podcast recently featured Arts Axis Florida brand managers Malaika Hollist and Warren Buchholz as guests. They were hosted by Wilma Norton, Vice President of Community Connections at the Community Foundation of Tampa Bay. Malaika and Warren discuss the collaboration between Arts Axis Florida and the Tampa Bay community to offer art and jazz resources, as well as list non-monetary ways for people to contribute resources. Don't miss the full conversation—listen below!

Jamie Dawson with Mwiza Simfukwe - Spoken Word Series

Tue, 21 Nov 2023 18:29:10 GMT

Jamie Dawson - Spoken Word Series

Photo of Jamie Dawson, left, and Mwiza Simfukwe, right, provided by Jamie Dawson and Mwiza Simfukwe

About Jamie Dawson:

Jamie Dawson (aka DawsonTheArtist) is a professional performer and award-winning spoken word poet who inspires, heals and entertains through poetry and music. With growth and community on her heart, arts, academics and activism guide Jamie’s endeavors and are present in her two solo stage works Goddess At Your Feet and Feast of Flowers . As a performance artist, Jamie has completed collaborative and interdisciplinary projects with esteemed artists as literary star Rupi Kaur and legendary spoken word cultivators The Last Poets.

For more transformative power of poetry, listen to Jamie’s works on her premiere spoken word albums “It’s Hot Outside: Live from Tampa, Florida” and studio recorded work “God Is At Your Feet” now available on all platforms.

About Mwiza Simfukwe:

A resident of Tampa Bay, Mwiza is a singer-songwriter with an Indie sound that encapsulates R&B, Folk, Rock, and Spanish tones for an alternative resonance all his own. His creations are heart-led, bypassing trendy beats to quench the thirst of those who seek music with meaning. It is this introspective, honest aspect of his music that most resonates with his fan base.

Mwiza has been featured in the pages of the Tampa Bay newspaper as well as Creative Loafing; his voice has graced the airways of Tampa Bay radio station WMNF 88.5; the mayor of St. Petersburg had the pleasure of enjoying Mwiza’s distinctive live sound; and he has opened up for a global acts such as PJ Morton and The Kingston Trio; performed for the Gasparilla Music Festival and been featured online on Sofar Sounds.

From small intimate house shows to larger stages, Mwiza skillfully bridges space and time with his guitar and vocals either as a solo intimate act, or as a duo or trio act as Smoove Jamz, serving as a soulful salve that soothes the hearts of those who enjoy a medley of original and cover music.

Choya Randolph - Spoken Word Series

Wed, 08 Nov 2023 18:27:52 GMT

Choya Randolph - Spoken Word Series

Photo of Choya Randolph provided by Choya Randolph.

Choya is obsessed with making things come alive with her words. She’s a poet, a journalist, a dreamer and creator dedicated to using her words to make an impact.

Couch - Sunshower EP Review

Wed, 08 Nov 2023 17:44:04 GMT

Couch - Sunshower EP Review

Photo of the band Couch by Will Rowan

Couch's latest EP, Sunshower , wraps the listener in the delightful embrace of vibrant melodies infused with elements of jazz, R&B, and soul. Lead vocalist Tema Siegel transforms each track into a potential pop sensation, where every song from this EP possesses the qualities of a hit single.

Each band member brings their own sounds and styles, seamlessly blending them together to create captivating tunes that will have you dancing along, such as the infectious melodies of "Jessie" or "L.A." The EP's closing track, "Alright," is an absolute standout that warrants multiple replays. It's only a matter of time before Couch ascends to the ranks of the Top 40, so keep a keen eye on their meteoric rise in the coming years.

AAF Rating: 4/5 stars

AAF Top Picks: Alright, (I Wanted) Summer with You, LA, Let Me Hold You

ERG - Studio Sessions video series

Wed, 25 Oct 2023 17:51:27 GMT

ERG - Studio Sessions video series

ERG is an avant-jazz ensemble led by composer/trombonist Dr. David Manson (EMIT Series, St. Pete Jazz Festival, EMIT Latin Jazz Festival) who has had his work appear on FOX, HBO, and on the CW's "Riverdale" and Showtime's "Your Honor." Performers include David Pate (saxophones & flute), Thomas Kersey (cello), T.J. Glowacki (double bass), Jim Stewart (drums), and David Manson (trombone).

They recently performed a concert in collaboration with the The Dalí Museum entitled "where ideas come from: creating music with ERG" where improvisation, collaboration and composition merged in an exciting interactive concert with audience members and new music group ERG. Dr. David Manson hosted an "instant concert" asking audience members to contribute motifs and moods, then quickly conferring with ERG musicians on the spot to produce music.

Song List:

1. Cacoethes

2. Dür

3. Following

4. Spin Dali

Personnel:

David Pate - saxophone/flute

Tom Kersey - cello

TJ Glowacki - double bass

Jim Stewart - drums

David Manson - trombone/composer

Camera and Editing - Warren Buchholz

Sound - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you!

Celebrating Public Music Radio Day 2023

Wed, 25 Oct 2023 16:37:39 GMT

Public Radio Music Day is a nationwide celebration uniting public radio music stations, fans, artists, and other members of the music industry to recognize and spread the word about the special role noncommercial stations play in the music world both locally and nationally. Take a look at these performances from WUSF in celebration of Public Radio Day:

Jazz

As WUSF jazz lovers know, this format is easy to recognize but hard to explain in words. Jazz evokes strong emotions and allows for creation while honoring its great founders. Thanks to Brand Manager Warren Buchholz, the jazz scene in the Greater Tampa Bay area is more accessible to our audience.

Singer, composer, and creator Ona K envelops you in a mist of beauty. With the sensuality of her voice, the elegance of her compositions and arrangements, her powerful aesthetics, and the strong community of musicians she has created around her music, she moves the listener’s soul in a way that they will always remember.

Born in Barcelona, having lived in Spain, India, United Kingdom, and Austria, Ona K describes herself as a migrant bird. In her travels, she has performed to critical acclaim in venues and festivals across Europe and the United States, winning several national and international awards. She is in the process of releasing a new full-length album, FULL NEW LUNA, coming soon.

ERG is a new ensemble exploring the intersections of composed and improvised creative music. Four of its five members are SHIM alumni and include David Pate (saxophones & flute), Tom Kersey (cello), David Manson (trombone), TJ Glowacki (double bass) and Jim Stewart (drums). Their collective experiences include the free spirit of SHIM, experimentalism of BONK and groove and grittiness of Zappa repertoire band Bogus Pomp. For more information about ERG, see https://emitseries.org/erg

Spoken Word Poetry

QuinKillin' is a born and raised Miami, Florida poet who currently resides in Daytona Beach, Florida. They are currently the 38th nationally ranked Womxn of the World Poetry Slam. They participate in slams all around the country and are a graduate student of Stetson University's MFA Creative Writing program with a focus in Expanded Poetry. Other than being a full-time educator, part-time blerd, a part-time bad ass, and non-binary baddie, they are also the creator and co-founder of the non-profit organization, The Blunt Space Inc. If they're not performing poetry or teaching, they are voguing and dancing in ballroom.

About noncomMUSIC Alliance: The noncomMUSIC Alliance celebrates public radio's role in connecting musicians, performers, and artists with the audiences who enjoy and support their music. We are an alliance dedicated to boosting the work of noncommercial public radio as an essential component of music discovery, curation, preservation, performance, and community.

Ona K - Studio Sessions video series - Jazz at WUSF

Wed, 25 Oct 2023 14:13:17 GMT

Ona K - Studio Sessions video series

Track Listings:

1. Open Up - Music & lyrics by Ona K

2. Luna Llena, Luna Nueva - Music & lyrics by Ona K

3. Little Beast - Music & lyrics by Ona K

4. To the River - Music & lyrics by Ona K

5. Black Hole Sun - Music & lyrics by Chris Cornell (Arrangement by Ona K)

Personnel:

Ona K - vocals

Alejandro Arenas - bass

LaRue Nickelson - guitar

Patrick Bettison - keys

Jonathan Thomas - drums

Christina Adams - violin

Laura Martin - violin

Sungho Jung - viola

Michael Amos - cello

Camera and Editing - Warren Buchholz

Sound - Jackson Harpe

Jazz on Arts Axis Florida is powered by WUSF, Community Foundation Tampa Bay, and by viewers like you. Thank you!

QuinKillin'- Spoken Word Series

Tue, 24 Oct 2023 13:39:55 GMT

QuinKillin' - Spoken Word Series

Photo of QuinKillin' provided by QuinKillin'.

Jazz and Politics: Harmony and Discourse Concert Series

Wed, 18 Oct 2023 17:26:58 GMT

Jazz and Politics: Harmony and Discourse Concerts

Location: ArtsXChange at the Warehouse Arts District Association

Dates: November 3, December 1

presented by Warehouse Arts District Association, Al Downing Tampa Bay Jazz Association, EMIT, Jazz on Arts Axis Florida & WUSF.

November 3 - The Instrument of Hope with panel discussion on gun violence

December 1 - Holiday Swinging with the Helios Big Band Orchestra featuring Fred Johnson with a panel discussion on food insecurity on St. Pete

Concert #1 - November 3, 2023 - Instrument of Hope with members from Al Downing Jazz Association with Belinda Womack
at 7C Music and ArtsXchange outdoor stage in the Warehouse Arts District
6:30-9:00 PM, $15 general admission tickets

The Warehouse Arts District Association, in collaboration with the Al Downing Tampa Bay Jazz Association, EMIT, Arts Axis, 7C Music, and WUSF Jazz are excited to announce the "Instrument of Hope" concert and roundtable discussion on November 3rd.

The Instrument of Hope is a trumpet crafted using components from bullet casings, created as a response to the tragic Marjory Stoneman Douglas High School shooting in Parkland, Florida in 2018. Since its inception, this remarkable trumpet has journeyed across the United States with the purpose of fostering healing and encouraging dialogue on the prevention of gun violence. Composer and Arranger Kim Scharnberg has collected testimonials from former students and survivors. Scharnberg will facilitate a roundtable discussion before the concert. The discussion will feature prominent figures such as State Representative Lindsay Cross, Council Member Brother John Muhammad as well as other influential community leaders.

The concert will showcase a talented ensemble of musicians from Tampa Bay, brought together by the Al Downing Tampa Bay Jazz Association. This organization's origins date back to the 1980s and are closely tied to the collaborative work of Al Downing, award-winning performer, band leader and music educator and the late Ernie Calhoun a celebrated saxophonist and humanitarian from Tampa, Florida. This event is a noteworthy addition to the Warehouse Arts District Association's Concert Series, which is aptly titled "Jazz and Politics: Harmony & Discourse."

The 2-part event will take place at 7C Music and the ArtsXchange Outdoor Theater, located at 515 22nd Street South, St. Petersburg, on Friday, November 3rd, from 6:30 PM to 9 PM. Ticket pricing options include General Admission tickets at $15 and discounted tickets for WADA and ADTBJA Members at $10. The event schedule is as follows:

• 6:30-7:30 PM at 7C Music: Roundtable discussion on gun violence prevention featuring State Representative Lindsay Cross, City Council Member Brother John Muhammed, Dr. Tara Newsom, Dr. Kirsten England, Dr. Erin Carlin, and other community leaders.

• 7:30-9 PM: Concert presented by the Al Downing Tampa Bay Jazz Association featuring the Instrument of Hope to be performed by Trumpeter and Band Leader, Dwayne White. Vocalist Belinda Womack will be a special guest.

Join us for an unforgettable evening of music, dialogue, and community engagement. To obtain more information about the "Instrument of Hope" event.

Concert #2 - December 1 - Helios Big Band Orchestra featuring Fred Johnson
at the ArtsXchange Stage in the Warehouse Arts District
6:30 PM, $15 general admission tickets

Join us for "Jazz and Politics: Harmony & Discourse," a groundbreaking concert series presented by WADA in collaboration with WUSF, SPC, and the Latin Jazz Festival. Held on the first Friday of each month at the ArtsXchange outdoor theater, this innovative series unites the captivating concerts of jazz music with thought-provoking conversations on political and social issues.

Helios Jazz Orchestra feat. Fred Johnson Co-Presented by EMIT with a panel discussion food scarcity and house & security in St. Pete and house & security in St. Pete.

Round Table Discussion: 6:30-7:30 PM

Performance: 7:30-9:30 PM

(MORE INFORMATION TO COME)

The primary focus of the association is to encourage the understanding and appreciation of jazz.

The ADTBJA:

Promotes the understanding of jazz, its origins and evolution
Presents live jazz performances
Works with youths who are interested in learning to explore and perform jazz
Informs the public about jazz clinics, festivals, performances, events and club scenes
Provides scholarships to students who plan to further their jazz studies

La Lucha - Studio Sessions video series - Jazz at WUSF

Mon, 09 Oct 2023 21:41:20 GMT

La Lucha - Studio Sessions video series

La Lucha is a Tampa Bay based trio that consists of three best friends from three different parts of the world: Colombia (Alejandro Arenas), Mexico (John O’Leary), & United States (Mark Feinman). Their music ventures boldly into a wide variety of musical styles, offering an appealing and fun mix of genres under the jazz umbrella. The combination of their musical versatility and varied musical influences makes for compelling virtuosic performances. Through an engaging stage presence and high level of interaction, La Lucha brings the audience into their world.

Set List:

1. Por La Tarde (Arenas)

2. Blues for Houston Person (Arenas/Feinman/O'Leary)

3. Feel Like Makin' Love (McDaniels)

4. Otra Vez (Feinman)

Personnel:

John O’Leary - piano

Mark Feinman - drums

Alejandro Arenas - bass

Warren Buchholz - camera/editing

Jackson Harpe - audio

Chandler Balkcom - camera

Studio Sessions is made possible by WUSF Public Media, Community Foundation Tampa Bay, and viewers like you. Thank you for your support.

Charles Hines - Spoken Word Series

Mon, 09 Oct 2023 15:21:30 GMT

Charles Hines - Spoken Word Series

Photo of Charles Hines provided by Charles Hines.

Well, he's glad you asked. THEE Charles Hines is a nationally recognized Slam Poet; Placing 3rd at the Southern Fried Poetry Slam 2023 and 2nd in Slammadness Poetry Slam 2023. He has been performing poetry for 10 years, with a degree in English Creative Writing. Charles is a country-wide known competition poet, teaching artists, and all around champion of the arts. Currently, he is part of the Growhouse Tampa Arts Collective where he hosts their monthly open mic and helps curate writing workshops. Just for fun, he's also self-published two poetry books, available on Amazon.com .

Festival destacado - Festival de Jazz Latino EMIT

Mon, 18 Sep 2023 20:03:16 GMT

Festival de Jazz Latino EMIT

Ubicación: Centro de Música en St. Petersburg College, ArtsXChange en la Asociación Warehouse Arts District

Fecha: 5 al 7 de octubre de 2023.

Tres días de gran Jazz Latino

presentado por EMIT, el Festival de Jazz de San Petersburg, la Asociación del Distrito de Artes de Warehouse, Jazz on Arts Axis Florida y WUSF.

5 de octubre - José Valentino y Eternal Power

6 de octubre - Gilberto García y el Latin Knights

7 de octubre- Dimas Sanchez y el Afro Latin Jazz Project

Acerca de EMIT: Durante los últimos veintisiete años, en la serie EMIT se han presentado más de 500 eventos que involucran nueva música, jazz, músicas del mundo, electrónica interactiva, improvisación y formas de arte interdisciplinarias que incorporan sonido. EMIT (una organización artística registrada sin fines de lucro) trae música de aventura y actividades educativas al área de Tampa Bay. EMIT es presentador del Festival de Jazz anual de San Petersburg, el Programa de Artes de Grabación con estudiantes del Boys & Girls Club en el Royal Theatre de Midtown, el EMIT Latin Jazz Fest y partidario de la Helios Jazz Orchestra de 18 miembros.

Concierto #1 - 5 de octubre - José Valentino & Eternal Power

en el Centro de Música del St. Petersburg College

7:30 p.m., boletos anticipados de $15 en Evenbrite, $20 en la puerta

Experiencia la brillantez del multi-Latin GRAMMY®, 15 veces Global Music® y ganador del premio Emmy®, José Valentino & Eternal Power con Robert Acevedo Jr. en el EMIT Latin Jazz Fest el 5 de octubre de 2023 en el Music Center de Colegio de San Petersburg. Celebre el lanzamiento de su vigésimo álbum, "Eternal Power", con presentaciones de estreno mundial que muestran el arte futurista del jazz latino. Los artistas incluyen a José Valentino (flauta y saxofón), Robert Acevedo Jr. (percusión), Elías Tona (bajo), Jesse Pitts (batería) y Bruno Miranda (piano). Presentado por EMIT, Festival de Jazz de San Petersburgo, Asociación del Distrito de Artes de Warehouse, SPC, Jazz on Arts Axis Florida y WUSF. El Centro de Música del St. Petersburg College está ubicado en 6605 5th Ave. North en San Petersburg.

Concierto #2 - 6 de octubre - Gilberto "Niño" García & el Latin Knights

en el escenario ArtsXchange en el Warehouse Arts District

7:30 p.m., boletos anticipados de $15 en Eventbrite, $20 en la puerta

¡Baile! ¡Bebida alimenticia!

Gilberto García & el Latin Knights aparecerán en el segundo concierto del Latin Jazz Fest el viernes 6 de octubre en el nuevo ArtsXchange Stage en el Warehouse Arts District de San Petersburg. Fundada en 1997 por el percusionista Gilberto Ni ñ o García, The Latin Jazz Knights Band se ha ganado la reputación de ser una de las principales bandas de jazz latino en Tampa Bay. Presentado por EMIT, Festival de Jazz de San Petersburg, Asociación del Distrito de Artes de Warehouse, SPC, Jazz on Arts Axis Florida y WUSF.

¡Atención bailarines! ¡Tendremos una pista de baile Marley para que disfruten todos los bailarines! Oportunidades de rifas y sorteos.

Concierto #3 - 7 de octubre - Dimas Sanchez y el Afro Latin Jazz Project

en el escenario ArtsXchange en el Warehouse Arts District

7:30 p.m., boletos anticipados de $15 en Eventbrite, $20 en la puerta

¡Baile!

Dimas Sánchez y The Afro Latin Jazz Project están influenciados por los sonidos de la música afro puertorriqueña, afro cubana y ritmos africanos. Como invitado tendremos al maestro percusionista y bailarín Olabayo Ogunrrinola de Nigeria.

Ven y comparte con nosotros esta velada de Afro Latin Jazz con los músicos: Edepson González - Piano, Mauricio Rodríguez - Bajo, Jochy Rodríguez - Trompeta, Jorge Malavé - Saxofón, Jorge Ito Colón - Percusión, Dimas Sánchez - Batería y Percusión. Presentado por EMIT, Festival de Jazz de San Petersburg, Asociación del Distrito de Artes de Warehouse, SPC, Jazz on Arts Axis Florida y WUSF.

¡Atención bailarines! ¡Tendremos una pista de baile Marley para que disfruten todos los bailarines!

Bono - 8 de octubre - O Som Do Jazz

en el Nuevo Centro de Artes Escénicas de Tampa

domingo, 15:00 horas; boletos de $ 15

¡El grupo de música brasileño O Som Do Jazz se presenta en el NUEVO New Tampa Performing Arts Center! O Som Do Jazz recupera el espíritu de la Bossa Nova, la samba-jazz, la MPB y el Baião brasileños de los años 60 y 70. Los músicos incluyen a Andrea Moraes Manson (voz), Alex Malkovich (saxo), John O'Leary (piano), Alejandro Arenas (bajo), Mark Feinman (batería) y David Manson (trombón).

Would you like to be part of this new Florida jazz tradition? Contact Director David Manson to talk with him about concerts and sponsorship : mansond@spcollege.edu

Exploring the Art of Composing and Performing Brazilian Jazz with David Manson

Thu, 14 Sep 2023 21:15:57 GMT

Exploring the Art of Composing and Performing Brazilian Jazz with David Manson

Photo of Andrea Moraes Manson and David Manson in the WUSF Studio. Photo by Jazz on Arts Axis Florida

David Manson is a trombonist, composer, concert presenter and music technologist who teaches composition, world music, jazz studies and low brass courses at St. Petersburg College (SPC). A soloist and composer with diverse interests, he has worked with Sam Rivers, Burt Bacharach, Henry Mancini, Bogus Pomp and Diego Figueiredo, among others. His original music has been recently placed in the HBO series, "Looking", "Grandfathered" on Fox, "Riverdale" on CW and "The Replacement" on BBC One. More recent placements would be "Riverdale" on CW, "Preacher" on AMC, "Single Parents" on ABC, BBC One "The Replacement" and "Your Honor" on Showtime. He directs the nonprofit presenter EMIT , the Recording Arts Program (RAP) with Boys & Girls students at the Royal Theater in Midtown, and also the St. Petersburg Jazz Festival . Manson also composes and performs with Brazilian group O Som Do Jazz and directs the Helios Jazz Orchestra , the resident ensemble at SPC.

JAZZ ON ARTS AXIS FLORIDA: What message(s) do you hope resonate with your audience when they hear your music?

DAVID MANSON: We want to share some of the great Brazilian music with U.S. audiences in the most authentic way possible. Andrea and I started O Som Do Jazz 15 years ago and we have a massive repertoire of samba Bossa Nova, MPB, Baião and choro to share.

How do you write a song?
I can compose methodically (crafting) but prefer to sing or improvise and discover a motif or fragment that can be developed. If I can "hear" 30% of the song in my head, then I can usually complete it. Andrea often composes songs in the shower and records them to her cell phone.

What inspirations do you pull from when writing/composing?

When writing original music (songs, jazz, chamber music, orchestral) I spend time listening to music that gives me goosebumps. I analyze the "it factor" elements and add them to my vocabulary. Although I listen to many composers, I don't try to sound like them. I just go for honest writing whether it's for O Som Do Jazz, Helios Jazz Orchestra or my newest avant-jazz project, ERG.

What’s your favorite album or song to listen to?

For Brazilian music, I am a huge fan of Elis Regina's recordings. Elis Regina e Zimbo Trio – O Fino Do Fino may be one of my favorites. It's a live concert with a 20-year-old Elis Regina. The Zimbo Trio is brilliant and Elis is stunning (as always) and gives 110%.

How do you know/feel when a song is completed for release?
If it feels natural (rather than forced) and if the mix is balanced, then it is ready to share. It also has to meet the approval of Andrea!

When you cover a song, how do you know which ones to play live?
In O Som Do Jazz, we select songs that are diverse (samba, Bossa Nova, MPB, Baião ) and think of the flow of the concert from the audience's perspective. Bossa Nova is lovely, but an entire program of Bossa Nova is a sleeper. A lively samba or a grooving Baião added to the program adds diversity to the concert.

What’s your rehearsal process?

Everyone in the band is very busy so we try to be efficient. I write the arrangements and originals, email PDF's to band members with audio links and then we meet and rehearse. I used to play in a Zappa tribute band (Bogus Pomp) that would rehearse by rote for dozens of hours before any performance. I don't have much free time teaching and directing a nonprofit organization). With Mark Feinman, Alejandro Arenas, John O'Leary (who also play in La Lucha) and Alex Malkovich, we get right down to business in rehearsals. We can often rehearse a song two or three times and then it's ready for performance.

What’s the greatest musical moment you’ve experienced?
I was fortunate to perform and record with legendary saxophonist Sam Rivers on a CD of my original music titled Fluid Motion. Performing with Sam and the players in that group was amazing. Playing at Zappanale in Germany was also very nice as was hearing the Florida Orchestra play two of my short compositions. Andrea's greatest concert was hearing the amazing Djavan live. Playing every gig with O Som Do Jazz is also a joy. I hope that my greatest musical moments are ahead of me!

What’s your earliest musical memory?
That might be my mother singing "Puff the Magic Dragon" to us kids.

How do you prepare mentally and physically for a live show?
If you prepare diligently, much of the stress is avoided. There is so much more involved with music than the performance. I just try to plan ahead and practice consistently. If I am lucky, the venue might provide the sound system.

Do you have a favorite piece of equipment you can talk about?
Although I teach Pro Tools and own about ten instruments, I am not a "gearhead". The trombone that I play most is an instrument made in China and quite reasonable in price. It's often the player, not the equipment. Of course, it's a never-ending process to practice and grow as a musician.

What makes playing jazz/Latin so appealing?
The different grooves and ensemble elements, elegant melodies, lush harmonies and emotional expression, all make Brazilian music very appealing! It is always fresh. It doesn't hurt that the trombone is a "cool" instrument in Latin music.

What’s your favorite memory of a live performance?
Our O Som Do Jazz concert on the Miami International Jazz Fest was very memorable. We opened for a Linda Briceño's New York-based band and while we played, we could see their members off-stage watching us and digging what we do.

What are your future aspirations/plans in jazz music?
We continue to write originals, record them and send them to licensing companies for use in television and film. We would like to play in more festivals and events with larger audiences. Our 4th CD is being mixed now. It's mainly originals with great musicians including Alejandro Arenas, Bruno Miranda, Jose Valentino Ruiz, Mark Feinman, Rafael Pereira and Tabajara Belo.

What’s your top tip for musicians just starting to perform live at venues?
If the "powers that be" don't express interest in your music, then rent a venue, market your concert like crazy and build your own audience. Waiting for someone else to appreciate your talents is a losing game today.

What is the group currently listening to?
We have six band members who listen to diverse music. We all love the Zimbo and Tamba Trios from the 60s and J.T. Meirelles and the Copa 5. We also listen to Elis Regina, João Donato (who sadly passed recently), Jovino Santo Neto and Antonio Adolfo (whom we had the pleasure of performing with), Edu Lobo and (of course) Tom Jobim. I like Bruna Moraes, a new singer/songwriter who is stellar.

Interview edited for length and clarity.

The Ed Sullivan Show releases rare Louis Armstrong performances

Mon, 11 Sep 2023 14:54:18 GMT

The Ed Sullivan Show releases rare Louis Armstrong performances

Recently released from the Ed Sullivan Show vaults and not seen since its original broadcasts on the CBS network in 1955, these rare Louis Armstrong clips capture Satchmo at his best as the jazz maestro performs and improvises several performances on Sullivan’s stage.

In the first video, Louis Armstrong gives a comedic performance as he sings and plays with opera star Robert Merrill on the April 17, 1955 episode of The Ed Sullivan Show . In the first song, "Vesti la giubba”, Armstrong sings the operatic piece from Pagliacci in exchange for Merrill to perform Armstrong’s “Honeysuckle Rose” where Louis pulls out his trumpet and plays a powerful duet with the opera singer. The duet ends with a reprise of "Vesti la giubba” by Merrill with comedic reactions from Armstrong.

In the second video, he performs "Struttin' With Some Barbecue" with Gary Crosby on the May 15, 1955 Sullivan episode, which features a strong trumpet solo from Armstrong following a harmonious duet with Crosby who improvises Armstrong’s iconic voice to close out the dynamic performance.

These clips released from the Sullivan Show archives provide insight into the cross-genre performances black jazz musicians like Louis Armstrong performed in order to be showcased to a national audience in a segregated America.

New videos are updated to The Ed Sullivan Show’s official YouTube channel and EdSullivan.com .

About The Ed Sullivan Show

The Ed Sullivan Show is the most popular primetime variety show in American history. For nearly a quarter century, Ed Sullivan hosted the greatest array of talent on television, including The Beatles, The Rolling Stones, Elvis Presley and Motown artists such as The Supremes, The Temptations and The Jackson 5. Every Sunday night at 8pm on CBS from 1948-1971, The Ed Sullivan Show showcased a wide variety of pop culture from the worlds of music, comedy, novelty and much more. The library of 1,000 hours includes over 10,000 performances.

About SOFA Entertainment

In 1990, Andrew Solt founded SOFA Entertainment Inc. and acquired The Ed Sullivan Show from the Sullivan family. In 2020 Josh Solt left Google to lead SOFA as CEO of the company. The Ed Sullivan Show is the most revered variety show in American television history. SOFA Entertainment is the copyright holder of the original Ed Sullivan programs and over 150 hours of newly created programming.

About UMe

Universal Music Enterprises (UMe) is the global catalog and special markets division of Universal Music Group (UMG). Working closely in concert with UMG’s record labels, territories and operating companies, UMe provides a frontline approach to catalog management, an emphasis on strategic marketing initiatives and creating opportunities in new technologies.

Go to these websites for more information about the Louis Armstrong House Museum and the Louis Armstrong Educational Foundation: https://www.louisarmstronghouse.org and https://louisarmstrongfoundation.org

O Som Do Jazz - Studio Sessions video series

Wed, 06 Sep 2023 13:23:17 GMT

O Som Do Jazz - Studio Sessions video series

Based in St. Petersburg, Florida, this group features Rio de Janeiro singer Andrea Moraes Manson and a crew of experienced musicians performing samba-jazz, Bossa Nova, Balanço, Baião and MPB. O Som Do Jazz (the sound of jazz in Portuguese) recaptures the grace, energy and spirit of Brazilian music. With 3 CDs and original music placed on BBC, Fox and HBO, O Som Do Jazz is a Florida favorite with performances on the Miami International Jazz Fest, Clearwater Jazz Holiday, Mod Miami, Pensacola Jazz Fest and more. Learn more about the ensemble at osomdojazz.com

Song List:

1. Samba de Orly - Toquinho

2. Girl from Ipanema - Tom Jobim and Vinicius de Moraes

3. Batida diferente -Durval Ferreira & Mauricio Einhorn

4. Mancada - Gilberto Gil

Personnel:

Andrea Moraes Manson - vocals

Alex Malkovich - saxophone

David Manson - trombone/arranger

John O'Leary - piano

Alejandro Arenas - bass

Mark Feinman - drums

Audio Engineer:

Jackson Harpe

Camera:

Warren Buchholz

Chandler Balkcom

Editor:

Warren Buchholz

Studio Sessions is made possible by WUSF Public Media, Community Foundation Tampa Bay, and viewers like you. Thank you for your support.

Composer and Vibraphonist Cole Hazlitt talks Songwriting and Inspirations

Mon, 14 Aug 2023 13:35:53 GMT

Composer and Vibraphonist Cole Hazlitt talks Songwriting and Inspirations

Photo of Cole Hazlitt, composer and vibraphonist, in the WUSF Studio. Photo by Jazz on Arts Axis Florida.

Born in the Tampa Bay area, drummer/vibraphonist/latin percussionist/composer, and educator, Cole Hazlitt, is a versatile musician covering a wide variety of musical styles and genres. Cole graduated from the Manhattan School of Music with a masters in jazz vibraphone, studying under Joe Locke, as well as completing a bachelor's degree in Jazz drum set. Cole was the drummer for the Grammy nominated Manhattan School of Music Afro-Cuban Jazz ensemble for four years, directed by Bobby Sanabria. Cole has composed and arranged several pieces of music for big band, orchestra, and small ensembles, as well as composing the music for short films.

What message(s) do you hope resonates with your audience when they hear your music?

I hope that some aspects of my music can be educational. This is because the Vibraphone is an instrument that people are not as familiar with. I hope to share something with them about this unique instrument. I also like to share with audiences about the histories of the styles which I perform, especially when it comes to playing Cuban or Brazilian music.

What’s something you love most about the vibraphone that you love to share with people?

The Vibraphone is one of the few instruments that were created here in America, along with the drumset which was my first instrument.

How do you choose what songs to play live?

This is a great question. When i'm choosing songs to play at a gig there's a few different factors that go into that decision. I usually like to play different songs that I'm working on at the time. They might be songs that I’m not so comfortable with, but I find that playing these new tunes with other people is a great way to get more familiar with the tune. Lately I have been learning more Brazilian songs, so whenever I have a chance to play them live with other musicians it can be a nice learning experience.

Can you recommend some Brazilian artists that have influenced your current work?

There are so many! I've been influenced by the compositions of Hermeto Pascoal, Pixinguinha, Milton Nascimento, Sivuca, Guinga, and Baden Powell.

How do you write a song?

I usually write music everyday, even if it's just a few measures of music. I started doing this after reading a book by Schoenberg, which recommended that a composer should write music every day. Now writing something you are very proud of takes a lot longer. Sometimes you have to wait until you’re feeling inspired in a moment. Some of my songs have been written in a few hours, while others have taken months. I would argue that inspiration is the most important factor with composing.

How long into writing music did you find yourself to be proud of something you’ve written? What is that piece of work?

A few years ago I wrote an arrangement of the song “Maria Cervantes” and orchestrated it for the full orchestra. This took around 2 months to complete.

Who are your musical inspirations?

Charlie Parker, Jobim, Bud Powell, Bach, Beethoven, Chopin, Brahms, Machito, Tito Puente, Milt Jackson, Cal Tjader. These are just a few.

Have any of your inspirations influenced how you play? Have those influences changed over time?

My main influence on the vibraphone during the period when I was just starting out was Gary Burton, but over the years I have become invested in the styles of other Vibraphonists like Teddy Charles, Eddie Costa, and Milt Jackson. But Gary started the whole playing with four mallets which I've always done.

What’s your favorite memory of a musical performance?

This would be during my time in NYC while studying at the Manhattan School of Music. I had the great opportunity to play at Dizzy’s jazz club as a part of Bobby Sanabria’s Manhattan School of Music Afro-Cuban Jazz Ensemble. During one concert there, we performed one of my big band arrangements. It was an arrangement of the Star Trek theme from the 60’s, but I wrote it in the Samba style which really worked well with the song.

What’s your top tip for musicians just starting to perform live at venues?

I would say learn many many tunes, and it’s even better when you can learn the songs by ear. I often find that the tunes that I learned by ear as opposed to by just reading the sheet music are much more ingrained in my memory. I would also recommend playing with other musicians as much as possible. While practicing alone is very important, I believe that with Jazz music especially, you need that special connection with other people.

What are you currently listening to?

Interview edited for length and clarity.

Harrison Jazz Ensemble - Studio Sessions video series

Wed, 02 Aug 2023 12:36:48 GMT

Harrison Jazz Ensemble - Studio Sessions video series

Harrison Jazz Ensemble performed in the WUSF Studio. Pianist and songwriter Roger Harrison played several original pieces while musicians from the Al Downing Association Henry Ashwood, Ron Gregg, and Valentyn Korniienko.

Tracks:

1. My Living Dream Come True

2. Lost Love

3. Miles, Byrd, Duke, Trane

Personnell:

Roger Harrison - piano

Henry Ashwood Jr. - saxophone

Ron Gregg - drums

Valentyn Korniienko - bass

Bios:

Roger Harrison

After he moved to the Tampa/St. Pete area in 2014, Roger created the Harrison Jazz Ensemble and now performs regularly in hotels, concerts, and private events.

Henry Ashwood Jr.

Henry Ashwood Jr. has an extensive background in music as a Performer, Composer, Producer and Inventor. He has provided private tutoring for the saxophone, flute, and clarinet and music theory. He has provided group instruction in music appreciation, history, and theory to various age groups.

He is a professional Jazz Artist, respected and in-demand for performance throughout the Tampa Bay area and Central Florida. He is a jazz combo leader and frequent soloist at local nightclubs. He has been on the radio and television and produced the “NEUTRAL ZONE” compact disc recording.

Henry Ashwood Jr. performed for twenty four years as a saxophone player in military bands in the UnitedStates, Europe and South America. He recently retired from the 13th Army National Guard Band stationed in Miami, FL. He has an Associate degree from Barton County Community College and has also studied in the music departments at Kansas State and the University of South Florida.

Ron Gregg

A native of St. Petersburg, Florida, Ronald Gregg began his interest in music as a self-taught drummer enhancing his skills as he became more skilled by learning from music teachers at 16th Street Junior High School and Gibbs High School. Prof. Reynold Davis encouraged Ronald as he became a proficient percussionist with the Gibbs High School Band.

After graduating from high school, Ron was called to serve in the U. S. Army and after basic training he qualified to attend the Naval School of Music (Army element) at Little Creek, Virginia and received musical instruction as a percussionist. He was stationed at Fort Carson, Colorado where he played in the U. S. Army Band.

After his enlistment, Ron played his first gig as a professional musician with the Phil Flowers Blues Band in Washington, D.C. When returning to St. Petersburg, he played with the phenomenal Al Downing for several years and then went “on the road” with The Funk Bunch and Faith, Hope & Charity. Back in his hometown again, Ron was employed by Johnson & Johnson/Extracorporeal and played evenings with “Brother Jack McDuff”and then had a 20-year musical relationship with the Ricky Lyons Jazz Trio.

Valentyn Korniienko

Valentyn Korniienko was born in Kharkov (Ukraine), received his musical education in Kharkov, and then in Kyiv. Known in Ukraine as a jazz double bassist, as well as a music teacher, transcriber, arranger and composer. He performed with all famous Ukrainian jazzmen, as well as with musicians from Europe and America, such as Randy Brecker, Joel Holmes, Benito Gonzalez, Tommy Emmanuel and others.

You can learn more about Roger and the Harrison Jazz Ensemble at theharrisonjazzensemble.com and rogerharrisonmusic.com

Studio Sessions is made possible by WUSF Public Media, Community Foundation Tampa Bay, and viewers like you. Thank you for your support.

Crisis: the Jazz Project

Wed, 26 Jul 2023 18:04:33 GMT

Crisis: the Jazz Project
The Tampa-based jazz ensemble Crisis: The Jazz Project features performing musicians who play in non-jazz bands around the Tampa Bay Area and play a cover of contemporary jazz artists like Roy Hargrove and Herbie Hancock. Their setlist also includes trumpeter and comedian Brad Gilmore performing a cover of "All of Me" with a Louis Armstrong twist.

Personnel:

Brad Gilmore - trumpet
Jay Aye - saxophone
Dylan Chee A Tow - drums
Brad Sugarman - bass
Austin Llewellyn - piano

Saxophonist Jay Aye shares his gateway album to loving jazz

wbuchholz@wusf.org (Warren Buchholz) — Wed, 26 Jul 2023 17:49:56 GMT

Saxophonist Jay Aye shares his gateway album to loving jazz

Photo of Jay Aye, saxophonist for Crisis: the Jazz Project in the WUSF Studio. Photo by Jazz on Arts Axis Florida.

Jason Atheney, also known as Jay Aye, immersed himself in the art of playing the saxophone during his entire grade school journey. However, when he entered college, the demands of "life" took precedence, and he temporarily set aside his musical passion. It wasn't until 15 years later when the urge to play resurfaced within him. In 2008, he found a Craigslist advertisement seeking a saxophonist for a ska punk band. Without hesitation, he responded, leading to an incredible journey with Victims of Circumstance . Together, they have produced numerous albums, embarked on three successful European tours, and graced the stages of multiple festivals both in the United States and abroad.

Unlike many of his peers, Jay did not attend music school and instead "learned jazz on the streets." He greatly credits his mentor, the renowned Butch Thomas from Sting and Lenny Kravitz, for his ongoing musical achievements. Jay has always had a deep interest in jazz music, and in 2017, he became a member of his first jazz ensemble, Crisis: the Jazz Project, which brings together talented musicians from various genres across Tampa Bay. Jay continues to actively perform with Crisis: the Jazz Project.

"Being a musician is a lifelong journey, in which there is always room for growth and learning. I consider myself a student of jazz, just like anyone else, and I am excited to see what the future holds."

What message(s) do you hope resonate with your audience when they hear your music?

Jazz doesn’t have to be “stuffy” it can be fun.

How do you approach fun in your music?
People have told me multiple times “I’ve never seen you smile more than when you’re on stage playing music” and I guess what I try to bring to a performance. Music can be serious, fun, joyful, sad, all at the same time. When thinking about “fun” I like to get the audience involved in what’s happening on stage, doing stupid little dances - because those are the only ones I can do - and just taking in everything that’s going on around me.

Who are your musical inspirations?

I personally want to be Dexter Gordon tonally and musically.

What do you love best about Dexter’s style and how do you find ways to incorporate his tone into your playing?
The thing about Dexter… he swings without playing swinging 8th notes. His 8ths are pretty straight, but he’s just behind the beat enough that it swings. He plays so melodically, he’s a master of motifs, he plays the full range of the horn - even though he doesn’t get into altissimo range too often. He can play fast but usually doesn’t. And the tone, for me, it is THE quintessential tenor saxophone tone. When I was relearning how to play saxophone 15 years ago, I would just do long tones in my room for hours with his tone in my head. It was my target and still is. I don’t think I’ll get there - ever - but if I can get anywhere in the ballpark I’ll be happy.

What’s the greatest musical moment you’ve experienced?

Playing in front of a sold out crowd in the U.K. This particular show was a ska punk show at Rebellion Festival, 2012. We were on tour in the E.U. and got to play on one of the bigger stages that day. It was great because the vast majority of people there had no idea who we were, but they were just there because they love punk music in general and were very willing to take chances to see bands they’d never heard of. I think being from the U.S. also made us a bit of a curiosity. No particular moments stood out, other than just sheer enthusiasm they had for what we were doing.

What’s your earliest musical memory?

Listening to someone demo the saxophone and deciding that this was the instrument for me.

Boring answer, but it was in the 4th grade at orientation where they demo’d all the instruments that were available for us to choose. I just remember thinking “wow that thing’s really cool.”

How do you prepare mentally and physically for a live show?

The mental preparation takes place in the days leading up to the performance, just practicing material and getting stuff straight. The day-of and right-beforehand is just trying to keep focused on what I’m going to be doing. At this point I don’t really get nervous before playing in front of people anymore, unless it’s something gigantic I’m playing with new people or a new group for the first time.

Do you have a favorite piece of equipment you can talk about?
I currently play a Selmer Mark VI tenor and 10MFAN mouthpieces (I have 3 of those that I rotate). Also a custom KB Sax copper neck. It’s kind of embarrassing, but I know people who have a lot more gear than I do. Currently been on this setup for about a year. I hesitate to recommend gear to people, because it’s so subjective and personal. I’ve tried things that some rave about and it’s just not for me, and the opposite as well.

Unfortunately the days of the local music store having a lot of stuff for wind players is gone, so I’m pretty much forced to use Amazon for reeds or other online stores for things like that. I buy horns and mouthpieces off of Facebook marketplace or this saxophone forum that I frequent. In October I’m going to the UK and will be visiting the world’s largest saxophone shop, and I CANNOT WAIT!

What’s your top tip for musicians just starting to perform live at venues?

Get there early, be prepared, stay cool, and have fun.

Interview edited for length and clarity.

Cole Hazlitt Trio - Studio Sessions video series

Fri, 14 Jul 2023 13:30:00 GMT

Cole Hazlitt Trio - Studio Sessions video series

Born in the Tampa Bay area, drummer/vibraphonist/latin percussionist/composer and educator, Cole Hazlitt, is a versatile musician covering a wide variety of musical styles and genres. Cole graduated from the Manhattan School of Music with a masters in jazz vibraphone, studying under Joe Locke, as well as completing a bachelor's degree in Jazz drum set. Cole was the drummer for the Grammy nominated Manhattan School of Music Afro-Cuban Jazz ensemble for four years, directed by Bobby Sanabria. Cole has composed and arranged several pieces of music for big band, orchestra, and small ensembles, as well as composing the music for short films. Cole is well versed in the usage of electronics in compositions as well.

Joining Cole during his session is Joe Porter on bass and John Jenkins on drums (both play often at Al Downing Jazz Association's Monday Night Jazz Jam).

Set List:

1. Just One of Those Things - Cole Porter

2. Pannonica - Thelonious Monk

3. Red-Tinted Sky - Cole Hazlitt

Personnel:

Cole Hazlitt - vibraphones

Joe Porter - bass

John Jenkins - drums

Crisis: The Jazz Project - Studio Sessions video series

wbuchholz@wusf.org (Warren Buchholz) — Thu, 29 Jun 2023 12:42:41 GMT

Crisis: The Jazz Project - Studio Sessions video series

The Tampa-based jazz ensemble Crisis: The Jazz Project played in the WUSF Studio for Jazz on Arts Axis Florida’s Studio Sessions video series. The musical project features musicians who play in non-jazz bands around the Tampa Bay Area and play a cover of contemporary jazz artists like Roy Hargrove and Herbie Hancock. Their setlist also includes trumpeter and comedian Brad Gilmore performing a cover of "All of Me" with a Louis Armstrong twist.

Set List:

1. Strasbourg / St. Denis - Roy Hargrove
2. Mercy, Mercy, Mercy - Cannonball Adderly
3. All of Me - Gerald Marks and Seymour Simons

Personnel:

Brad Gilmore - trumpet
Jay Aye - saxophone
Dylan Chee A Tow - drums
Brad Sugarman - bass
Austin Llewellyn - piano

Bandleader Eric Enfield’s Key to Successful Shows

Fri, 23 Jun 2023 13:51:15 GMT

Bandleader Eric Enfield’s Key to Successful Shows

Photo of Eric Enfield, bandleader of Jazz DaddyOs, in the WUSF Studio. Photo by Jazz on Arts Axis Florida.

Eric Enfield captivates Florida audiences with his skills on keyboards, guitar, drums, and vocals. With a career spanning several decades, Enfield has shared the stage and recorded with numerous musical luminaries, leaving an indelible mark on the Southeastern and Midwest entertainment circuits with his mastery of old school technique and classic song craft. However, it is his ability to seamlessly blend traditional methods with the latest music-making technology that sets him apart.

His musical arsenal includes an impressive array of modern equipment like foot-operated bass pedals, customized A.I. drums and synchronized rhythm modules, which he skillfully employs to augment his piano performances. These tools allow him to create a fuller, more dynamic sound that resonates with live contemporary audiences. Through his innovative approach, Enfield strikes a harmonious balance between the timeless elegance of traditional instruments and the possibilities afforded by modern advancements.

Beginning at the age of 11, Enfield has played professionally and forged an illustrious creative path performing and recording music with influential songwriters and R&B/Blues artists like Joe Tex, Ollie Woodson, and Major Lance. His resume includes prestigious roles as bandleader to several major house ensembles at historic venues like the Tampa-based Malio’s, the Belleview Biltmore Hotel, St. Augustine’s Scarlett O'Hara's, and Underground Atlanta. He also signed with Florida-based TK Records, worked sessions as backup musician for major R&B/Blues vocalists, and toured with bands like Catfish & Crystal.

Photo of the Illinois-based rock band Catfish & Crystal. Enfield pictured far left. March 1971. Photo courtesy of LaBudde Special Collections, UMKC University Libraries

Enfield remains committed to his craft and continues to actively perform. Currently, he takes the stage around a dozen times each week including as bandleader of the Jazz DaddyOs, a vibrant jazz dance band based in St. Petersburg, in addition to serving as the sole musical accompanist for Ambassador Rupert Blaize, further showcasing his exceptional talent and dedication to his craft.

How do you choose what songs to play live?

We play for the dance floor. To keep people dancing, we try not to play two songs in a row that have the same tempo or dance style. Example: We might play a swing at 133 bpm followed by a mambo at 88 bpm and then a shuffle at 115 bpm, followed by a foxtrot at 160 bpm. Also, we want to connect with our audience. We play requests and give them first priority. We gauge our volume to allow for conversation throughout the room and work to bring the crowd into a party atmosphere.

What’s your process for learning something new to play?

When I’m learning a new song, I’ll play different artists’ versions of it over and over, for hours, until someone tells me to stop.

Who are your musical inspirations?
They’ve changed over the years. Early on they were Joe Sample, Dr. John and Floyd Cramer. Now, I find great inspiration from meditating on the spirits of musicians that I’ve worked closely with who have passed on.

What’s your favorite memory of a live performance?

On vacation to Yosemite National Park, my singer Mary Miller and I went to hear the piano bar singer at Mariposa Lodge. We spontaneously sat in, and I played piano while we sang our duets. We were well received.

What message do you hope resonates with your audience when they hear your music?
We go back to the early roots of American music. It’s the real deal, but the original recordings were poor audio quality. We’re presenting authentic jazz with the technological and stylistic influences that have occurred since this music originated over 100 years ago.

How do you prepare mentally and physically for a live show?
Most of my life, I have performed events 7 days a week. Often twice a day. You need to get sleep, don’t eat immediately before a gig. Don’t smoke anything or drink alcohol, ever. Over-prepping musical material and organizing necessary equipment pays off exponentially.

What’s your top tip for musicians just starting to perform live at venues?

LEARN HOW TO SWING DANCE! Jazz is often played in a Swing style. Music is the fuel that makes people dance. When you’re learning to play music, it’s critically important to learn how to correctly dance! (Swing, Rumbas, Cha Chas, Mambos, Fox Trots, and other ballroom styles.) Jazz started as dance music. Many people hate jazz because it implies some kind of music that the listener can’t get involved in. I can tell instantly when a rhythm section musician or band leader can’t dance. Music colleges do a great disservice to their students by not making ballroom dance a required course.

Interview edited for length.

Jazz DaddyOs - Studio Sessions video series

Fri, 16 Jun 2023 12:32:00 GMT

Jazz DaddyOs - Studio Sessions video series

The St. Petersburg-based jazz swing band Jazz DaddyOs performed live in the WUSF Studio for Jazz on Arts Axis Florida’s Studio Performance Series premiere. Led by seasoned professional performer and multi-instrumentalist Eric Enfield, the Jazz DaddyOs specializes in roaring ’20’s Gatsby Speakeasy Music, and popular ‘40s & ‘50s Jazz with New Orleans influences. The trio version of the group, which accommodates up to 7 players depending on performances, includes lead vocals by Mary Miller and saxophone/clarinet by Wayne Pearson.

Set List:

1. Royal Garden Blues - Clarence and Spencer Williams

2. Wrap Your Troubles in Dreams - Harry Barris/Koehler & Moll

3. Everybody Loves My Baby - Clarence Williams/Jack Palmer

4. I Gotta Right to Sing the Blues - Ted Koehler/Harold Arlen

Personnel:

Eric Enfield, Bandleader, keyboards/bass pedals/drums/vocals

Wayne Pearson, clarinet/saxophone

Mary Miller, vocals

Jazz DaddyOs

Fri, 16 Jun 2023 12:29:57 GMT

Jazz DaddyOs

The Jazz DaddyOs are a swing jazz band featuring 2 - 7 players. This high energy dance band plays vintage hits as well as Rock n' Roll, Classic Country, Oldies and R&B. The Jazz DaddyOs feature the finest entertainers including the bandleader Eric Enfield who’s delighted locals and international visitors as music director/band leader for 20 years on a New Orleans style Paddlewheel Riverboat with Starlite Cruises. Jazz DaddyOs offers an authentic New Orleans Jazz experience.

Listen to the Music of Bossa Nova Legend Astrud Gilberto

Wed, 07 Jun 2023 17:01:49 GMT

Listen to the Music of Bossa Nova Legend Astrud Gilberto

Brazilian samba and bossa nova singer Astrud Gilberto onstage in 1965.

Evening Standard/Getty Images

Astrud Gilberto played a pivotal role in popularizing bossa nova music and introducing it to a global audience with her smooth, soothing vocals and iconic recordings like "The Girl from Ipanema" and “Água de Beber.” Her contribution helped bridge the gap between Brazilian and American music, which left a lasting impact on the genre and has inspired generations of musicians. Below are some playlists curated to hear some of the best songs by Astrud Gilberto.

Listen Live to Terence Blanchard’s Champion on WSMR this Saturday 5/27/23

Thu, 25 May 2023 15:49:18 GMT

Listen Live to Terence Blanchard’s Champion on WSMR this Saturday 5/27/23

Zenith Richards / Met Opera

Ryan Speedo Green as Young Emile Griffith in Terence Blanchard's Champion .

Champion , the groundbreaking opera composed by renowned jazz trumpeter and composer Terence Blanchard is streaming live this Saturday (5/27/23) at 1pm EST on WSMR Classical 89.1 FM for its network premiere. Based on the true story of boxer Emile Griffith (played by Ryan Speedo Green and Eric Owens), this opera explores themes of identity, sexuality, and forgiveness while blending jazz, opera, and contemporary music to create a powerful and emotionally charged musical experience.

Stream live this Saturday (5/27/23) at 1pm EST

This performance is part of the Toll Brothers Metropolitan Opera International Radio Network. Learn more: https://www.metopera.org/season/radio/saturday-matinee-broadcasts/

Jazz on Arts Axis Florida has curated a playlist showcasing the best works by Terence Blanchard. Listen now!

Celebrate the Music of the late Harry Belafonte

Wed, 17 May 2023 13:22:06 GMT

Celebrate the Music of the late Harry Belafonte

Harry Belafonte in a scene from the 1959 film Odds Against Tomorrow.

Michael Ochs Archives/Getty Images

Harry Belafonte helped popularize traditional Caribbean and African American folk music to a mainstream audience, and his distinctive blend of calypso, jazz, and folk inspired countless musicians and influenced the development of popular music in the mid-20th century. He was also a passionate advocate for social justice, using his platform to promote civil rights and humanitarian causes and paved the way for future generations of activists and artists to use their voices for positive change. We’ve curated some of Harry Belafonte’s best performances into several players below.

O Som Do Jazz Live Performance on International Jazz Day (4/30/23)

Wed, 10 May 2023 14:36:13 GMT

O Som Do Jazz - Live Performance - International Jazz Day (4/30/23)

The Warehouse Arts District Association (WADA) hosted an International Jazz Day event on April 30 at the ArtsXchange campus in downtown St. Petersburg, Fla., with a live Radio St. Pete performance by O Som Do Jazz , a local latin jazz group.

Set List:

Batucada sergiu - Marcos Valle

Samba de Orly - Toquinho

Mancada - Gilberto Gil

Minha saudade - João Donato

Maracangalha - Dorival Caymmi

Foi a noite - Tom Jobim

Batida diferente - Mauricio Einhorn/Durval Ferreira

Manha alegre - David Manson

Lamento no morro - Tom Jobim

Influencia do jazz - Carlos Lyra

Consolacao - Baden Powell

Berimbau - Baden Powell

O Som Do Jazz Players:

Andrea Moraes Manson - vocals

Alex Malkovich - saxophone

David Manson - trombone

Pablo Arencibia - keyboard

Randy Bordon - bass

Ayrias Pedigo - drums

Video Credits:

Audio produced by Radio St. Pete

Video & Editing by Warren Buchholz

Produced by Jazz on Arts Axis Florida for WUSF Public Media

Special Thanks to:

Warehouse Arts District Association

Markus Gottschlich

EMIT

Andrea Manson

David Manson

Radio St. Pete

J. Kolb

A Sit Down with the Cast and Crew of the Mexican film 'Síncopa'

Fri, 05 May 2023 17:22:39 GMT

A Sit Down with the Cast and Crew of the Mexican film Síncopa

Mexican writer and director Alan Gutiérrez's latest film, Síncopa , which is based on his 2017 short film Síncopa Gran Debut , premiered in the U.S. on International Jazz Day at the ArtsXchange campus in downtown St. Petersburg, Fla. The movie focuses on Olaf (Osvaldo de León), a jazz musician who is experiencing various “syncopations” in his life while trying to achieve success. Along with struggling to establish himself as a successful musician, Olaf is also dealing with tense relationships with his father, girlfriend, and his best friend and mentor Sammy (Antonio Monroi), who lives a carefree life. Síncopa is a jazz-infused film that features colorful Mexican landscapes, comedic moments, and tense dramatic scenes offering an alternative Mexican story to the violent and gritty orange-tinted desert portrayal seen in modern American media such as Netflix’s Narcos and Better Call Saul on AMC.

Antonio Mata, the cinematographer and producer of the movie, carefully selected each location in the film and worked closely with director Gutiérrez and a dedicated team of student workers to create a vibrant production. Síncopa is currently touring the U.S., and it will be shown in Mexican theaters later this year. It is in the process of acquiring a distributor for a future home streaming release.

For more information about director Alan Gutiérrez , please visit http://www.alazworks.com/ .

Images courtesy of Alan Gutiérrez

May the 4th be with You - Celebrating Star Wars Day

Thu, 04 May 2023 13:00:03 GMT

May the 4th be with You - Celebrating Star Wars Day

Jazz on Arts Axis Florida is celebrating Star Wars Day by playing jazz-fueled tunes based on the Star Wars film scores composed by John Williams. From the cantinas on Tatooine to the space-ports on Coruscant, we’ve curated a playlist that spotlights some out-there tunes from the swinging brass sounds of Evil Genius Orchestra, jazz variations from The Andrew Allen Trio, an entire album from Richard Cheese, the original John Williams scores from Jabba’s Palace, and some chill lofi hits.

Listen to the best songs from the late Ahmad Jamal

Mon, 01 May 2023 14:41:59 GMT

Listen to the best songs from the late Ahmad Jamal

Ahmad Jamal, pictured in 2016.

Rémy Gabalda/AFP via Getty Images

Ahmad Jamal gained international recognition in the 1950s and 1960s for his dynamic style and innovative approach to jazz piano, including his use of space and rhythmic patterns, which had a profound impact on the genre. His numerous recordings and performances have earned him critical acclaim and a devoted following among jazz enthusiasts. We have compiled a playlist of some of Ahmad Jamal’s greatest songs for you to experience.

Celebrating International Jazz Day with a Brand Announcement

Sat, 29 Apr 2023 01:23:06 GMT

Celebrating International Jazz Day with a Brand Announcement

WUSF Public Media celebrates International Jazz Day by announcing its new Jazz on Arts Axis Florida platform. Led by WUSF Public Media and The Community Foundation Tampa Bay, Jazz on Arts Axis Florida is the new digital hub for Florida jazz and focuses on providing space for local organizations and musicians to amplify community jazz events and create/curate performances. The website will provide a robust events calendar, local venue listings, and curation of jazz news, playlists, radio stations, and videos. Jazz on Arts Axis Florida is hoping to expand its platform with capturing video interviews and performances in-studio and is currently looking for local musicians and bands to perform. To submit a performance request, please fill out the following form.

Learn more about International Jazz Day he re: https://jazzday.com/participate/

Celebrate International Jazz Day with the Warehouse Arts District Associati on: https://www.warehouseartsdistrictstpete.org/event-5219994

About Brand Manager Warren Buchholz

Warren Buchholz was named Brand Manager for jazz music at WUSF Public Media’s Arts Axis Florida online streaming service. Buchholz will lead a series of new projects, including new podcasts on jazz, plus new Spoken Word offerings. Buchholz recently joined the WUSF team with experience in brand management, creative print and digital design, as well as management roles at USF St. Petersburg helping students connect to the growing St. Petersburg arts community.

Organization Spotlight - Warehouse Arts District Association

Fri, 28 Apr 2023 00:56:25 GMT

Warehouse Arts District Association

The Warehouse Art District Association's (WADA) mission is to build and sustain a vibrant arts community in St. Petersburg, Florida that supports the success of all artists and the community at large through a broad spectrum of tools, including community revitalization, marketing, advocacy and educational programming within the St. Petersburg Warehouse Arts District.

WADA is a 501(c)3 non-profit arts organization dedicated to building and sustaining a vibrant arts community within and around the Warehouse Arts District. Spanning from 1st Avenue North to 10th Avenue South and 16th Street to 31st Street, the Warehouse Arts District includes the Deuces Live Main Street and is comprised of a thriving community of over 300 businesses that support both the artistic outreach of the organization and the community revitalization.

WADA employs a broad spectrum of tools to include marketing, advocacy, community stimulation and educational programming to support the success of artists and local community. We thrive on donor support, community partners and WADA members; please join us! WADA members and donors receive access to free arts education classes, workshops, exhibit previews and more! Plus, you are making a difference in creating a community where arts, businesses, and local residents benefit from the synergy of artistic energy, a catalyst for positive growth.

Upcoming Events

Want to get invo lved with the Warehouse Arts District Association? Go here for more information!

Organization Spotlight - EMIT

Fri, 28 Apr 2023 00:36:38 GMT

EMIT

Would you like to be part of this new Florida jazz tradition? Contact Director David Manson to talk with him about concerts and sponsorship : mansond@spcollege.edu

Musician Spotlight - O Som Do Jazz

Sun, 23 Apr 2023 17:01:28 GMT

O Som Do Jazz

Unearthing legendary Baltimore jazz performances

Fri, 21 Apr 2023 17:35:38 GMT

Unearthing legendary Baltimore jazz performances

Heard on All Things Considered

By Noah Caldwell , Patrick Jarenwattananon , Alejandra Marquez Janse , Juana Summers

New recordings of old jazz performances at Baltimore's now-closed Famous Ballroom are being released for the very first time.

JUANA SUMMERS, HOST:

Two blocks north of Baltimore's Penn Station, there's a movie house now known as the Charles Theater.

JOHN FOWLER: Hello.

SUMMERS: In a previous era, this building housed a venue called the Famous Ballroom.

(SOUNDBITE OF MUSIC)

FOWLER: There were plastic stars and plastic moons and plastic clouds in the ceiling. There was canopy that looked like a circus tent. It was a dance hall.

SUMMERS: From the mid-1960s into the early '80s, nearly every Sunday from 5 p.m. onward, the Famous Ballroom was reserved for concerts put on by Baltimore's Left Bank Jazz Society. These were major shows. They brought in Duke Ellington and John Coltrane.

FOWLER: We would do Art Blakey one week, Count Basie the following week, Horace Silver the next week, Lee Morgan...

SUMMERS: And in the lobby, I met John Fowler, a charter member of the Left Bank Jazz Society.

FOWLER: I'm not a mathematician, but that's somewhere around 700 concerts.

SUMMERS: They got so many big-time artists to come to Baltimore because, well, for one, it was very convenient by train. The Left Bank also insisted the artists got paid for their work on time.

FOWLER: One of the things that we prided ourselves on - nobody ever left Baltimore without their money.

SUMMERS: And to hear John Fowler tell it, the vibe was unmatched. There were about a hundred tables set out. Sometimes families brought entire Sunday dinners.

FOWLER: Fried chicken, crab cakes, homemade potato salad, fifths of liquor open. You could bring everything with you. We had a lady who sold baked goods, cake, pies, cookies, all of that. We sold beer, potato chips and pretzels.

SUMMERS: That helped bring in an audience that was both young and old, Black and white, unusually diverse for its time.

FOWLER: They're jazz fans. We don't give a damn. You know, they could be green. As long as you got the price of admission, we don't care.

SUMMERS: A diverse and discerning audience.

FOWLER: Gimmicks didn't work in Baltimore. You had to play. When you got a standing ovation in the ballroom, you have really played your heart out.

SUMMERS: For the volunteers of the Left Bank Jazz Society, that was enough motivation to keep promoting shows in Baltimore for about 40 years in total. Some happened at other venues, but nothing was quite like a Sunday at the Famous Ballroom.

FOWLER: And just to know that there are 800 people in here who are having the time of their life, there's five guys on the stage who are playing some of the best music in the history of the world and the fact that you had a small part in helping that to happen.

(SOUNDBITE OF MUSIC)

SUMMERS: The thing is a lot of those concerts were recorded, mostly for the private archives of the Left Bank and for the artists themselves. Until a few years ago, only a handful of them were released as commercial albums by record labels. But hardcore jazz fans knew the tapes were there, and one of those fans is a record producer who grew up less than an hour away from Baltimore in the Washington, D.C., suburbs.

ZEV FELDMAN: It's truly historic, an amazing story.

SUMMERS: Zev Feldman has made a career out of finding archival records of jazz greats. For him, the raw material can't just be good. It has to be great.

FELDMAN: Just like fire on gasoline, I leap out of bed in the morning. I'm constantly researching with archives all around the world, trying to find this special recording - not just any recording but something that's really meaningful.

SUMMERS: Feldman makes the greatest of his finds into deluxe limited-edition albums. He's done this for over a decade with a number of record labels and has already put out three recordings from the Left Bank archives. This year he's helped produce three more albums, out today on CD and tomorrow on vinyl for Record Store Day. And each was recorded, at least in part, at the Famous Ballroom in Baltimore.

FELDMAN: We're unearthing history here...

FOWLER: And he loves it.

FELDMAN: I do.

SUMMERS: Feldman, Fowler and I sat down feet away from where these iconic shows used to happen to talk about these new releases - first up, a recording of the legendary saxophonist Sonny Stitt from the fall of 1973.

(SOUNDBITE OF SONNY STITT'S "A DIFFERENT BLUES (LIVE)")

FELDMAN: This is a really remarkable tape. Sonny Stitt was a pioneer, one of the most amazing gunslingers, if you will, in jazz with dexterity and the way he played. And he was a master.

(SOUNDBITE OF SONNY STITT'S "A DIFFERENT BLUES (LIVE)")

FELDMAN: Sonny Stitt being a local artist, for his children, the Left Bank performances were really important. And this was the chance that they would have an opportunity to go see their father play, so it'd become a family outing. So these shows are really special, and it's a really testament of the genius of Sonny Stitt.

FOWLER: We booked him on nine different occasions.

SUMMERS: Nine different occasions.

FOWLER: Yes.

SUMMERS: Wow.

FOWLER: Yes.

SUMMERS: So what do you remember about Sonny Stitt as a performer as someone who was in those spaces?

FOWLER: Unmatchable. When he came to town, every local horn player in the city showed up. They all stood at the back of the ballroom listening to the master. In Baltimore, if you say Sonny Stitt, you got a packed audience.

(SOUNDBITE OF SONNY STITT'S "A DIFFERENT BLUES (LIVE)")

SUMMERS: Feldmann takes another newly pressed LP out of his bag, a recording of the organist Shirley Scott and her band from 1972.

(SOUNDBITE OF MUSIC)

FELDMAN: This is a tour de force performance from one of the pioneers of soul jazz, if you want to call it that. She was a legendary organ player. This performance from 1972 captures her live. I think Shirley Scott is one of the greats. I don't think we get a chance to talk about her as much. So I feel like...

SUMMERS: Why do you think that is, though? Why do you think that someone like a Shirley Scott is not as well-known?

FOWLER: Women caught hell back in the day, especially in jazz. And if you stood up for yourself, you know, you got that bad reputation as being hard to deal with. You could be as good on your instrument as the next guy, but because he was a man, he got better treatment than you got.

(SOUNDBITE OF MUSIC)

SUMMERS: The third recording that's coming out was made in the mid-'60s, when pianist Walter Bishop Jr. came to Baltimore. We all talked about how he, too, was an undersung master from the bebop era.

(SOUNDBITE OF MUSIC)

SUMMERS: Really, we talked about a lot of the giants who came through this lobby. There were many, many stories. It was only after that that John Fowler got up and pointed out where exactly the Famous Ballroom used to be.

FOWLER: The ceiling of this building would have been the flooring of the ballroom.

SUMMERS: So the ballroom would have been all the way up there...

FOWLER: Yeah.

SUMMERS: ...Above the ceiling that we are seeing today.

FOWLER: Yes.

SUMMERS: Wow.

FOWLER: And slightly to the left.

SUMMERS: Fowler told me he'd only been here one other times since the early '80s, when the Famous Ballroom fell into disrepair. The high ceilings, movie posters and popcorn machines that we saw gave no hint of the legendary Left Bank concerts that once happened here. And this part of Baltimore city has changed, too.

FOWLER: It's great to be here, but there's nothing here that would kick in that memory other than the address 1717 North Charles Street. I mean, it's completely - there was no crepe restaurant next door to the ballroom when we had the concerts. So there's very little other than the fact that I know what happened upstairs.

(SOUNDBITE OF WALTER BISHOP JR.'S "SO WHAT")

SUMMERS: John Fowler knows what happened upstairs. He was there. He hopes that as these recordings are released, more people will be able to experience what happened here, too.

(SOUNDBITE OF WALTER BISHOP JR.'S "SO WHAT")

AILSA CHANG, HOST:

The new albums are from Sonny Stitt, Shirley Scott and Walter Bishop Jr.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Jazz Night toasts the NEA Jazz Masters class of 2023

Thu, 20 Apr 2023 17:01:30 GMT

Jazz Night toasts the NEA Jazz Masters class of 2023
B y Trevor Smith , Sarah Geledi

2023 NEA Jazz Masters (left to right): Louis Hayes (photo by Janette Beckman), Regina Carter (photo by Jeff Dunn), Kenny Garrett (photo by Jimmy Katz), Sue Mingus (Photo courtesy Mingus Archives)

Baseball has Cooperstown. Hollywood has stars on the Walk of Fame. And jazz has the NEA Jazz Masters. For over 40 years, the National Endowment for the Arts has bestowed the honor to a select few musicians and advocates with irrefutable resumes who have spent their lives in service to the music.

This week, we toast the newly minted 2023 class of NEA Jazz Masters: saxophonist Kenny Garrett who cut his teeth on the bandstands of Art Blakey and Miles Davis on the way to becoming the defining alto player of his generation; violinist Regina Carter who is hailed for her mastery on the instrument and her drive to expand its possibilities; drummer Louis Hayes who has spent over 70 years keeping time with some of the most soulful artists in the music's history; and Sue Mingus, recipient of the A.B. Spellman Fellowship for Jazz Advocacy, who kept the legacy of her husband Charles Mingus alive through ensembles, reinvention and education.

We'll hear interviews from each of the artists and from Sue Mingus' family as well as some incredible music from each musician's catalog — all showing why they are deserving of the moniker "Master."

Set List:

Horace Silver Quintet, "Mellow D" (Horace Silver)
Cannonball Adderley Quintet, "This Here" (Bobby Timmons)
Louis Hayes, "Room 608" (Silver)
Mingus Big Band, "Moanin'" (Charles Mingus)
Miles Davis , "Amandla" (Marcus Miller)
Kenny Garrett, "It's Time to Come Home" (Kenny Garrett)
Regina Carter, "Don't Git Sassy" (Thad Jones)
Regina Carter, "Rêverie" (Claude Debussy)
Regina Carter, "Squatty Roo" (Johnny Hodges)

Credits:

Special thanks to the NEA and Josephine Reed for the Masters interviews. You can watch the 2023 NEA Jazz Masters Tribute Concert from the John F. Kennedy Center for the Performing Arts.

Writers and Producers: Trevor Smith, Sarah Geledi; Host: Christian McBride; Consulting Editor: Katie Simon; Episode Mix: Ron Scalzo; Project Manager: Suraya Mohamed; Vice President of Visuals and Strategy at NPR Music: Keith Jenkins; Executive Producers: Anya Grundmann and Gabrielle Armand.

Measured maestro of the jazz piano, Ahmad Jamal, dies at 92

Mon, 17 Apr 2023 17:20:19 GMT

Measured maestro of the jazz piano, Ahmad Jamal, dies at 92

Heard on Morning Edition

Ahmad Jamal, pictured in 2016.

Rémy Gabalda/AFP via Getty Images

Ahmad Jamal was a pianist, composer and bandleader. His influence and admirers spread far and wide in jazz. In 1994, he was awarded a National Endowment for the Arts Jazz Master Fellowship.

LEILA FADEL, HOST:

Ahmad Jamal, storied jazz pianist and bandleader, has died at 92. His career spanned over seven decades.

(SOUNDBITE OF AHMAD JAMAL'S "POINCIANA")

A MARTÍNEZ, HOST:

Jamal's 1958 album "At The Pershing: But Not For Me" stayed on the charts for 108 weeks. In 2014, he told NPR he kind of saw it coming.

(SOUNDBITE OF ARCHIVED NPR BROADCAST)

AHMAD JAMAL: I just knew that we had something of value. I had the feeling that it was going to be a success - not to the extent that - of course, you can't be that clairvoyant.

MARTÍNEZ: Jamal inspired countless jazz musicians.

FADEL: Including Miles Davis, who once said, all my inspiration comes from Ahmad Jamal.

(SOUNDBITE OF AHMAD JAMAL TRIO'S "I LOVE MUSIC")

FADEL: His lush playing has also been widely sampled by hip-hop artists. Pianist Jason Moran isn't at all surprised by Jamal's enduring appeal.

JASON MORAN: Ahmad is timeless in a way that almost doesn't age. So there's something about what he - how he perforated the music, the air that he kind of infuses into it that always allows for the contemporary listener, no matter what decade they are in, to kind of fit themselves inside or have a moment to digest a crazy phrase he just played, you know?

(SOUNDBITE OF AHMAD JAMAL TRIO'S "I LOVE MUSIC")

MARTÍNEZ: Jamal played shows and released new recordings well into his 80s. He reflected on the inevitability of death.

(SOUNDBITE OF ARCHIVED NPR BROADCAST)

JAMAL: You can't take anything with you. Only thing that's going in there is, what did you do? What did you do? That's all that's going in there because paradise and hell begin right here, in my opinion. I've experienced both a little bit - just a little bit. I hope I can experience a whole lot of paradise in this world and in the hereafter. Believe me.

FADEL: Ahmad Jamal leaves a little bit of paradise for the rest of us to enjoy.

(SOUNDBITE OF AHMAD JAMAL'S "AUTUMN RAIN")

From gospel to TikTok to vocal big shot: the rise of Samara Joy

Thu, 16 Mar 2023 17:10:38 GMT

From gospel to TikTok to vocal big shot: the rise of Samara Joy

By Donelle Wedderburn , Alex Ariff , Sarah Geledi

Samara Joy Meredith Truax

Jazz Night in America celebrates two-time 2023 Grammy-winner Samara Joy, an artist now in full bloom who was nurtured as a seedling by her tight-knit family and community in the Bronx. Car rides to school were filled with the sounds and stories of her parents' childhoods — musicians like Heat Wave, The Sylvers and Aretha Franklin narrated a countless number of them. Joy's parents recognized her gift at a young age, supporting a childhood dream of becoming an actress. Stepping into different characters pushed her outside of her comfort zone and challenged her creatively; it was an early lesson on how to embody another and how to add color and complexity to a story that may not be your own.

Joy blurred the boundaries between theater and jazz as she took on the challenge of embodying vocalists like Sarah Vaughan and Carmen McRae , while creating a distinct style of her own. Her former professor, Jon Faddis , feels similarly. "If you can trade with an Ella Fitzgerald, you're fine. You're on your way. She took the baton and ran with it, she's like the Flo Jo of jazz."

Musicians:

Samara Joy, vocals; Tardo Hammer, piano; Ari Roland, bass; Keith Balla, drums.

"Nostalgia" from Linger Awhile: Samara Joy, vocals; Pasquale Grasso, guitar; David Wong, bass; Ben Paterson, piano; Kenny Washington, drums

Set List:

I'm Gonna Lock My Heart and Throw Away The Key (Jimmy Eaton/ Terry Shand)
My Mother Told Me (Samara Joy)
Moonglow (Eddie De Lange/Will Hudson/Irving Mills)
Nostalgia (The Day I Knew) (Fats Navarro/Samara Joy)
If You Never Fall in Love with Me (Carmen McRae)
Stardust (Hoagy Carmichael / Mitchell Parish)
The Trouble With Me Is You (Nat King Cole)
Nothing Ever Changes My Love for You (Nat King Cole)
I Didn't Know What Time It Was (Richard Rodgers/Lorenz Hart)
Linger Awhile (Harry Owens/ Vincent Rose)

Credits:

Writer and Producers: Alex Ariff, Sarah Geledi and Trevor Smith; Assistant producer: Donelle Wedderburn; Host: Christian McBride; Consulting editor: Katie Simon; Concert engineer: Rob Macomber; Episode Mix: Ron Scalzo; Project Manager: Suraya Mohamed; Vice President of Visuals and Strategy at NPR Music: Keith Jenkins; Executive Producers: Anya Grundmann and Gabrielle Armand.

Special thanks to Taylor Perry, Chris Mees and Matt Peirson.